randomuser123
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nope it was their own mistake children sometimes have to learn from their ways / egos
Kpop Satanic/Illuminati Influence
- Thread starter Frozenrose
- Start date
randomuser123
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and in general ive noticed that quite a lot of them dont particularly surprise me in terms of what else they know? they can be great leader but not know how to handle something outside of a kpop group or they can be a good dancer but not be able to add to a discussion of varied topics outside of that bubble theyre kept in. even my fave sometimes makes me cringe he said vcr instead of var that it became a running joke in ateez lmao sometimes they just give the vibes that theyve got much maturing still to do. also the idols i do lik eis when they have a skill that another member doesnt have so if theyre a good cook or can look after their space well i sometimes find that more attractive or if they did something else before becoming an idol again it makes them more interesting because if theyre just kept in kpop bubble they dont seem to know much yaknow? or they have to alot a certain member for cooking for the group or another member to clean their space / dorm etc etc sometimes I think some members altho they may work hard on their idol skills its so obvious they lack in other aspects
e-Enoch
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Not KPop...But About the Issues of Plagiarism...
Miley Cyrus Sued for "Flowers," Accused of Plagiarising Bruno Mars' "When I Was Your Man..."
The lawsuit, filed by Tempo Music Investments, claims Cyrus’ song features an unauthorized “exploitation” of components from Mars’ 2013 track...
Bruno Mars Miley Cyrus (Getty Images)
www.thewrap.com
Miley Cyrus Sued for "Flowers," Accused of Plagiarising Bruno Mars' "When I Was Your Man..."
The lawsuit, filed by Tempo Music Investments, claims Cyrus’ song features an unauthorized “exploitation” of components from Mars’ 2013 track...
Miley Cyrus Sued for 'Flowers,' Accused of Copying Bruno Mars' Hit Song 'When I Was Your Man'
The lawsuit, filed by Tempo Music Investments, claims her song features an unauthorized "exploitation" of components from Mars' 2013 track
www.thewrap.com
Clout
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The Bible has also been accused of being like that so my respect for Korea has just gone up a few notches..
arhur12
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That's so true.I really lost respect for idols this year because they are so bland on-screen and lack charisma. Unless you are in Kpop spaces you won't enjoy idol content because even most of the humour is related to their group dynamics and in-fandom jokes and they aren't really charismatic or that sexy compared to other musicians. I don't consider idols real musicians because they can't improvise. Every time they perform the vocals, dance and expressions are the same. Only handful of idols try to change their performances here and there. One of the reasons why I love live performances is because singers will usually change the way they sing a song or do new arrangements of their songs to add a new flair to the performance. Kpop doesn't have this. The most they do for award shows these days is add a few props to the stage or add a new dance break. There is no change to the actual song they perform and you'll never see them improvise on the spot. Strip them of the flashy outfits, stage props and choreographies and most idols will look bland and uncharismatic on stage. In western countries you have people like Billie Eilish and Ed Sheeran doing concerts in casual clothes looking like regular people but they still end up hyping the crowd more than idols and that to me is real stage presence.
The most popular and heavily marketed kpop concept is romance, and thus an actual romance fantasy is artificially created, marketed and sold.
This romance fantasy plays on the romantic desires of young teens and is an attempt to make them "fall in love" with their preferred idol/bias.
I don't know who the psychologists behind kpop idol marketing are (you already know that kpop idols are seen as "products" to be "marketed"), nor do I know their operations, but what they want is to try to blur the lines between fantasy and reality.
This is to make consumers (kpop fans) not be able to discern fantasy from reality and to make them fall in love more so more kpop idol/group merchandise is bought to increase profits, to make them think the romantic idol interactions are real, and to try to make them think their romance fantasies with their biases will come true.
That's why you can't tell sometimes if their gayness is an act or not.
They are trained to act gay and/or bi on camera (but most likely are not actually gay/bi) because the kpop companies have found a group of foreign consumers - the degenerate, very stupid, histrionic, highly neurotic, international American and European lgbtq+ communities. They are the reprobates that write the disgusting pornographic fanfictions, as these are their own sexual fantasies with their beloved biases/idols.
