Houses, furnitures and objects Illuminati
- Thread starter Shuna
- Start date
FRTIZ SPRIGMEIR CISCO WHEELER: The Illuminati Formula to Create an Undetectable Total Mind Control Slave. 13 Bloodines.
Las Vegas (sites in and around Las Vegas), NV--MGM’s Grand Hotel and Theme park were built for programming, but there are also some sites outside of the city used. In the general area of Las Vegas in remote sites, the elite gather for slave auctions once a year where Monarch slaves are sold and traded. One of the favorite slave auction sites was 20 miles out of Las Vegas and 10 miles off the main road into the site. The Mob is involved with Monarch slaves in Las Vegas. A blue-eyed 11 year old girl will go for $50,000. Toronto, Canada is another regular site for Monarch slave auctions.
In addition to this, large Wizard of Oz theme parks are being built by the Illuminati to provide places to carry out programming and to reinforce the programming which traps the minds of Monarch slaves. The best example of this, is the audacious MGM Grand complex in Las Vegas, although other theme parks around America also use a Wizard of Oz theme.
The constant bumping into Wizard of Oz paraphernalia or pictures of it helps focus the slave’s mind onto their Wizard of Oz programming. MGM Grand recently built a multi-million dollar pyramid complex with a theme park which is based on the Wizard of Oz and the Alice in Wonderland themes. The hotel at the MGM Grand is the world’s largest with 5,000 rooms, which shows that mind-control is big business. A team of actors dressed up in the Wizard of Oz theme like Dorothy and her friends (Tin man &Scarecrow) and walked on a yellow brick road constructed in the MGM complex. Emerald City is part of the theme park. The complex cost $1 billion according to the Las Vegas Review Journal, Dec. 19, ‘93 page Al. This complex is given the occult name Luxor, and is at 3900 Las Vegas Boulevard South. It has been advertised as the "Next Wonder of the World." It’s a shame that the 1990’s big wonder is a programming center.
The Illuminati are building their temples secretly throughout the United States. The last issue of this newsletter described the massive pyramid that has been built at Los Vegas. Pyramids have also been built at San Francisco (the Trans-America building) and in Chicago, and in other eastern places. The San Francisco building was built by people with ties to the Rockefellers. Just north of San Francisco and east of the Bohemian Grove is the Napa Valley of California. Anton LaVey moved to Napa Valley after his split with Aquino. LaVey ran a construction company during the 1910. out of Napa, CA. (As an aside, Anton LaVey’s chief representative in our Portland area is Rex ,,Diablos" Church,who grew up as Rex Nance in Seaside High School on the Oregon coast. Rex worked at the drug store at Broadway and Holiday at Seaside during high school. Two years after high school he returned to his hometown with his head shaved and wearing black in LaVey fashion. He had a stripper who dressed in black who was a Satanist as his girl friend for a while in the Portland area. According to Rex’s own words, he grew up in a secret Satanic family and was baptized to Satan as a child. Rex and his Satanic friends have schemed how to hurt the Christians. How many of their devious plans have succeeded I do not know. Also of Interest is that Rex lived a good deal with his what has been reported as Jehovah’s Witness grandparents.) With the Church of Satan feeling comfortable in Napa, it is not surprising that tbe Baron and Baroness Phillipi de Rothschild picked the area to build a secret temple to Satan.
Miss Universe Contest
The broadcast of the 1995 Miss Universe Contest did a very unusual freeze-framing of the show while it was on. The screen was mysteriously freeze-framed 9 times, this was a trigger for Illuminati Mothers of Darkness alters. A Mother of Darkness type throne was sat upon by the winner of the contest. An all-seeing-eye was flashed up on the screen with the code A MAY ZING written on it. This is the type of puns that the programmers enjoy. The winners of the contest came from INDIA, CANADA, and the USA. The order and names of those countries have to do with end times programming.
The names were a code to certain Mothers of Darkness systems. India wore a Mother of Darkness type garment. Canada wore black and white, and USA wore Red. Miss India gave another code during the interviews, "If someone wants to put monkey’s on your back, if you stand up they get on your back."
MGM Resorts International
HOTELS IN WIZARD OF OZ AND ALICE IN WONDERLAND THEMES
This ‘Wizard of Oz’ Hotel Room Has Its Own Yellow Brick Road
Alice In Wonderland
RM 888+ Per Night
Las Vegas (sites in and around Las Vegas), NV--MGM’s Grand Hotel and Theme park were built for programming, but there are also some sites outside of the city used. In the general area of Las Vegas in remote sites, the elite gather for slave auctions once a year where Monarch slaves are sold and traded. One of the favorite slave auction sites was 20 miles out of Las Vegas and 10 miles off the main road into the site. The Mob is involved with Monarch slaves in Las Vegas. A blue-eyed 11 year old girl will go for $50,000. Toronto, Canada is another regular site for Monarch slave auctions.
In addition to this, large Wizard of Oz theme parks are being built by the Illuminati to provide places to carry out programming and to reinforce the programming which traps the minds of Monarch slaves. The best example of this, is the audacious MGM Grand complex in Las Vegas, although other theme parks around America also use a Wizard of Oz theme.
The constant bumping into Wizard of Oz paraphernalia or pictures of it helps focus the slave’s mind onto their Wizard of Oz programming. MGM Grand recently built a multi-million dollar pyramid complex with a theme park which is based on the Wizard of Oz and the Alice in Wonderland themes. The hotel at the MGM Grand is the world’s largest with 5,000 rooms, which shows that mind-control is big business. A team of actors dressed up in the Wizard of Oz theme like Dorothy and her friends (Tin man &Scarecrow) and walked on a yellow brick road constructed in the MGM complex. Emerald City is part of the theme park. The complex cost $1 billion according to the Las Vegas Review Journal, Dec. 19, ‘93 page Al. This complex is given the occult name Luxor, and is at 3900 Las Vegas Boulevard South. It has been advertised as the "Next Wonder of the World." It’s a shame that the 1990’s big wonder is a programming center.
The Illuminati are building their temples secretly throughout the United States. The last issue of this newsletter described the massive pyramid that has been built at Los Vegas. Pyramids have also been built at San Francisco (the Trans-America building) and in Chicago, and in other eastern places. The San Francisco building was built by people with ties to the Rockefellers. Just north of San Francisco and east of the Bohemian Grove is the Napa Valley of California. Anton LaVey moved to Napa Valley after his split with Aquino. LaVey ran a construction company during the 1910. out of Napa, CA. (As an aside, Anton LaVey’s chief representative in our Portland area is Rex ,,Diablos" Church,who grew up as Rex Nance in Seaside High School on the Oregon coast. Rex worked at the drug store at Broadway and Holiday at Seaside during high school. Two years after high school he returned to his hometown with his head shaved and wearing black in LaVey fashion. He had a stripper who dressed in black who was a Satanist as his girl friend for a while in the Portland area. According to Rex’s own words, he grew up in a secret Satanic family and was baptized to Satan as a child. Rex and his Satanic friends have schemed how to hurt the Christians. How many of their devious plans have succeeded I do not know. Also of Interest is that Rex lived a good deal with his what has been reported as Jehovah’s Witness grandparents.) With the Church of Satan feeling comfortable in Napa, it is not surprising that tbe Baron and Baroness Phillipi de Rothschild picked the area to build a secret temple to Satan.
Miss Universe Contest
The broadcast of the 1995 Miss Universe Contest did a very unusual freeze-framing of the show while it was on. The screen was mysteriously freeze-framed 9 times, this was a trigger for Illuminati Mothers of Darkness alters. A Mother of Darkness type throne was sat upon by the winner of the contest. An all-seeing-eye was flashed up on the screen with the code A MAY ZING written on it. This is the type of puns that the programmers enjoy. The winners of the contest came from INDIA, CANADA, and the USA. The order and names of those countries have to do with end times programming.
The names were a code to certain Mothers of Darkness systems. India wore a Mother of Darkness type garment. Canada wore black and white, and USA wore Red. Miss India gave another code during the interviews, "If someone wants to put monkey’s on your back, if you stand up they get on your back."
MGM Resorts International
- The Mirage (sale pending to Hard Rock International in second half of 2022).[212]
- Bellagio (leased from The Blackstone Group)[213]
- The Cosmopolitan of Las Vegas (leased from Blackstone)[214]
- CityCenter (leased from Blackstone)[215]
- Park MGM
- New York-New York
- T-Mobile Arena (42.5% ownership stake by MGM Resorts International)[216]
- MGM Grand Las Vegas(Blackstone 49.9% ownership)
- MGM Grand Garden Arena
- Skylofts at MGM Grand
- The Mansion at MGM Grand
- The Signature at MGM Grand
- Excalibur
- Luxor
- Mandalay Bay(Blackstone 49.9% ownership)
HOTELS IN WIZARD OF OZ AND ALICE IN WONDERLAND THEMES
This ‘Wizard of Oz’ Hotel Room Has Its Own Yellow Brick Road
Alice In Wonderland
RM 888+ Per Night
Last edited:
Shuna
Star
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- Apr 6, 2018
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"The garden is a symbol of the terrestrial Paradise, of the Cosmos of which it is the center, of the celestial Paradise of which it is the figure, of the spiritual states, which correspond to the paradisiac stays.@Shuna
Thank you!
Please can you explain symbolism of Groves (Bohemian groves) and gardens?
Gardens of Bomarzo
The Sacro Bosco ("Sacred Grove"),[1] colloquially called Park of the Monsters
We know that the terrestrial Paradise of Genesis was a garden, that Adam cultivated the garden; which corresponds to the predominance of the vegetable kingdom at the beginning of a cyclical era, while the celestial Jerusalem of the end will be a city." In the Freemason tapestries, the forest goes towards the city, leaving a path in the center. Or is in the center a lake and the people on the other, to represent the human, earthly side. Just as in Star Wars, which like the tapestries, I've already spoken about it, when the Jedi are in the senators' apartments, you can see through the window, on the roof of one of the buildings, a long path of trees, which points towards the light, but is visible on the left, leaving on the right, the empty buildings.
"What a pleasure, writes the Chinese poet Hi K'ang, to walk in the garden! I go around infinity...
The cloister of monasteries, the enclosed garden of Muslim houses, with a central fountain, are images of Paradise.
The garden pond is a mirror. In the Thousand and One Nights, there is a question of a basin in a pavilion of rest, which has four doors, which are accessed by five steps.
The Egyptians also had a taste for gardens, with flower beds and ponds. They drew them on the walls and floors of their palaces. Each flower had its own language: the mandrakes berries were symbols of love, the lotuses with open petals evoked the sun wheel, and their roots in the waters the birth of the world.
The wedding celebrations of Zeus and Hera took place in the marvelous and mythical Garden of the Hesperides, a symbol of ever-renewed fertility. But for the Greeks, the garden was above all a luxury, the charm of which they discovered in Asia, during the conquests of Alexander.
Particularly in the form of a regular quincunx, the garden thus revealed itself as a symbol of the power of man and, in particular, of his power over a domesticated nature.
But it was in Persia that the garden took on not only a cosmic meaning, as in Japan, but also a metaphysical and mystical one.
Some versions of Cosmology describing a four-sided universe place a mountain in its center. This idea is reproduced in several Persian gardens and in the Mughal gardens of India. Persian gardens are always surrounded by walls; privacy protected. No gardens without perfumes. A symbolism attaches to the perfume of the flowers. The perfume of jasmine is the perfume of kings; that of the rose, the perfume of the beloved. The smell of saman, a kind of white jasmine, is like the perfume of your own children. The narcissus has the scent of own children. Narcissus has the scent of youth; the blue lotus the smell of material power or wealth, etc.
A specialized artist creates miniature gardens. Claws had trees made of gold and silver, with leaves and fruit of precious stones.
0In Native American civilizations, the garden was also conceived as a summary of the universe. But among the Aztecs they bring together not only what is beautiful and exalting in the world: flowers, fountains, mountains, rivers and paths, but also the formidable beings and even the monstrosities of nature.
The garden often appears in dreams, as the happy expression of a desire free from all anxiety. It is the place of growth, of the cultivation of vital and inner phenomena.
The garden quite often designates for man the sexual part of the female body."
Shuna
Star
- Joined
- Apr 6, 2018
- Messages
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Perhaps, if the garden represents the cycle, the grove represents one of the groups in action. I know that the p***phile act is surely confused with the rite (of there of sexual learning, used for example on Easter Island, which moreover surprised the researcher, who said, that it was incredibly round, and besides, the mountain is a volcano). And that this "navel of the world", with its sculptures which supervises all the parts of which the sky, except, the quarter and the water.
TRANCE FORMATION OF AMERICA: YOUNGSTOWN OHIO
Charm School is housed in an identified stone historical railroad barren's former residence, and the basement was in fact a wine cellar dungeon. It was dark, damp, and musty and was decorated in classic torture chamber fashion. It was complete with various hanging chains, a stretching rack, whips, and altars including one specially designed for bestiality sex. As I hung by my wrists, I could hear and smell the animals in the next cells — a black Nubian goat called Satan, a small donkey named Nester, sometimes a small white pony referred to as Trigger, and various dogs, cats, snakes, and others. All Charm School animals were trained to sexually respond to the smell of urine. When someone, such as Dick Thornburgh who particularly enjoyed this kind of kink, entered my cell and urinated on me, I knew I would soon be released from my chains and led to the animal altar for bestiality lessons, pornography, or to please a perverse onlooker. I was hung by my ankles, stretched on a rack, burned, and tortured repeatedly. My feet and hands were chained to a wall for what was termed "off the wall sex." I was taught «Silence» in Oz fashion since screaming did not produce results anyway unless they wanted it for pornography. This was implemented with an electronic canine bark collar normally used to train a dog not to bark.
Please Can we wind the similar building? I didn't suceeded in that.
TRANCE FORMATION OF AMERICA: BOHEMIAN GROVE
Among these internationally scandalous tapes are numerous videos covertly produced at the supposedly secure political sex playground in northern California, Bohemian Grove. According to Houston, Dante's high tech undetectable cameras used fiber optics, and fish-eye lens were in each of the elite club's numerous sexual perversion theme rooms. My knowledge of these cameras was due to the strategically compromising positions of the political perpetrators I was prostituted to in the various kinky theme rooms.
I was programmed and equipped to function in all rooms at Bohemian Grove in order to compromise specific government targets according to their personal perversions. "Anything, anytime, anywhere with anyone" was my mode of operation at the Grove. I do not purport to understand the full function of this political cesspool playground as my perception was limited to my own realm of experience. My perception is that Bohemian Grove serves those ushering in the New World Order through mind control, and consists primarily of the highest Mafia and U.S. Government officials. I do not use the term «highest» loosely, as copious quantities of drugs were consumed there. Project Monarch Mind-
Control slaves were routinely abused there to fulfill the primary purpose of the club: purveying perversion.
Bohemian Grove is reportedly intended to be used recreationally, providing a supposedly secure environment for politically affluent individuals to «party» without restraint. The only business conducted there pertained to implementing the New World Order, through the proliferation of mind-control atrocities, giving the place an air of "Masonic Secrecy". The only room where business discussions were permitted was the small, dark lounge affectionately and appropriately referred to as the Underground[50]. The wooden sign was carved to read: U.N.DERGROUND
Sex slaves were not routinely permitted in the Underground for security reasons, leaving the lounge's small stage as the only source of «entertainment». This entertainment ranged from would-be talents such as Lee Atwater, Bill Clinton, and George Bush to CIA Operative entertainers such as Boxcar Willie and Lee Greenwood, On one occasion I was instructed to meet with former President Gerald Ford in the Underground where Lee Atwater was picking and singing. As I waited through the smoke-filled room to Ford's table, Atwater interrupted his song to cryptically acknowledge my unwelcome presence by singing choruses of "Over the Rainbow" and Byrd's song for me "Country Roads" while emphasizing the lines of "Almost heaven, West Virginia".
My purpose at the Grove was sexual in nature, and therefore my perceptions were limited to a sex slave's viewpoint. As an effective means of control to ensure undetected proliferation of their perverse indulgences, slaves such as myself were subjected to ritualistic trauma. I knew each breath I took could be my last, as the threat of death lurked in every shadow. Slaves of advancing age or with failing programming were sacrificially murdered "at random" in the wooded grounds of Bohemian Grave, and I fell it was "simply a matter of time until it would be me". Rituals were held at a giant, concrete owl monument on the banks of, ironically enough, the Russian (rushin') River. These occultish sex rituals stemmed from the scientific belief that mind-controlled slaves required severe trauma to ensure compartmentalization of the memory, and not from any spiritual motivation.
My own threat of death was instilled when I witnessed the sacrificial death of a young, dark-haired victim at which time I was instructed to perform sexually "as though my life depended upon it". I was told, "…the next sacrifice victim could be you. Anytime when you least expect it, the owl will consume you. Prepare yourself, and stay prepared." Being «prepared» equated to being totally suggestible, i.e., "on my toes" awaiting their command.
After returning to Tennessee, Houston attempted to distort my Bohemian Grove experience by instructing me to "prepare myself for imminent death". He ordered me into a bathtub of cold water, placed ice cubes in my vagina, then transferred me to his bed. There he tied a coroner's type tag on my toe, and hypnotically deepened my trance to the point where my heart and breathing were nearly stopped. Then he gratified himself on my cold, still body through faux necrophilia — reportedly one of his favorite perversions. Houston had «perfected» his perversion to the extent that he handed the keys to my death-state programming to Lt. Col. Michael Aquino for use in Reagan's Hands-On Mind-Control Demonstrations. My death-state also further equipped me in my role of "anything, anytime, anywhere with anyone" to be accessed at Bohemian Grove.
The club offered a «Necrophilia» theme room to its members. I was so heavily drugged and programmed when used in the «necrophilia» room, that the threat of actually "slipping through death's door" and being sacrificed "before I knew it" did not affect me. My whole existence was balanced precariously on the edge of death as a matter of routine anyway. My robotic state did not permit me the «luxury» of self-preservation, and I could only do exactly what I was told to do. My necrophilia room experience was only for the purpose of providing Dante a compromising film of a targeted member anyway.
Other perversion theme rooms at the Bohemian Club included what I heard Ford refer to as the "Dark Room". When he not so cleverly said, "Let's go to the Dark Room and see what develops," I understood from experience that he was interested in indulging in his perverse obsession for pornography. In the Dark Room, members had sex with the same mind-controlled slave they were viewing in porn on a big screen television.
There was a triangular glass display centered in a main through way where I was locked in with various trained animals, including snakes. Members walking by watched elicit sex acts of bestiality, women with women, mothers with daughters, kids with kids, or any other unlimited perverse visual display.
I was once brutally assaulted by Dick Cheney in the Leather Room, which was designed tike a dark, black leather-lined train berth. As I crawled through the leather flaps covering the narrow entrance, I heard Cheney play on the word "berth/birth" as the soft blackness engulfed me. With the small opening covered, the blinding darkness enhanced the sense of touch and provided an option of anonymity. Cheney jokingly claimed that I "blew his cover" when I recognized his all-too-familiar voice and abnormally large penis size.
There was a room of shackles and tortures, black lights and strobes, an opium den, ritualistic sex altars, a chapel, group orgy rooms including poster beds, water beds, and «kitten» houses. I was used as a "rag doll" in the "toy store," and as a urinal in the "golden arches" room.
From the owl's roost to the necrophilia room, no memory of sexual abuse is as horrifying as the conversations overheard in the Underground pertaining to implementing the New World Order. I learned that perpetrators believed that controlling the masses through propaganda mind manipulation did not guarantee there would be a world left to dominate due to environmental and overpopulation problems. The solution being debated was not pollution/population control, but mass genocide of "selected undesirables."
Anyone attending the Bohemian Grove on a regular basis was referred to by those in the know as a «Grover». One such Grover was Ronald Reagan's then-Secretary of Education, Bill Bennett, Bill Bennett, who later became "Drug Czar" during the Bush Administration, wrote the so-called Book of Virtues and was/is? vying for the office of President. Bennett is apparently very close to his brother and fellow Grover, Bob Bennett. Although Bob Bennett holds the position of Legal Counsel to President Clinton, it is apparent that the brothers recognize no party lines.
It was clear to me that there were no partisan differences amongst those ushering in the New World Order, any more than there was loyalty to our Constitution. The close relationship I witnessed between the Bennett brothers, like the marriage between Clinton's and Bush's 1992 campaign managers James Carville and Mary Matlin, should raise questions as to their agenda, When Bill and Bob Bennett together sexually assaulted my daughter, Kelly, and me at the Bohemian Grove in 1986, I had already known Bill Bennett as a mind-control programmer for some time. Bennett anchored his Jesuit/Vatican based programming of me in my Catholic conditioning initially instilled via the Rite to Remain Silent. Through further manipulation of my «inner-dimensional» perceptions, Bennett believed he had forever compartmentalized his personal secrets of perverse sex with his brother, Bob, and my then six-year-old daughter. Bennett also had manipulated my mind in accordance with Vatican «Orders» via Byrd's Jesuit College programming center in West Virginia. He used his role as Jesuit programmer for the purposes of carrying out his efforts as Education Secretary to implement Education 2000[51].
I've found this building, full of shells.
Arseny Morozov House. Inspired by Pena Palace.
Inside there is a Chapel.
Moroz -- Cold which comes with Winter. Adress is Vozdvizhenka 16. Transation of the Street will be old fashion Vozdviz -- build something. So masonry are here.
It have underground tunnels and it foundation has been pre 1812 catstrophy. And it doesn't looks like a house if you ask me. More like Temple.
Fleur de Lys
House near Vozdvizhenka 18 c 9. Manson of Shakhovsky
REAL PLACE OF RITALS: HUMMEL PARK DAVID SHURTER EXPLAINS. VIDEO 1, VIDEO 2. Trigger warning!
Charm School is housed in an identified stone historical railroad barren's former residence, and the basement was in fact a wine cellar dungeon. It was dark, damp, and musty and was decorated in classic torture chamber fashion. It was complete with various hanging chains, a stretching rack, whips, and altars including one specially designed for bestiality sex. As I hung by my wrists, I could hear and smell the animals in the next cells — a black Nubian goat called Satan, a small donkey named Nester, sometimes a small white pony referred to as Trigger, and various dogs, cats, snakes, and others. All Charm School animals were trained to sexually respond to the smell of urine. When someone, such as Dick Thornburgh who particularly enjoyed this kind of kink, entered my cell and urinated on me, I knew I would soon be released from my chains and led to the animal altar for bestiality lessons, pornography, or to please a perverse onlooker. I was hung by my ankles, stretched on a rack, burned, and tortured repeatedly. My feet and hands were chained to a wall for what was termed "off the wall sex." I was taught «Silence» in Oz fashion since screaming did not produce results anyway unless they wanted it for pornography. This was implemented with an electronic canine bark collar normally used to train a dog not to bark.