I suspect that the kpop idol lesbianism and homosexuality is to try to appeal to the lgbtq+ communities for profit, and lesbianism/homosexuality is put there by some possible zionist or pro-zionist foreigners who have been hired for kpop idol interaction planning.
Remember, for some odd reason or other, Swedish and other FOREIGNERS are hired to write kpop songs, be involved in kpop music and MV production. Why? I don't know but I can guess.
I'm guessing that since Lee Soo-Man has been knighted in 2009 by zionist Baroness Madame Philippine de Rothschild for having a positive relationship with her in 2008, darker concepts have been put into kpop music and MVs.
It's possible that these "foreign" writers and producers are pro-zionist, are secret zionists themselves or have social/financial connections to zionists.
Some idols don't mind or are pro-lgbtq+ but remember Korea is toxic and has old-fashioned views. They are predominantly intolerant to the lgbtq+ agenda.
The vast majority of idols aren't gay, lesbian, or bi. Only a few are.
There are are an unknown number of idols who are secretly xenophobic, even racist, colourist, classist, sexist, misogynistic, misandrist, homophobic, transphobic, and are materialistic and shallow. They don't care and will not change.
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RecievingA
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'I was helping her music': Woman found dead in David Bolno's room bathtub identifed as aspiring singer
Camila Sterling's body was discovered face-up in the tub after David Bolno left the hotel room in Miami
meaww.com
THE TAVISTOCK INSTITUTE FOR HUMAN RELATIONS:
OWNERSHIP AND CONTROL OF THE ENTIRE MUSIC AND ENTERTAINMENT INDUSTRY
Below are excerpts taken from John Coleman's book, THE TAVISTOCK INSTITUTE FOR HUMAN RELATIONS: Shaping the Moral, Spiritual, Cultural, Political and Economic Decline of the United States., p. 243-257
This post is a very long post.
The Tavistock Institute of Human Relations is The Committee of 300's primary, main organization and think-tank, which is their psychological warfare, propaganda, mind-control, and brainwashing directorate and headquarters, tasked for the completion of these aforementioned actions on the unsuspecting minds of the non-elite masses of the entire world.
In this chapter you'll see what entertainment companies The Tavistock Institute of Human Relations owns and controls.
Otherwise, please check out my thread, The Committee of 300, if you don't already know them, by going to the first page of the thread. The entire thread consists of very long posts.
The Committee of 300's members who include select Tavistock personnel, whom are 33° freemasons, have attempted to weaponize the entire music and entertainment industry, as an occult psychological warfare weapon of mind-control, brainwashing, emotional and psychological manipulation, and predictive programming, to use against the entire world.
vigilantcitizenforums.com
OWNERSHIP AND CONTROL OF THE ENTIRE MUSIC AND ENTERTAINMENT INDUSTRY
Below are excerpts taken from John Coleman's book, THE TAVISTOCK INSTITUTE FOR HUMAN RELATIONS: Shaping the Moral, Spiritual, Cultural, Political and Economic Decline of the United States., p. 243-257
This post is a very long post.
The Tavistock Institute of Human Relations is The Committee of 300's primary, main organization and think-tank, which is their psychological warfare, propaganda, mind-control, and brainwashing directorate and headquarters, tasked for the completion of these aforementioned actions on the unsuspecting minds of the non-elite masses of the entire world.
In this chapter you'll see what entertainment companies The Tavistock Institute of Human Relations owns and controls.
Otherwise, please check out my thread, The Committee of 300, if you don't already know them, by going to the first page of the thread. The entire thread consists of very long posts.
The Committee of 300's members who include select Tavistock personnel, whom are 33° freemasons, have attempted to weaponize the entire music and entertainment industry, as an occult psychological warfare weapon of mind-control, brainwashing, emotional and psychological manipulation, and predictive programming, to use against the entire world.
THE COMMITTEE OF 300
GOALS OF THE CLUB OF ROME: PART 3/3 THE RETURN TO THE DARK AGES, ONLY THIS TIME UNDER A DARK OCCULT THEOCRACY – A NEW DARK AGE Below are excerpts taken from John Coleman's book, THE CLUB OF ROME, p. 43-52 ✼ •• ┈┈┈┈๑⋅⋯ ୨˚୧ ⋯⋅๑┈┈┈┈ •• ✼ [Professor Willis] Harmon [, high priest of the COR] meant...