Please Can we wind the similar building? I didn't suceeded in that.
TRANCE FORMATION OF AMERICA: BOHEMIAN GROVE
Among these internationally scandalous tapes are numerous videos covertly produced at the supposedly secure political sex playground in northern California, Bohemian Grove. According to Houston, Dante's high tech undetectable cameras used fiber optics, and fish-eye lens were in each of the elite club's numerous sexual perversion theme rooms. My knowledge of these cameras was due to the strategically compromising positions of the political perpetrators I was prostituted to in the various kinky theme rooms.
I was programmed and equipped to function in all rooms at Bohemian Grove in order to compromise specific government targets according to their personal perversions. "Anything, anytime, anywhere with anyone" was my mode of operation at the Grove. I do not purport to understand the full function of this political cesspool playground as my perception was limited to my own realm of experience. My perception is that Bohemian Grove serves those ushering in the New World Order through mind control, and consists primarily of the highest Mafia and U.S. Government officials. I do not use the term «highest» loosely, as copious quantities of drugs were consumed there. Project Monarch Mind-
Control slaves were routinely abused there to fulfill the primary purpose of the club: purveying perversion.
Bohemian Grove is reportedly intended to be used recreationally, providing a supposedly secure environment for politically affluent individuals to «party» without restraint. The only business conducted there pertained to implementing the New World Order, through the proliferation of mind-control atrocities, giving the place an air of "Masonic Secrecy". The only room where business discussions were permitted was the small, dark lounge affectionately and appropriately referred to as the Underground[50]. The wooden sign was carved to read: U.N.DERGROUND
Sex slaves were not routinely permitted in the Underground for security reasons, leaving the lounge's small stage as the only source of «entertainment». This entertainment ranged from would-be talents such as Lee Atwater, Bill Clinton, and George Bush to CIA Operative entertainers such as Boxcar Willie and Lee Greenwood, On one occasion I was instructed to meet with former President Gerald Ford in the Underground where Lee Atwater was picking and singing. As I waited through the smoke-filled room to Ford's table, Atwater interrupted his song to cryptically acknowledge my unwelcome presence by singing choruses of "Over the Rainbow" and Byrd's song for me "Country Roads" while emphasizing the lines of "Almost heaven, West Virginia".
My purpose at the Grove was sexual in nature, and therefore my perceptions were limited to a sex slave's viewpoint. As an effective means of control to ensure undetected proliferation of their perverse indulgences, slaves such as myself were subjected to ritualistic trauma. I knew each breath I took could be my last, as the threat of death lurked in every shadow. Slaves of advancing age or with failing programming were sacrificially murdered "at random" in the wooded grounds of Bohemian Grave, and I fell it was "simply a matter of time until it would be me". Rituals were held at a giant, concrete owl monument on the banks of, ironically enough, the Russian (rushin') River. These occultish sex rituals stemmed from the scientific belief that mind-controlled slaves required severe trauma to ensure compartmentalization of the memory, and not from any spiritual motivation.
My own threat of death was instilled when I witnessed the sacrificial death of a young, dark-haired victim at which time I was instructed to perform sexually "as though my life depended upon it". I was told, "…the next sacrifice victim could be you. Anytime when you least expect it, the owl will consume you. Prepare yourself, and stay prepared." Being «prepared» equated to being totally suggestible, i.e., "on my toes" awaiting their command.
After returning to Tennessee, Houston attempted to distort my Bohemian Grove experience by instructing me to "prepare myself for imminent death". He ordered me into a bathtub of cold water, placed ice cubes in my vagina, then transferred me to his bed. There he tied a coroner's type tag on my toe, and hypnotically deepened my trance to the point where my heart and breathing were nearly stopped. Then he gratified himself on my cold, still body through faux necrophilia — reportedly one of his favorite perversions. Houston had «perfected» his perversion to the extent that he handed the keys to my death-state programming to Lt. Col. Michael Aquino for use in Reagan's Hands-On Mind-Control Demonstrations. My death-state also further equipped me in my role of "anything, anytime, anywhere with anyone" to be accessed at Bohemian Grove.
The club offered a «Necrophilia» theme room to its members. I was so heavily drugged and programmed when used in the «necrophilia» room, that the threat of actually "slipping through death's door" and being sacrificed "before I knew it" did not affect me. My whole existence was balanced precariously on the edge of death as a matter of routine anyway. My robotic state did not permit me the «luxury» of self-preservation, and I could only do exactly what I was told to do. My necrophilia room experience was only for the purpose of providing Dante a compromising film of a targeted member anyway.
Other perversion theme rooms at the Bohemian Club included what I heard Ford refer to as the "Dark Room". When he not so cleverly said, "Let's go to the Dark Room and see what develops," I understood from experience that he was interested in indulging in his perverse obsession for pornography. In the Dark Room, members had sex with the same mind-controlled slave they were viewing in porn on a big screen television.
There was a triangular glass display centered in a main through way where I was locked in with various trained animals, including snakes. Members walking by watched elicit sex acts of bestiality, women with women, mothers with daughters, kids with kids, or any other unlimited perverse visual display.
I was once brutally assaulted by Dick Cheney in the Leather Room, which was designed tike a dark, black leather-lined train berth. As I crawled through the leather flaps covering the narrow entrance, I heard Cheney play on the word "berth/birth" as the soft blackness engulfed me. With the small opening covered, the blinding darkness enhanced the sense of touch and provided an option of anonymity. Cheney jokingly claimed that I "blew his cover" when I recognized his all-too-familiar voice and abnormally large penis size.
There was a room of shackles and tortures, black lights and strobes, an opium den, ritualistic sex altars, a chapel, group orgy rooms including poster beds, water beds, and «kitten» houses. I was used as a "rag doll" in the "toy store," and as a urinal in the "golden arches" room.
From the owl's roost to the necrophilia room, no memory of sexual abuse is as horrifying as the conversations overheard in the Underground pertaining to implementing the New World Order. I learned that perpetrators believed that controlling the masses through propaganda mind manipulation did not guarantee there would be a world left to dominate due to environmental and overpopulation problems. The solution being debated was not pollution/population control, but mass genocide of "selected undesirables."
Anyone attending the Bohemian Grove on a regular basis was referred to by those in the know as a «Grover». One such Grover was Ronald Reagan's then-Secretary of Education, Bill Bennett, Bill Bennett, who later became "Drug Czar" during the Bush Administration, wrote the so-called Book of Virtues and was/is? vying for the office of President. Bennett is apparently very close to his brother and fellow Grover, Bob Bennett. Although Bob Bennett holds the position of Legal Counsel to President Clinton, it is apparent that the brothers recognize no party lines.
It was clear to me that there were no partisan differences amongst those ushering in the New World Order, any more than there was loyalty to our Constitution. The close relationship I witnessed between the Bennett brothers, like the marriage between Clinton's and Bush's 1992 campaign managers James Carville and Mary Matlin, should raise questions as to their agenda, When Bill and Bob Bennett together sexually assaulted my daughter, Kelly, and me at the Bohemian Grove in 1986, I had already known Bill Bennett as a mind-control programmer for some time. Bennett anchored his Jesuit/Vatican based programming of me in my Catholic conditioning initially instilled via the Rite to Remain Silent. Through further manipulation of my «inner-dimensional» perceptions, Bennett believed he had forever compartmentalized his personal secrets of perverse sex with his brother, Bob, and my then six-year-old daughter. Bennett also had manipulated my mind in accordance with Vatican «Orders» via Byrd's Jesuit College programming center in West Virginia. He used his role as Jesuit programmer for the purposes of carrying out his efforts as Education Secretary to implement Education 2000[51].
I've found this building, full of shells.
Arseny Morozov House. Inspired by Pena Palace.
Inside there is a Chapel.
Moroz -- Cold which comes with Winter. Adress is Vozdvizhenka 16. Transation of the Street will be old fashion Vozdviz -- build something. So masonry are here.
It have underground tunnels and it foundation has been pre 1812 catstrophy. And it doesn't looks like a house if you ask me. More like Temple.
Fleur de Lys
House near Vozdvizhenka 18 c 9. Manson of Shakhovsky
REAL PLACE OF RITALS: HUMMEL PARK DAVID SHURTER EXPLAINS. VIDEO 1, VIDEO 2. Trigger warning!
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Fiona Barnett said one of the places she was abused was in Bathhurst. There was a former masonic hall for sale in that city in 2011 that was purchased a year later. It's used for other events now, like weddings and a "gay bar"
Article - Former Masonic hall and function centre in Bathurst
United Kingdom
Article - Former Masonic hall and function centre in Bathurst
United Kingdom
From Masonic Hall to Ice Cream Shop - Peterborough UK
Architecture & Furniture of Masonic lodges inside
.jpg/1200px-Masonic_Lodge_interior%2C_Town%2C_Beamish_Museum%2C_11_April_2012_(1).jpg)
Washington DC is different
Architecture & Furniture of Masonic lodges inside
Washington DC is different
Masonic Thrones and Chairs
.jpg/576px-Masonic_Lodge_interior%2C_Town%2C_Beamish_Museum%2C_25_January_2014_(3).jpg)
For "Grand Master" masons
Old Masonic Lodge Building Burns - Texarkana TX
For "Grand Master" masons
Old Masonic Lodge Building Burns - Texarkana TX
Shuna
Star
- Joined
- Apr 6, 2018
- Messages
- 1,367
On the subject KPop: Who reconfirms me, the info found: Speaking of the act of the position of Buddha (note that in Hinduism, in addition to having sexual images to illustrate, it has techniques to use in the circus). The sodomy that is used, for example in Africa, with the different accessories (to note, when more of the objects, there are certain members of a people, who paint their body in point, it is in this case, those who study the stars, and if I remember correctly, there are also some, earlier, holes on the statues looking at the sky of Easter Island And the sexual act used on young people, resembles the rites, practiced by the King at the top of the mountain): Note that the drawing made by Tata is the same as a drawing of a child, victim of Daesh, that I had seen in an art window:
vigilantcitizenforums.com
I take this opportunity, to say, I watch the Doctor Who series, to see the references, that they used, and the MK-Ultra victims are the Cybermen, (an army of soldiers, built by the master, for the Doctor ). He has a Franco-Japanese animated watch [the first Japanese animation companies, and the one who launched all these production companies was a Satanist (surely Freemason)]. In the series "Jayce and The Wheeled Warriors", a story, which can remind the series: "The mysterious Cities of Gold". (The series is freely adapted from the novel La Route de l'or (The King's Fifth, 1966) by Scott O'Dell, a historical fiction that depicts the discovery and exploration of America at the time of the Great Discoveries). The hero encounters a helmet, which was made with a spirit, but was built as a weapon, if it is worn, otherwise it is presented as simple armor (although it has a spirit in it). The hero is also accompanied by a friend in armor, he is also a spirit, in armor (besides, they meet many others on their way). The friend has a chibi, of a classic knight. And that, made me recall, The Weeknd's "Sacrifice" music video.
Kpop Satanic/Illuminati Influence
https://www.youtube.com/shorts/w9W7CoZx3Rc that's pretty funny ngl lol the disgusted look on his face says it all
I take this opportunity, to say, I watch the Doctor Who series, to see the references, that they used, and the MK-Ultra victims are the Cybermen, (an army of soldiers, built by the master, for the Doctor ). He has a Franco-Japanese animated watch [the first Japanese animation companies, and the one who launched all these production companies was a Satanist (surely Freemason)]. In the series "Jayce and The Wheeled Warriors", a story, which can remind the series: "The mysterious Cities of Gold". (The series is freely adapted from the novel La Route de l'or (The King's Fifth, 1966) by Scott O'Dell, a historical fiction that depicts the discovery and exploration of America at the time of the Great Discoveries). The hero encounters a helmet, which was made with a spirit, but was built as a weapon, if it is worn, otherwise it is presented as simple armor (although it has a spirit in it). The hero is also accompanied by a friend in armor, he is also a spirit, in armor (besides, they meet many others on their way). The friend has a chibi, of a classic knight. And that, made me recall, The Weeknd's "Sacrifice" music video.
Shuna
Star
- Joined
- Apr 6, 2018
- Messages
- 1,367
Remarquable par sa beauté, sa forme et son parfum, la rose est la fleur symbolique le plus employée en Occident. Elle correspond dans l'ensemble à ce qu'est le lotus en Asie, l'un et l'autre étant très proches du symbole de la roue. L'aspect le plus général de ce symbolise floral est celui de la manifestation, issue des eaux primordiales, au-dessus desquelles elle s'élève et s'épanouit. Cet aspect n'est d'ailleurs pas étranger à l'Inde, où la rose cosmique Triparasundari sert de référence à la beauté de la Mère divine. Elle désigne une perfection achevée, un accomplissement sans défaut. Comme on la verra, elle symbolise la coupe de vie, l'âme, le coeur, l'amour. On peut la contempler comme un mandala et la considérer comme un centre mystique.
La rose est l'iconographie chrétienne, soit la coupe qui recueille le sang du Christ, soit la transformation des gouttes de ce sang, soit le symbole des plaies du Christ. Un symbole rosicrucien figure cinq roses, une au centre et une sur chacun des roses de la Croix. Ces images évoquent, soit le Graal, soit la rosée céleste de la Rédemption. Et puisque nous étions les Rose-Croix, remarquerons que leur emblème place la rose au centre de la Croix, c'est-à-dire à l'emplacement du coeur-du-Christ, du sacré-Coeur. Ce symbole est le même que la Rose candida de la Divine Comédie; laquelle ne peut manquer d'évoquer la Rose mystique des litanies Chrétiennes, aussi que celui du Roman de la Rose, Angelus Silesius fait de la rose l'image de lire, celle aussi du Christ, dont l'âme reprit l'empreinte. La roue d'or, autrefois bénies par le Pape le quatrième dimanche de Carême, était un symbole de puissance et d'attraction spirituelles mais aussi sans doute un symbole de résurrection et d'immortalité.
La rosace gothique et la rose des vents marquent le passage du symbolisme de la rose à celui de la roue.
Il faut enfin noter le cas particulier, en mystique musulmane, d'un Saadi de Chiraz, pour qui le Jardin des Roses et celui de la contemplation: J'irai cueillir les roses du jardin, mais le parfum du rosier m'a enivré. Langage que la mythique chrétienne se refuserait dans aucune manière, en commentaire du Cantique des Cantiques sur la roue de Saron.
La rose par son rapport avec le sang répandu, paraît souvent être le symbole d'une renaissance mystique:
Sur le champ de bataille où sont tombés de nombreux héros, poussent des rosiers et des églantiers... Des roses et des anémones sont sortis du sang d'Adonis tandis que ce jeune dieu agonisait...
Il faut, dit Mircea Eliade, que la vie humaine se consume complètement pour épuisé toutes les possibilités de création ou de manifestation; vient-elle à être interrompue brusquement, par une mort violente, elle tente de se prolonger sous une autre forme: plante, fleur, fruit.
Les cicatrices sont comparées à des roses par Abd UI Kadir Gilani, qui attribue à ces roses un sens mystiques.
Selon F. Portal, la rose et la couleur rose continueraient un symbole de régénération du faite de la parenté sémantique du latin rosa avec ros, la pluie, la rosée. La rosée et sa couleur, dit-il étaient les symboles du premier degré de régénération et d'initiation aux mystères... et initiation au mystère... L'âne d'Apulée recouvre de la forme humaine, en mangeant une couronne de roses vermeilles que lui présente le grand-prêtre d'Isis. Le rosier, ajoute cet auteur, est l'image du regénéré, comme la rosée est le symbole de la régénération. Et la rose, dans les textes sacrées accompagne bien souvent le vert, ce qui confirme cette interprétations. Ainsi dans l'Ecciésiaste; J'ai grandi... comme les plants de roses de Jéricho, comme un olivier magnifique dans la plaine. L'olivier était consacré à Athéna - la déesse aux yeux pers - qui naquit à Rhodes, l'Île des roses: ce qui suggère les mystères de l'initiation. Et les rosiers était consacrés à Aphrodite en même temps qu'à Athena. La rose était chez les Grecs une fleur blanche, mais lorsque Adonis, protégé d'Aphrodite, fut blessé à mort, la Déesse courut vers lui, se piqua à une épine et le sang colora les roses qui lui était consacré.
C'est ce symbole de régénération qui fait que, depuis l'Antiquité, on dépose des roses sur les tombes: les anciens... nommaient cette cérémonie rosalia; tous les ans, au mois de mai. Ils offraient aux mânes des défunts des mers de roses. Et Hécate, déesse des Enfers, était parfois représentée la tête ceinte d'une guirlande de roses à cinq feuilles. On sait que le nombre cinq, succédant au quatre, nombre d'accomplissement, marque le départ d'un nouveau cycle.
Au septième siècle selon Bède, le tombeau de Jésus-Christ était peint d'une couleur mélangée de blanc et de rouge. L'on retrouve ces deux éléments composants de la couleur rose, le rouge et le blanc, avec leur valeur symbolique traditionnelle, sur tout les plants profane au sacré, dans la différente accordée aux offrandes de roses blanches et de roses rouges, ainsi que la différence entre les notions de passion et de pureté et celles de l'amour transcendant et de sagesse divine. Aux armes des religieuses, dit le Palais de l'Honneur, l'on met une couronne composée de branches de rosier blanc avec ses feuilles, ses roses et ses épines, qui dénote le chasteté qu'elles sont conservée parmi les épines et les mortifications de la vie.
La rose est devenue un symbole de l'amour et plus encore du don de l'amour, de l'amour pur... La rose comme fleur d'amour remplace le lotus égyptien et le narcisse grec; ce ne sont pas les roses frivoles de Catulle... Mais les roses celtiques, vivaces et fières, non dépourvues d'épines et lourde d'un doux symbolisme: celle du Roman de la Rose, dont Guillaume de Lorris et Jean de Meung font le mystérieux tabernacle du Jardin d'Amour de la Chevalerie, rosa mystica des litanies de la Vierge, roses d'or que les papes donneront aux princesses méritantes, enfin l'immense fleur symbolique que Béatrice montre à son amant fidèle parvenu au dernier cercle du Paradis, rose et rosace à la fois.
L'amour paradisiaque sera comparé par Dante au center de la rose: Au centre d'or de la rose éternelle, qui se dilate et va de degré en degré, et qui exhale un parfum de louange au soleil toujours printanier.
Béatrice m'attira... (Dans le Paradis, vient de deux chants).
Blanche ou rouge, la rose est une des fleurs préféré des alchimistes dont les traités s'intitulent souvent rosiers des philosophes. La rose blanche comme le lis fut liée à la pierre au blanc, but du petit oeuvre, tandis que la rose rouge fut associée à la pierre au rouge, but du grand oeuvre. La plus part de ces roses ont sept pétales dont chacun évoque un métal ou une opération de l'oeuvre. Une rose bleu serait le symbole de l'impossible.
La rose est l'iconographie chrétienne, soit la coupe qui recueille le sang du Christ, soit la transformation des gouttes de ce sang, soit le symbole des plaies du Christ. Un symbole rosicrucien figure cinq roses, une au centre et une sur chacun des roses de la Croix. Ces images évoquent, soit le Graal, soit la rosée céleste de la Rédemption. Et puisque nous étions les Rose-Croix, remarquerons que leur emblème place la rose au centre de la Croix, c'est-à-dire à l'emplacement du coeur-du-Christ, du sacré-Coeur. Ce symbole est le même que la Rose candida de la Divine Comédie; laquelle ne peut manquer d'évoquer la Rose mystique des litanies Chrétiennes, aussi que celui du Roman de la Rose, Angelus Silesius fait de la rose l'image de lire, celle aussi du Christ, dont l'âme reprit l'empreinte. La roue d'or, autrefois bénies par le Pape le quatrième dimanche de Carême, était un symbole de puissance et d'attraction spirituelles mais aussi sans doute un symbole de résurrection et d'immortalité.
La rosace gothique et la rose des vents marquent le passage du symbolisme de la rose à celui de la roue.
Il faut enfin noter le cas particulier, en mystique musulmane, d'un Saadi de Chiraz, pour qui le Jardin des Roses et celui de la contemplation: J'irai cueillir les roses du jardin, mais le parfum du rosier m'a enivré. Langage que la mythique chrétienne se refuserait dans aucune manière, en commentaire du Cantique des Cantiques sur la roue de Saron.
La rose par son rapport avec le sang répandu, paraît souvent être le symbole d'une renaissance mystique:
Sur le champ de bataille où sont tombés de nombreux héros, poussent des rosiers et des églantiers... Des roses et des anémones sont sortis du sang d'Adonis tandis que ce jeune dieu agonisait...
Il faut, dit Mircea Eliade, que la vie humaine se consume complètement pour épuisé toutes les possibilités de création ou de manifestation; vient-elle à être interrompue brusquement, par une mort violente, elle tente de se prolonger sous une autre forme: plante, fleur, fruit.
Les cicatrices sont comparées à des roses par Abd UI Kadir Gilani, qui attribue à ces roses un sens mystiques.
Selon F. Portal, la rose et la couleur rose continueraient un symbole de régénération du faite de la parenté sémantique du latin rosa avec ros, la pluie, la rosée. La rosée et sa couleur, dit-il étaient les symboles du premier degré de régénération et d'initiation aux mystères... et initiation au mystère... L'âne d'Apulée recouvre de la forme humaine, en mangeant une couronne de roses vermeilles que lui présente le grand-prêtre d'Isis. Le rosier, ajoute cet auteur, est l'image du regénéré, comme la rosée est le symbole de la régénération. Et la rose, dans les textes sacrées accompagne bien souvent le vert, ce qui confirme cette interprétations. Ainsi dans l'Ecciésiaste; J'ai grandi... comme les plants de roses de Jéricho, comme un olivier magnifique dans la plaine. L'olivier était consacré à Athéna - la déesse aux yeux pers - qui naquit à Rhodes, l'Île des roses: ce qui suggère les mystères de l'initiation. Et les rosiers était consacrés à Aphrodite en même temps qu'à Athena. La rose était chez les Grecs une fleur blanche, mais lorsque Adonis, protégé d'Aphrodite, fut blessé à mort, la Déesse courut vers lui, se piqua à une épine et le sang colora les roses qui lui était consacré.