RecievingA
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She's a jewish korean..
Wait Hold up! Where is this website? i need to see it cuz omg I don't believe it (Like I'm shocked)
arhur12
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Is this Loona's chuu?
RecievingA
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Yeahhhhh. I seen the profile websites and none of them ever said she was part Jewish. Lol
randomuser123
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i dont really care for labels of who is or isnt whatever thats the same sort of shtick we used to get for liking bgs back in the early 00s its a tiring mindset to have if an idol can play an instrument well then they a musician end of story. the only thing that bothers me is that my faves are still tied to this morally corrupt perverted kpop system. i also dont really care how they are dressed either its such a minor reason to not like idol performances so i do agree to disagree with u there cause theres other aspects to them that ppl really do like abt idol groups. its just the system theyre in thats wayward and backwards or stuck in its ways that i find to be quite babaric really.
randomuser123
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i also think that what set idol groups back compare to western groups is kpop doesnt really let them have longevity and it sort of has them age out of the system or disband if they have done military, thats why im quite surprised by bts consistent success even with their milotary involved in the groups breaks. they have outlasted other groups like monsta x who had much potential to show for and even ikon couldve been brought back as well but so many groups either disband too early or arent given long enough nowadays not when u compare the time bts and blackpink had where there was no other competition. armies like to hollar how no one else can outdo them but i think its subjective because if u look at that time period in kpop there was such little competition it was maknly the start id say of the real kwave of groups that came afterwards. i also think its just egoistical even jisoo said it best how its 50/50 thr group and the fans but what about the fact they had such little competition at that time? but then again many western groups have also fallen apart like 1d little mix etc. its either a member leaves, does drugs or winds up like jonghyun moonbin sulli etc etc but even western groups have it occur for them and theres many. again its why im surprised nothing has occured in that sense for bp or bts they seemed to be able to recover quickly from scandals and misdemeanors as well whereas say its an nct member a whole ordeal is made out sbout it.
i think san will be the next jk or jimin one of those two not because hes similar to them in terms of maybe his personality or his singing but hes already garnered his own popularity without needing his members to do it for him, he also then seem to attract much backlash and antis just like jk and jimin often have. people do say there never be another bts or blackpink but no one considers other groups who have different vibes varied skills or members with vastly unique abilities or bring something else to the kpop scene its quite dismissive of them like if they only want bts to remain at top sure go ahead but it devalues any other groups chances or potential. i dont think they paved the way i just think they only opened the doors and had a sheer amount of luck in that time period. i dont know if i always believe these sob stories either of hardships and whatnot because kpop does tend to exagerate much of its drama around the idol groups anyway a lot of it can be fake or nonsense to get people to sympathise but it could also be true at the same time. its like when trying to decide if either an idol is not innocent but if they are being sabotaged or not.
i think san will be the next jk or jimin one of those two not because hes similar to them in terms of maybe his personality or his singing but hes already garnered his own popularity without needing his members to do it for him, he also then seem to attract much backlash and antis just like jk and jimin often have. people do say there never be another bts or blackpink but no one considers other groups who have different vibes varied skills or members with vastly unique abilities or bring something else to the kpop scene its quite dismissive of them like if they only want bts to remain at top sure go ahead but it devalues any other groups chances or potential. i dont think they paved the way i just think they only opened the doors and had a sheer amount of luck in that time period. i dont know if i always believe these sob stories either of hardships and whatnot because kpop does tend to exagerate much of its drama around the idol groups anyway a lot of it can be fake or nonsense to get people to sympathise but it could also be true at the same time. its like when trying to decide if either an idol is not innocent but if they are being sabotaged or not.