C'est ce symbole de régénération qui fait que, depuis l'Antiquité, on dépose des roses sur les tombes: les anciens... nommaient cette cérémonie rosalia; tous les ans, au mois de mai. Ils offraient aux mânes des défunts des mers de roses. Et Hécate, déesse des Enfers, était parfois représentée la tête ceinte d'une guirlande de roses à cinq feuilles. On sait que le nombre cinq, succédant au quatre, nombre d'accomplissement, marque le départ d'un nouveau cycle.
Au septième siècle selon Bède, le tombeau de Jésus-Christ était peint d'une couleur mélangée de blanc et de rouge. L'on retrouve ces deux éléments composants de la couleur rose, le rouge et le blanc, avec leur valeur symbolique traditionnelle, sur tout les plants profane au sacré, dans la différente accordée aux offrandes de roses blanches et de roses rouges, ainsi que la différence entre les notions de passion et de pureté et celles de l'amour transcendant et de sagesse divine. Aux armes des religieuses, dit le Palais de l'Honneur, l'on met une couronne composée de branches de rosier blanc avec ses feuilles, ses roses et ses épines, qui dénote le chasteté qu'elles sont conservée parmi les épines et les mortifications de la vie.
La rose est devenue un symbole de l'amour et plus encore du don de l'amour, de l'amour pur... La rose comme fleur d'amour remplace le lotus égyptien et le narcisse grec; ce ne sont pas les roses frivoles de Catulle... Mais les roses celtiques, vivaces et fières, non dépourvues d'épines et lourde d'un doux symbolisme: celle du Roman de la Rose, dont Guillaume de Lorris et Jean de Meung font le mystérieux tabernacle du Jardin d'Amour de la Chevalerie, rosa mystica des litanies de la Vierge, roses d'or que les papes donneront aux princesses méritantes, enfin l'immense fleur symbolique que Béatrice montre à son amant fidèle parvenu au dernier cercle du Paradis, rose et rosace à la fois.
L'amour paradisiaque sera comparé par Dante au center de la rose: Au centre d'or de la rose éternelle, qui se dilate et va de degré en degré, et qui exhale un parfum de louange au soleil toujours printanier.
Béatrice m'attira... (Dans le Paradis, vient de deux chants).
Blanche ou rouge, la rose est une des fleurs préféré des alchimistes dont les traités s'intitulent souvent rosiers des philosophes. La rose blanche comme le lis fut liée à la pierre au blanc, but du petit oeuvre, tandis que la rose rouge fut associée à la pierre au rouge, but du grand oeuvre. La plus part de ces roses ont sept pétales dont chacun évoque un métal ou une opération de l'oeuvre. Une rose bleu serait le symbole de l'impossible.
Remarkable for its beauty, its shape and its fragrance, the rose is the symbolic flower most used in the West. It corresponds on the whole to what is the lotus in Asia, both being very close to the symbol of the wheel. The most general aspect of this floral symbolizes is that of manifestation, issuing from the primordial waters, above which it rises and blossoms. This aspect is also no stranger to India, where the cosmic rose Triparasundari serves as a reference to the beauty of the divine Mother. It designates a perfect perfection, an accomplishment without defect. As we will see, it symbolizes the cup of life, the soul, the heart, love. One can contemplate it as a mandala and consider it as a mystical center.
The rose is Christian iconography, either the cup that collects the blood of Christ, or the transformation of the drops of this blood, or the symbol of the wounds of Christ. A Rosicrucian symbol features five roses, one in the center and one on each of the roses of the Cross. These images evoke either the Grail or the celestial dew of Redemption. And since we were the Rose-Croix, note that their emblem places the rose in the center of the Cross, that is to say at the location of the heart of Christ, of the Sacred Heart. This symbol is the same as the Candida Rose of the Divine Comedy; which cannot fail to evoke the mystical Rose of the Christian litanies, as well as that of the Roman de la Rose, Angelus Silesius makes the rose the image of reading, that also of Christ, whose soul took up the imprint. The Golden Wheel, once blessed by the Pope on the fourth Sunday of Lent, was a symbol of spiritual power and attraction but also arguably a symbol of resurrection and immortality.
Finally, we must note the particular case, in Muslim mysticism, of a Saadi of Shiraz, for whom the Garden of Roses is that of contemplation: I will pick the roses from the garden, but the perfume of the rosebush has intoxicated me. Language that the mythical Christian would refuse in any way, in commentary on the Song of Songs on the wheel of Sharon.
The rose, through its relationship with spilled blood, often seems to be the symbol of a mystical rebirth:
On the battlefield where many heroes have fallen, rosebushes and wild roses grow... Roses and anemones sprang from the blood of Adonis while this young god was dying...
It is necessary, says Mircea Eliade, that human life is completely consumed in order to exhaust all the possibilities of creation or manifestation; if it comes to be abruptly interrupted by a violent death, it tries to continue in another form: plant, flower, fruit.
The scars are compared to roses by Abd UI Kadir Gilani, who attributes to these roses a mystical meaning.
According to F. Portal, the rose and the color rose would continue a symbol of regeneration due to the semantic relationship of the Latin rosa with ros, the rain, the dew. The dew and its color, he said, were the symbols of the first degree of regeneration and of initiation into the mysteries... and initiation into the mystery... Apuleius' donkey recovers human form, eating a crown of vermilion roses presented to him by the high priest of Isis. The rosebush, adds this author, is the image of the regenerated, as the dew is the symbol of regeneration. And the rose, in the sacred texts often accompanies the green, which confirms this interpretation. So in Ecciesiastes; I grew... like the rose plants of Jericho, like a magnificent olive tree in the plain. The olive tree was consecrated to Athena - the green-eyed goddess - who was born in Rhodes, the Isle of Roses: which suggests the mysteries of initiation. And the roses were dedicated to Aphrodite as well as Athena. The rose was a white flower among the Greeks, but when Adonis, protected by Aphrodite, was mortally wounded, the Goddess ran towards him, pricked herself on a thorn and the blood colored the roses which were consecrated to her.
It is this symbol of regeneration that has caused roses to be placed on tombs since Antiquity: the ancients... called this ceremony rosalia; every year, in May. They offered seas of roses to the ghosts of the dead. And Hecate, goddess of the Underworld, was sometimes represented with her head crowned with a garland of five-leaf roses. We know that the number five, succeeding the four, number of accomplishment, marks the start of a new cycle.
In the seventh century according to Bede, the tomb of Jesus Christ was painted with a mixed color of white and red. We find these two component elements of the color rose, red and white, with their traditional symbolic value, on all plants from the profane to the sacred, in the difference granted to the offerings of white roses and red roses, as well as the difference between the notions of passion and purity and those of transcendent love and divine wisdom. To the arms of the nuns, says the Palace of Honor, is placed a crown composed of branches of white rose with its leaves, roses and thorns, which denotes the chastity that they are preserved among thorns and mortifications of life.
The rose has become a symbol of love and even more of the gift of love, of pure love... The rose as a flower of love replaces the Egyptian lotus and the Greek narcissus; these are not the frivolous roses of Catullus... But the Celtic roses, lively and proud, not devoid of thorns and heavy with a sweet symbolism: that of the Roman de la Rose, of which Guillaume de Lorris and Jean de Meung make the mysterious tabernacle of the Garden of Love of Chivalry, rosa mystica of the litanies of the Virgin, golden roses that the popes will give to deserving princesses, finally the immense symbolic flower that Beatrice shows to her faithful lover who has reached the last circle of the Paradise, rose and rosette at the same time.
Paradisiac love will be compared by Dante to the center of the rose: To the golden center of the eternal rose, which expands and goes from degree to degree, and which exhales a perfume of praise in the ever spring sun.
Beatrice attracted me... (In Paradise, comes from two songs).
White or red, the rose is one of the favorite flowers of the alchemists whose treatises are often called roses of the philosophers. The white rose like the lily was linked to the white stone, the goal of the little work, while the red rose was associated with the red stone, the goal of the great work. Most of these roses have seven petals, each of which evokes a metal or an operation of the work. A blue rose would be the symbol of the impossible.
The rose is Christian iconography, either the cup that collects the blood of Christ, or the transformation of the drops of this blood, or the symbol of the wounds of Christ. A Rosicrucian symbol features five roses, one in the center and one on each of the roses of the Cross. These images evoke either the Grail or the celestial dew of Redemption. And since we were the Rose-Croix, note that their emblem places the rose in the center of the Cross, that is to say at the location of the heart of Christ, of the Sacred Heart. This symbol is the same as the Candida Rose of the Divine Comedy; which cannot fail to evoke the mystical Rose of the Christian litanies, as well as that of the Roman de la Rose, Angelus Silesius makes the rose the image of reading, that also of Christ, whose soul took up the imprint. The Golden Wheel, once blessed by the Pope on the fourth Sunday of Lent, was a symbol of spiritual power and attraction but also arguably a symbol of resurrection and immortality.
Finally, we must note the particular case, in Muslim mysticism, of a Saadi of Shiraz, for whom the Garden of Roses is that of contemplation: I will pick the roses from the garden, but the perfume of the rosebush has intoxicated me. Language that the mythical Christian would refuse in any way, in commentary on the Song of Songs on the wheel of Sharon.
The rose, through its relationship with spilled blood, often seems to be the symbol of a mystical rebirth:
On the battlefield where many heroes have fallen, rosebushes and wild roses grow... Roses and anemones sprang from the blood of Adonis while this young god was dying...
It is necessary, says Mircea Eliade, that human life is completely consumed in order to exhaust all the possibilities of creation or manifestation; if it comes to be abruptly interrupted by a violent death, it tries to continue in another form: plant, flower, fruit.
The scars are compared to roses by Abd UI Kadir Gilani, who attributes to these roses a mystical meaning.
According to F. Portal, the rose and the color rose would continue a symbol of regeneration due to the semantic relationship of the Latin rosa with ros, the rain, the dew. The dew and its color, he said, were the symbols of the first degree of regeneration and of initiation into the mysteries... and initiation into the mystery... Apuleius' donkey recovers human form, eating a crown of vermilion roses presented to him by the high priest of Isis. The rosebush, adds this author, is the image of the regenerated, as the dew is the symbol of regeneration. And the rose, in the sacred texts often accompanies the green, which confirms this interpretation. So in Ecciesiastes; I grew... like the rose plants of Jericho, like a magnificent olive tree in the plain. The olive tree was consecrated to Athena - the green-eyed goddess - who was born in Rhodes, the Isle of Roses: which suggests the mysteries of initiation. And the roses were dedicated to Aphrodite as well as Athena. The rose was a white flower among the Greeks, but when Adonis, protected by Aphrodite, was mortally wounded, the Goddess ran towards him, pricked herself on a thorn and the blood colored the roses which were consecrated to her.
It is this symbol of regeneration that has caused roses to be placed on tombs since Antiquity: the ancients... called this ceremony rosalia; every year, in May. They offered seas of roses to the ghosts of the dead. And Hecate, goddess of the Underworld, was sometimes represented with her head crowned with a garland of five-leaf roses. We know that the number five, succeeding the four, number of accomplishment, marks the start of a new cycle.
In the seventh century according to Bede, the tomb of Jesus Christ was painted with a mixed color of white and red. We find these two component elements of the color rose, red and white, with their traditional symbolic value, on all plants from the profane to the sacred, in the difference granted to the offerings of white roses and red roses, as well as the difference between the notions of passion and purity and those of transcendent love and divine wisdom. To the arms of the nuns, says the Palace of Honor, is placed a crown composed of branches of white rose with its leaves, roses and thorns, which denotes the chastity that they are preserved among thorns and mortifications of life.