randomuser123
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thats why i believe its such a shock to their fans system if they are seen with females as if they cannot bare to see idols socialising with opposite gender it seems to also be varied netizens overreacting or mainly the younger audience age group who want to hold certain beliefs of idols or even tie an idol directly with another idol without considering what both those idols might want. i can think of many "ships" where i do think its over the top on the interactions not all the time but i dont think its always as romantic as what the fans want it to be. the ones that are gay or bi either dont know themselves or they wont come out bc of how korea is about not being open to it so its mixed feelings bc on one hand i really dgaf what idols do in their down time but at the same time i do wonder bc ik they be getting their fun via their fans who r usually underage or barely adults themselves. kq is hellbent on pushing woosan in every direction but not consider what woosan actually want compare to other dynamics that i think are more natural and i do think a "ship" can hve feelings for one another just not the romantic sort
and no offence to those of lgbt but i really think some idols actually dont dgaf about it either again bc their culture doesnt welcome difference or individuality
randomuser123
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i even think enhypen could last a very long time if they are given much attention from their agency or company and maybe if they were well rested as well caus ethey seem to be going here there and everywhere without so much as a sit down. again proves how some aspects of kpop companies are being unethical and not helping their groups to last long or giving them injuries and bad health early on.
one more thing abt bts, they seemed to think they could win a grammy without considering what winning a grammy actually has to entail. i dont think u could just waltz into foreign award show and claim something as urs without extensive research on how to actually achieve it. thatd be like foreigners going into kpop but debuting full english songs yet winning award in kpop, just a weird juxtaposition. i do think foreigners go into kpop too naively and blindly not that they cant do it but it feels like there be less attention on homegrown or at least the more east asian groups cause now anyone can be idol and aongs can be absolute tiktok garbage like meovv songs or lisas rockstar. it feels like its cheap for them to throw foreigners in groups bc theyre exotic and dramatic or will struggle to get to grips so perfect to be manipulated without doing research on what others experiences were like. honestly im just sad that they dont seem to strive to do anything else sometimes. really my fave group atm has good variation and just did a busking session too in munich yet everyone else in kpop seems overly reliant on social media and needing to be so perfectly doll like. sometimes its like some groups can really cut corners these days or producers are getting lazy cause for instance in 2016 their songs were usually full and enjoyable and they werent shoved in every youtube short
i even feel this about western songs that id rather avoid the shorts and reels because its the same segment over and over how can u possibly know if u like the song based on it going viral same with streaming when did streaming songs count towards a group of fans actually liking it from start to finish? netizens denounce groups potential before they have had a chance to gain a momentum of success. bad songs are genuinely overhyped whilst in between songs and somewhat listenable or better songs are often devalued by most chronically online mentally ill tweens who dont really have varied music taste anyway so they dont give these groups the time they deserve thus more groups are often deemed a "flop" and where do these terms even stem from? how can a group be a flop if no one giving them tlc? its like a controversy is only a controversy if ppl make it out to be one.
one more thing abt bts, they seemed to think they could win a grammy without considering what winning a grammy actually has to entail. i dont think u could just waltz into foreign award show and claim something as urs without extensive research on how to actually achieve it. thatd be like foreigners going into kpop but debuting full english songs yet winning award in kpop, just a weird juxtaposition. i do think foreigners go into kpop too naively and blindly not that they cant do it but it feels like there be less attention on homegrown or at least the more east asian groups cause now anyone can be idol and aongs can be absolute tiktok garbage like meovv songs or lisas rockstar. it feels like its cheap for them to throw foreigners in groups bc theyre exotic and dramatic or will struggle to get to grips so perfect to be manipulated without doing research on what others experiences were like. honestly im just sad that they dont seem to strive to do anything else sometimes. really my fave group atm has good variation and just did a busking session too in munich yet everyone else in kpop seems overly reliant on social media and needing to be so perfectly doll like. sometimes its like some groups can really cut corners these days or producers are getting lazy cause for instance in 2016 their songs were usually full and enjoyable and they werent shoved in every youtube short
i even feel this about western songs that id rather avoid the shorts and reels because its the same segment over and over how can u possibly know if u like the song based on it going viral same with streaming when did streaming songs count towards a group of fans actually liking it from start to finish? netizens denounce groups potential before they have had a chance to gain a momentum of success. bad songs are genuinely overhyped whilst in between songs and somewhat listenable or better songs are often devalued by most chronically online mentally ill tweens who dont really have varied music taste anyway so they dont give these groups the time they deserve thus more groups are often deemed a "flop" and where do these terms even stem from? how can a group be a flop if no one giving them tlc? its like a controversy is only a controversy if ppl make it out to be one.