The rose has become a symbol of love and even more of the gift of love, of pure love... The rose as a flower of love replaces the Egyptian lotus and the Greek narcissus; these are not the frivolous roses of Catullus... But the Celtic roses, lively and proud, not devoid of thorns and heavy with a sweet symbolism: that of the Roman de la Rose, of which Guillaume de Lorris and Jean de Meung make the mysterious tabernacle of the Garden of Love of Chivalry, rosa mystica of the litanies of the Virgin, golden roses that the popes will give to deserving princesses, finally the immense symbolic flower that Beatrice shows to her faithful lover who has reached the last circle of the Paradise, rose and rosette at the same time.
Paradisiac love will be compared by Dante to the center of the rose: To the golden center of the eternal rose, which expands and goes from degree to degree, and which exhales a perfume of praise in the ever spring sun.
Beatrice attracted me... (In Paradise, comes from two songs).
White or red, the rose is one of the favorite flowers of the alchemists whose treatises are often called roses of the philosophers. The white rose like the lily was linked to the white stone, the goal of the little work, while the red rose was associated with the red stone, the goal of the great work. Most of these roses have seven petals, each of which evokes a metal or an operation of the work. A blue rose would be the symbol of the impossible.
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I have not found anything for the moment in my dictionary, but on the site of the flowers:
What are the different meanings of the dahlia ? | Truffaut
Shuna
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Je sais pas encore, ce qui peuvent chercher, avec le hibou. Mais, comme les Franc-Maçons, ils suivent le conseil de leur idole (de l'égrégore):@Shuna Thank you Bohemian Grove have symbolism of an owl. What OWL mean in their context? Please can you say?
Parce qu'il n'affronte pas la lumière du jour, le hibou est symbole de tristesse, d'obscurité, de retraite solitaire et mélancolique. La mythologie grec en fait l'interprétation d'Atropos, celle des Parques qui coupe le fil de la destinée. En Egypte, il exprime le froid, la nuit, la mort.
Dans l'iconographie hindoue, le hibou est parfois attribué à la mâkara (mère) Vârâhi, sans que sa signification puisse être précise.
Le hibou jouait, dans la Chine antique un rôle important: c'était un animal terrible, qui était sensé dévoré sa mère. Il symbolisait le yang, et même l'excès de yang. Il se manifestait au solstice s'été, s'identifiait au tambour et à la foudre. Il était l'emblème de Houang-ti le Souverain jeune et le premier fondateur. Exès de yang: le hibou provoquait la sécheresse; les enfants nés le jour du hibou (soltice) étaient de caractère violent (peut-être parricides). Le bouillon de hibou, distribué aux vassaux à la même date, était-il rite d'épreuve, de purification. de communication? Ou le tout à la fois? Quoi qu'il en soit, le hibou était toujours considéré comme un animal féroce et néfaste.
C'est un des plus anciens symboles de la Chine, il remonte aux époques dites mythiques. D'après certains auteurs, il se confondrait avec le Dragon-Flambeau, emblème de la seconde dynastie, celle des Yin. Il est l'emblème de la foudre, il figurait sur les étendards royaux. Il est l'oiseau consacré aux forgerons, fabriquaient les épées et les miroirs magiques.
Inutile de dire qu'il ne viendrait pas à l'idée d'un Chinois de clouer sur la porte de sa grange un hibou!
Pour les Indiens de la Prairie, le hibou a le pouvoir de donner aide et protection la nuit. D'où l'emploi des plumes de hibou dans certaines cérémonies rituelles.
Dans les rites initiatiques de la Société Midé (Midé WiWin), ches les Algonquins, figure perché dans la loge cérémonielle, un homme-hibou qui montre le chemin de la terre du Soleil Couchant royaume des morts. Le hibou remplirait ici une fonction psychopompe.
Il peut également être considéré comme messager de la mort et en conséquence maléfique: Quand le hibou chante, l'indien meurt (Maya-Guiché); le sorcier chori, incarnant des forces malignes, a pouvoir de se transformer en hibou.
La chouette fait partie des anciens du Monde, pleins de sagesse et d'expérience dans le conte apocryphe gallois du même mom. On devrait donc la ranger parmi les animaux primordiaux et il est probable qu'on peut l'assimiler au hibou. Mais ces animaux n'apparaissent pas dans le symbolisme religieux celtique. Le hibou est pris ici en mauvais part sous l'influence du christianisme. Un symbole de la bablement préchrétien. Bloderwedd la femme infidèle de Llew, dans le Mabinogi de Math, est transformée en hibou en punition de son adultère avec un seigneur voisin.
Dans l'iconographie hindoue, le hibou est parfois attribué à la mâkara (mère) Vârâhi, sans que sa signification puisse être précise.
Le hibou jouait, dans la Chine antique un rôle important: c'était un animal terrible, qui était sensé dévoré sa mère. Il symbolisait le yang, et même l'excès de yang. Il se manifestait au solstice s'été, s'identifiait au tambour et à la foudre. Il était l'emblème de Houang-ti le Souverain jeune et le premier fondateur. Exès de yang: le hibou provoquait la sécheresse; les enfants nés le jour du hibou (soltice) étaient de caractère violent (peut-être parricides). Le bouillon de hibou, distribué aux vassaux à la même date, était-il rite d'épreuve, de purification. de communication? Ou le tout à la fois? Quoi qu'il en soit, le hibou était toujours considéré comme un animal féroce et néfaste.
C'est un des plus anciens symboles de la Chine, il remonte aux époques dites mythiques. D'après certains auteurs, il se confondrait avec le Dragon-Flambeau, emblème de la seconde dynastie, celle des Yin. Il est l'emblème de la foudre, il figurait sur les étendards royaux. Il est l'oiseau consacré aux forgerons, fabriquaient les épées et les miroirs magiques.
Inutile de dire qu'il ne viendrait pas à l'idée d'un Chinois de clouer sur la porte de sa grange un hibou!
Pour les Indiens de la Prairie, le hibou a le pouvoir de donner aide et protection la nuit. D'où l'emploi des plumes de hibou dans certaines cérémonies rituelles.
Dans les rites initiatiques de la Société Midé (Midé WiWin), ches les Algonquins, figure perché dans la loge cérémonielle, un homme-hibou qui montre le chemin de la terre du Soleil Couchant royaume des morts. Le hibou remplirait ici une fonction psychopompe.
Il peut également être considéré comme messager de la mort et en conséquence maléfique: Quand le hibou chante, l'indien meurt (Maya-Guiché); le sorcier chori, incarnant des forces malignes, a pouvoir de se transformer en hibou.
La chouette fait partie des anciens du Monde, pleins de sagesse et d'expérience dans le conte apocryphe gallois du même mom. On devrait donc la ranger parmi les animaux primordiaux et il est probable qu'on peut l'assimiler au hibou. Mais ces animaux n'apparaissent pas dans le symbolisme religieux celtique. Le hibou est pris ici en mauvais part sous l'influence du christianisme. Un symbole de la bablement préchrétien. Bloderwedd la femme infidèle de Llew, dans le Mabinogi de Math, est transformée en hibou en punition de son adultère avec un seigneur voisin.
I don't know yet, what can look for, with the owl. But, like the Freemasons, they follow the advice of their idol (of the egregore):
Because it does not face the light of day, the owl is a symbol of sadness, darkness, solitary and melancholy retirement. Greek mythology makes it the interpretation of Atropos, that of the Fates which cuts the thread of destiny. In Egypt, it expresses cold, night, death.
In Hindu iconography, the owl is sometimes attributed to the mâkara (mother) Vârâhi, without its meaning being precise.
The owl played an important role in ancient China: it was a terrible animal, which was supposed to devour its mother. It symbolized yang, and even excess yang. It manifested itself at the summer solstice, identified itself with the drum and the thunderbolt. He was the emblem of Houang-ti the young Sovereign and the first founder. Excess of yang: the owl caused dryness; the children born on the day of the owl (soltice) were violent in character (perhaps parricidal). The owl broth, distributed to the vassals on the same date, was it a rite of trial, of purification. Communication? Or all at once? Be that as it may, the owl was always considered a ferocious and harmful animal.
It is one of the oldest symbols of China, it dates back to so-called mythical times. According to some authors, it would be confused with the Dragon-Torch, emblem of the second dynasty, that of the Yin. It is the emblem of lightning, it appeared on the royal standards. It is the bird devoted to blacksmiths, made swords and magic mirrors.
Inutile de dire qu'il ne viendrait pas à l'idée d'un Chinois de clouer sur la porte de sa grange un hibou!
For the Prairie Indians, the owl has the power to give help and protection at night. Hence the use of owl feathers in certain ritual ceremonies.
In the initiation rites of the Midé Society (Midé WiWin), among the Algonquins, there is a figure perched in the ceremonial lodge, an owl-man who shows the way to the land of the Setting Sun, the kingdom of the dead. The owl would fulfill here a psychopomp function.
It can also be considered as a messenger of death and therefore evil: When the owl sings, the Indian dies (Maya-Guiche); the chori sorcerer, embodying evil forces, has the power to transform into an owl.
The owl is among the Elders of the World, full of wisdom and experience in the Welsh apocryphal tale of the same mom. It should therefore be placed among the primordial animals and it is probable that it can be assimilated to the owl. But these animals do not appear in Celtic religious symbolism. The owl is taken in bad part here under the influence of Christianity. A symbol of pre-Christian bably. Bloderwedd the faithless wife of Llew, in Math's Mabinogi, is turned into an owl as punishment for her adultery with a neighboring lord.
In Hindu iconography, the owl is sometimes attributed to the mâkara (mother) Vârâhi, without its meaning being precise.
The owl played an important role in ancient China: it was a terrible animal, which was supposed to devour its mother. It symbolized yang, and even excess yang. It manifested itself at the summer solstice, identified itself with the drum and the thunderbolt. He was the emblem of Houang-ti the young Sovereign and the first founder. Excess of yang: the owl caused dryness; the children born on the day of the owl (soltice) were violent in character (perhaps parricidal). The owl broth, distributed to the vassals on the same date, was it a rite of trial, of purification. Communication? Or all at once? Be that as it may, the owl was always considered a ferocious and harmful animal.
It is one of the oldest symbols of China, it dates back to so-called mythical times. According to some authors, it would be confused with the Dragon-Torch, emblem of the second dynasty, that of the Yin. It is the emblem of lightning, it appeared on the royal standards. It is the bird devoted to blacksmiths, made swords and magic mirrors.
Inutile de dire qu'il ne viendrait pas à l'idée d'un Chinois de clouer sur la porte de sa grange un hibou!
For the Prairie Indians, the owl has the power to give help and protection at night. Hence the use of owl feathers in certain ritual ceremonies.
In the initiation rites of the Midé Society (Midé WiWin), among the Algonquins, there is a figure perched in the ceremonial lodge, an owl-man who shows the way to the land of the Setting Sun, the kingdom of the dead. The owl would fulfill here a psychopomp function.
It can also be considered as a messenger of death and therefore evil: When the owl sings, the Indian dies (Maya-Guiche); the chori sorcerer, embodying evil forces, has the power to transform into an owl.
The owl is among the Elders of the World, full of wisdom and experience in the Welsh apocryphal tale of the same mom. It should therefore be placed among the primordial animals and it is probable that it can be assimilated to the owl. But these animals do not appear in Celtic religious symbolism. The owl is taken in bad part here under the influence of Christianity. A symbol of pre-Christian bably. Bloderwedd the faithless wife of Llew, in Math's Mabinogi, is turned into an owl as punishment for her adultery with a neighboring lord.
Shuna
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Il est sans doute par une mythologie qui n'ait associé le chiens, Annubis. T'ienk'uan, Cerbère, Xolotl, Garm, etc. à la mort, aux enfers, au monde du dessous, aux empires invisibles que régissent les divinités chthoniennes ou séléniques. Le symbole très complexe du chien est donc, à première vu, lié à la trilogie des éléments terre - eau - lune dont on connait la signification occulte, femelle, tout à la fois végétative, sexuelle, divinatoire, fondamentale, tout aussi bien pour le concept d'inconscient, que pour celui de subconscient.
Quelque soit les cultes et religions, mythologies ont associés aux chiens au monde des morts. Il est dans la première fonction mythique, universelle attestée... est celle de psychopompe, guide de l'homme dans la nuit de la mort, après avoir été son compagnon dans le jour de la vie. Les cynocéphales, si nombreux dans l'iconographie égyptienne, ont pour mission d'emprisonner ou de détruire les ennemis de la lumière, et de garder les Portes dans les lieux sacrées.
Chez les Germains, un chien terrible, nommé Garm, garde l'entrée du Nifliem, royaume des morts, pays de glaces et de ténèbres.
Les anciens Mexicains élevait exclusivement des chiens spécialement destinés à accompagner et à guider les morts dans l'au-delà. On enterrait le cadavre avec un chien couleur de lion - c'est-à-dire le soleil - qui accompagnait le défunt comme Xolotl, le dieu-chien, avait accompagné le Soleil pendant son voyage sous terre. Ou bien le chien était sacrifié sur la tombe de son maître pour l'aider, au terme de son long voyage, à travers les neuf fleuves qui défendait l'accès de la demeure éternelle des morts, Chocomenictian, le neuvième ciel.
Aujourd'hui encore au Guatenaia, les Indiens Lacandon déposent aux quatre coins de leurs tombes quatre figurines de chien, faites de feuilles de palmes.
La tradition et dernière constellation de l'ancien Zodiaque mexicain est la constellation du chien; elle introduit aux idées de morts, de fin, de monde souterrain, mais aussi d'initiation, de renouvellement.
Ect.
Chez les Batous du Kasai (cuvette congolaise), a-t-on observé une méthode de divination par hypnotisme dans laquelle, le client du devin, relié à celui-ci par un fil, est descendu dans une fosse, où il rentrera en communication avec les esprits, grâce à la présence à ses côtés, pendant qu'il tombe en hypnose, d'un chien et d'une poule. Dans la même région, l'apparition d'un chien dans le songe avertit qu'une opération de sorcellerie est en cours quelque part.
Le même don de clairvoyance, la familiarité du chien avec la mort et les forces invisibles de la nuit peuvent, à la limite, rendre cet animal suspect de sorcellerie.
Certains aspects de la symbolique du chien vient du: héros civilisateur, ancêtre mythique, symbole de puissance, sexuelle et donc pérennité, de la nature et donc de son renouveau, fruit d'une liaison interdite, font apparaître le chien comme la face diurne d'un symbole. Il convient d'en observer également d'observer la face nocturne. La plus profane illustration en est l'interdit implacable dont souffre cette animal dans les sociétés musulmanes.
L'Islam fait du chien l'image de ce que la création compose de plus fil. Selon Shabestari, s'attacher au monde, c'est s'identifier au mangeur de cadavre; le chien est le symbole de l'avidité, de la gloutonnerie; la coexistence du chien et de l'ange est impossible. Selon les traditions de l'Islam, cependant, le chien possède cinquante-deux caractéristiques, dont la moitié sont saintes, et l'autre sont sataniques. Ainsi, il veille, est patient, ne mord pas son maître. Par ailleurs, il abole contre les scribes, etc. Sa fidélité est louée: Si un homme n'a pas de frères, les chiens sont ses frères. Le coeur d'un chien ressemble au coeur de son maître.
Les chiens sont aussi considérés comme impurs. Les Juifs apparaissent souvent sous la forme de chiens noirs. L'aboiement des chiens près d'une maison est une présage de mort. La chair est utilisée comme remède (contre la stérilité, contre les mauvais sorts, ect.). A Tanger, la chair d'un chiot ou d'un chaton est mangée comme antidote contre la sorcellerie. A la différence des autres chiens, le lévrier est considéré non comme impur, mais comme doué de baraka. Il protège contre le mauvais oeil. Les Musulmans de Syrie croient que les anges n'entrent dans une maison qui se trouve un chien. Etc.
Cependant les Musulmans établissent une distinction entre le chien vulgaire et le lévrier, dont la noblesse d'allure fait un animal pur.
Un sens très voisin se révèle au Tibet, où le chien est le signe de l'appétit sensuel, de la sexualité, en même temps que de la jalousie. Celui qui vit comme un chien, enseigne le Bouddha, à la dissolution du corps, après la mort, il ira avec les chiens.
Au Japon, le chien jouis très généralement d'une considération favorable: compagnon fidèle, son effigie protège les enfants et facilite le travail des femmes et enfants et facilite le travail des femmes en couches. Etc.
Quelque soit les cultes et religions, mythologies ont associés aux chiens au monde des morts. Il est dans la première fonction mythique, universelle attestée... est celle de psychopompe, guide de l'homme dans la nuit de la mort, après avoir été son compagnon dans le jour de la vie. Les cynocéphales, si nombreux dans l'iconographie égyptienne, ont pour mission d'emprisonner ou de détruire les ennemis de la lumière, et de garder les Portes dans les lieux sacrées.
Chez les Germains, un chien terrible, nommé Garm, garde l'entrée du Nifliem, royaume des morts, pays de glaces et de ténèbres.
Les anciens Mexicains élevait exclusivement des chiens spécialement destinés à accompagner et à guider les morts dans l'au-delà. On enterrait le cadavre avec un chien couleur de lion - c'est-à-dire le soleil - qui accompagnait le défunt comme Xolotl, le dieu-chien, avait accompagné le Soleil pendant son voyage sous terre. Ou bien le chien était sacrifié sur la tombe de son maître pour l'aider, au terme de son long voyage, à travers les neuf fleuves qui défendait l'accès de la demeure éternelle des morts, Chocomenictian, le neuvième ciel.
Aujourd'hui encore au Guatenaia, les Indiens Lacandon déposent aux quatre coins de leurs tombes quatre figurines de chien, faites de feuilles de palmes.
La tradition et dernière constellation de l'ancien Zodiaque mexicain est la constellation du chien; elle introduit aux idées de morts, de fin, de monde souterrain, mais aussi d'initiation, de renouvellement.
Ect.
Chez les Batous du Kasai (cuvette congolaise), a-t-on observé une méthode de divination par hypnotisme dans laquelle, le client du devin, relié à celui-ci par un fil, est descendu dans une fosse, où il rentrera en communication avec les esprits, grâce à la présence à ses côtés, pendant qu'il tombe en hypnose, d'un chien et d'une poule. Dans la même région, l'apparition d'un chien dans le songe avertit qu'une opération de sorcellerie est en cours quelque part.
Le même don de clairvoyance, la familiarité du chien avec la mort et les forces invisibles de la nuit peuvent, à la limite, rendre cet animal suspect de sorcellerie.
Certains aspects de la symbolique du chien vient du: héros civilisateur, ancêtre mythique, symbole de puissance, sexuelle et donc pérennité, de la nature et donc de son renouveau, fruit d'une liaison interdite, font apparaître le chien comme la face diurne d'un symbole. Il convient d'en observer également d'observer la face nocturne. La plus profane illustration en est l'interdit implacable dont souffre cette animal dans les sociétés musulmanes.
L'Islam fait du chien l'image de ce que la création compose de plus fil. Selon Shabestari, s'attacher au monde, c'est s'identifier au mangeur de cadavre; le chien est le symbole de l'avidité, de la gloutonnerie; la coexistence du chien et de l'ange est impossible. Selon les traditions de l'Islam, cependant, le chien possède cinquante-deux caractéristiques, dont la moitié sont saintes, et l'autre sont sataniques. Ainsi, il veille, est patient, ne mord pas son maître. Par ailleurs, il abole contre les scribes, etc. Sa fidélité est louée: Si un homme n'a pas de frères, les chiens sont ses frères. Le coeur d'un chien ressemble au coeur de son maître.
Les chiens sont aussi considérés comme impurs. Les Juifs apparaissent souvent sous la forme de chiens noirs. L'aboiement des chiens près d'une maison est une présage de mort. La chair est utilisée comme remède (contre la stérilité, contre les mauvais sorts, ect.). A Tanger, la chair d'un chiot ou d'un chaton est mangée comme antidote contre la sorcellerie. A la différence des autres chiens, le lévrier est considéré non comme impur, mais comme doué de baraka. Il protège contre le mauvais oeil. Les Musulmans de Syrie croient que les anges n'entrent dans une maison qui se trouve un chien. Etc.
Cependant les Musulmans établissent une distinction entre le chien vulgaire et le lévrier, dont la noblesse d'allure fait un animal pur.
Un sens très voisin se révèle au Tibet, où le chien est le signe de l'appétit sensuel, de la sexualité, en même temps que de la jalousie. Celui qui vit comme un chien, enseigne le Bouddha, à la dissolution du corps, après la mort, il ira avec les chiens.
Au Japon, le chien jouis très généralement d'une considération favorable: compagnon fidèle, son effigie protège les enfants et facilite le travail des femmes et enfants et facilite le travail des femmes en couches. Etc.
It is undoubtedly by a mythology which did not associate the dogs, Annubis. T'ienk'uan, Cerberus, Xolotl, Garm, etc. to death, to hell, to the underworld, to the invisible empires ruled by the chthonian or selenic divinities. The very complex symbol of the dog is therefore, at first sight, linked to the trilogy of the elements earth - water - moon whose occult meaning is known, female, at the same time vegetative, sexual, divinatory, fundamental, just as well for the concept of the unconscious than for that of the subconscious.
Whatever the cults and religions, mythologies have associated dogs with the world of the dead. He is in the first mythical, universal attested function... is that of psychopomp, guide of man in the night of death, after having been his companion in the day of life. The cynocephali, so numerous in Egyptian iconography, have the mission of imprisoning or destroying the enemies of light, and guarding the Gates in sacred places.
Among the Germans, a terrible dog, named Garm, guards the entrance to Nifliem, kingdom of the dead, land of ice and darkness.
The ancient Mexicans exclusively bred dogs specially intended to accompany and guide the dead in the afterlife. The corpse was buried with a lion-colored dog - that is to say the sun - which accompanied the deceased as Xolotl, the dog-god, had accompanied the Sun during its journey underground. Or else the dog was sacrificed on the grave of its master to help him, at the end of his long journey, across the nine rivers which defended access to the eternal abode of the dead, Chocomenictian, the ninth heaven.
Even today in Guatenaia, the Lacandon Indians place four dog figurines, made of palm leaves, in the four corners of their graves.
The tradition and last constellation of the ancient Mexican Zodiac is the constellation of the Dog; it introduces to the ideas of death, of end, of the underground world, but also of initiation, of renewal.
Ect.
Among the Batous of Kasai (Congolese basin), has a method of divination by hypnotism been observed in which the client of the diviner, connected to him by a thread, is lowered into a pit, where he will enter into communication with the spirits, thanks to the presence at his side, while he falls into hypnosis, of a dog and a hen. In the same region, the appearance of a dog in the dream warns that a witchcraft operation is underway somewhere.
The same gift of clairvoyance, the dog's familiarity with death and the invisible forces of the night can, at the limit, make this animal suspect of witchcraft.
Some aspects of the symbolism of the dog comes from: civilizing hero, mythical ancestor, symbol of power, sexual and therefore durability, from nature and therefore from its renewal, fruit of a forbidden connection, make the dog appear as the daytime face of 'a symbol. It should also be observed to observe the night side. The most profane illustration of this is the implacable ban from which this animal suffers in Muslim societies.
Islam makes the dog the image of creation's most thread. According to Shabestari, to cling to the world is to identify with the corpse eater; the dog is the symbol of greed, gluttony; the coexistence of the dog and the angel is impossible. According to the traditions of Islam, however, the dog has fifty-two characteristics, half of which are holy, and the other half are satanic. Thus, he watches, is patient, does not bite his master. Moreover, he abolishes the scribes, etc. His faithfulness is praised: If a man has no brothers, the dogs are his brothers. A dog's heart resembles its master's heart.
Dogs are also considered unclean. Jews often appear in the form of black dogs. The barking of dogs near a house is an omen of death. The flesh is used as a remedy (against sterility, against bad luck, etc.). In Tangier, the flesh of a puppy or a kitten is eaten as an antidote against witchcraft. Unlike other dogs, the greyhound is not considered impure, but gifted with baraka. It protects against the evil eye. Syrian Muslims believe that angels will not enter a house that has a dog. Etc.
However, the Muslims establish a distinction between the vulgar dog and the greyhound, whose nobility of bearing makes them a pure animal.A very similar meaning is revealed in Tibet, where the dog is the sign of sensual appetite, of sexuality, at the same time as jealousy. He who lives like a dog, teaches the Buddha, at the dissolution of the body, after death he will go with the dogs.
In Japan, the dog generally enjoys favorable consideration: a faithful companion, its effigy protects children and facilitates the work of women and children and facilitates the work of women in childbirth. Etc.
Whatever the cults and religions, mythologies have associated dogs with the world of the dead. He is in the first mythical, universal attested function... is that of psychopomp, guide of man in the night of death, after having been his companion in the day of life. The cynocephali, so numerous in Egyptian iconography, have the mission of imprisoning or destroying the enemies of light, and guarding the Gates in sacred places.
Among the Germans, a terrible dog, named Garm, guards the entrance to Nifliem, kingdom of the dead, land of ice and darkness.
The ancient Mexicans exclusively bred dogs specially intended to accompany and guide the dead in the afterlife. The corpse was buried with a lion-colored dog - that is to say the sun - which accompanied the deceased as Xolotl, the dog-god, had accompanied the Sun during its journey underground. Or else the dog was sacrificed on the grave of its master to help him, at the end of his long journey, across the nine rivers which defended access to the eternal abode of the dead, Chocomenictian, the ninth heaven.
Even today in Guatenaia, the Lacandon Indians place four dog figurines, made of palm leaves, in the four corners of their graves.
The tradition and last constellation of the ancient Mexican Zodiac is the constellation of the Dog; it introduces to the ideas of death, of end, of the underground world, but also of initiation, of renewal.
Ect.
Among the Batous of Kasai (Congolese basin), has a method of divination by hypnotism been observed in which the client of the diviner, connected to him by a thread, is lowered into a pit, where he will enter into communication with the spirits, thanks to the presence at his side, while he falls into hypnosis, of a dog and a hen. In the same region, the appearance of a dog in the dream warns that a witchcraft operation is underway somewhere.
The same gift of clairvoyance, the dog's familiarity with death and the invisible forces of the night can, at the limit, make this animal suspect of witchcraft.
Some aspects of the symbolism of the dog comes from: civilizing hero, mythical ancestor, symbol of power, sexual and therefore durability, from nature and therefore from its renewal, fruit of a forbidden connection, make the dog appear as the daytime face of 'a symbol. It should also be observed to observe the night side. The most profane illustration of this is the implacable ban from which this animal suffers in Muslim societies.
Islam makes the dog the image of creation's most thread. According to Shabestari, to cling to the world is to identify with the corpse eater; the dog is the symbol of greed, gluttony; the coexistence of the dog and the angel is impossible. According to the traditions of Islam, however, the dog has fifty-two characteristics, half of which are holy, and the other half are satanic. Thus, he watches, is patient, does not bite his master. Moreover, he abolishes the scribes, etc. His faithfulness is praised: If a man has no brothers, the dogs are his brothers. A dog's heart resembles its master's heart.
Dogs are also considered unclean. Jews often appear in the form of black dogs. The barking of dogs near a house is an omen of death. The flesh is used as a remedy (against sterility, against bad luck, etc.). In Tangier, the flesh of a puppy or a kitten is eaten as an antidote against witchcraft. Unlike other dogs, the greyhound is not considered impure, but gifted with baraka. It protects against the evil eye. Syrian Muslims believe that angels will not enter a house that has a dog. Etc.
However, the Muslims establish a distinction between the vulgar dog and the greyhound, whose nobility of bearing makes them a pure animal.A very similar meaning is revealed in Tibet, where the dog is the sign of sensual appetite, of sexuality, at the same time as jealousy. He who lives like a dog, teaches the Buddha, at the dissolution of the body, after death he will go with the dogs.
In Japan, the dog generally enjoys favorable consideration: a faithful companion, its effigy protects children and facilitates the work of women and children and facilitates the work of women in childbirth. Etc.
Shuna
Star
- Joined
- Apr 6, 2018
- Messages
- 1,367
Some comparisons:
In one of the topics about CERN: We talked about the Mr. Robot comparison to the project. Except Mr. Robot was compared to Baal:
vigilantcitizenforums.com
vigilantcitizenforums.com
By the way, a little nod to this image, I don't know why, but I always think of owls when I see the image:
Otherwise, I also think back to the scene, where Mr. Robot talks about feeding the babies, I had associated it with "Shingeki no Kyojin", with Ymir. By the way, Eren, who also wears a Mr. Robot type sweatshirt, is before being his father, he is Eren Kruger, whose agent name is "The Owl".
And finally in Mr. Robot, he talks about going back with the saga of "Back to the Future" and "Shingeki no Kyojin" with the renewal of a new world.
And since Baal is related to lightning, having Mr. Robot use computers makes sense. Like the appearance of the Titans, being done by lightning is also quite logical. Which gives me even more concern about the use of new technologies: from VR, to AI, AI robots.
And I also wonder, if the programmers of the MK-Ultra project, that they integrate Baal, by using, all the tools walking on the electricity on the victims, like for example, the electric batons.
In one of the topics about CERN: We talked about the Mr. Robot comparison to the project. Except Mr. Robot was compared to Baal:
CERN IS THE MAIN THREAT -- FIONA BARNETT QUOTE
I guess they are trying to connect with others dimensions .. I think time and space is not static… that’s why they are making experiments with others dimensions . This could be so cool or the worst for the humanity..Who knows? this remind me the serie Mr robot and the character of white rose…...
CERN IS THE MAIN THREAT -- FIONA BARNETT QUOTE
I guess they are trying to connect with others dimensions .. I think time and space is not static… that’s why they are making experiments with others dimensions . This could be so cool or the worst for the humanity..Who knows? this remind me the serie Mr robot and the character of white rose…...
Otherwise, I also think back to the scene, where Mr. Robot talks about feeding the babies, I had associated it with "Shingeki no Kyojin", with Ymir. By the way, Eren, who also wears a Mr. Robot type sweatshirt, is before being his father, he is Eren Kruger, whose agent name is "The Owl".
And finally in Mr. Robot, he talks about going back with the saga of "Back to the Future" and "Shingeki no Kyojin" with the renewal of a new world.
And since Baal is related to lightning, having Mr. Robot use computers makes sense. Like the appearance of the Titans, being done by lightning is also quite logical. Which gives me even more concern about the use of new technologies: from VR, to AI, AI robots.
And I also wonder, if the programmers of the MK-Ultra project, that they integrate Baal, by using, all the tools walking on the electricity on the victims, like for example, the electric batons.
MK ULTRA/ MK DELTA PROGRAMMING CENTRE: MOSCOW, STROMYNKA 7. BAKRUSHIN HOSPITAL 1812 with underground floors.
1812 catastrophy buildings with underground floors. I have memory inside only but view outside 7 corpus 1 fit the description.
Visiting the morgue corpus showed me BLACK CUBE of SATURN at the floor. No photos -- they came and push me aside. Bad energy also hit me in my leg and I realise the place of ritual sacrifices are just below the entrance. It is also have crematorium.
My memory: Information about MK ULTRA MK DELTA Victim granted from my memory integrated after PTSD.
Photographic memory inctegration co- countious. So vivid tha t I remember sun touch in my skin.
Memory fractured as reaction of PSTD -- I don't remember thw whole day only what was described. Amnesia also blocked all memories before 1993-- yes, loss of my father was that traumatic.
Instant information comes in my mind: 9 may, 13 00, 3 rd floor, Sokolniki (Sokol -- Falcon, 1812 Moscow EAST district), maternity hospital (родильный дом - RUS).
1993 year. Year didn't show up in the memory but 3 year is when MK ULTRA MK DELTA starts (Fiona Barnett). My birth date is 23 September 1990 time 10:00. It was SUNDAY just like 9 may 1993 was SUNDAY. I also lakc of memories before 1993.
INSIDE it is typical pre 1812 house: tall ceiling, thick brick walls. Such houses have tunnels and floors covered with glay.
Room not wide, not big with just one window and with wooden panels from cherry (brown and orange colors of wood) and it fit more pre 1812 and medieval houses that modern. Orange curtain coverd the window wasn't long -- a wind opened and and I saw the top of the tree.
Have brick column in the room or it was entrance to the room.
Sun from window touched my skin at 13 00 -- window at the East side.
Visible top of the tree from the window. Tree was 3 floor high in 1993.
I have never seen wooden walls in maternity hospitals in Russia so it more like place where people lived than hospital. I have visited the district a lot of in my childhood.
I lay with my legs to a window with my brother (he may be my brother in my father side not the same mother, bu she had prengancy after me). My brother have dark blond hair and in blue shirt and jeans. Jeans are clothing we don't wear at home in Russia so they both are about to leave.
7 corpus 1 has been closed since I came with my MK ULTRA/ MK DELTA accusations. Workers said to me that it was suddenly closed, I checked-- it happened just after I came to public.
MK ULTRA/ MK DELTA PROGRAMMING CENTRE: MOSCOW, WELL STREET 7. UNIT 731 REFERENCE. 1812 with underground floors.
Well street (Колодезная) have Well symbolism and it have houses only 7 numbers, differenciates by number of corpuses only. It is small street with only 8 5 floors thick brick houses. Corpuses numbered since 1 to 8. It have entrances that connect to each other -- you enter one and you can go innoticed to the other side of the house -- clue to secret passages. Secret rooms are included.
It has been projected by ARCHITECT whose surname translated as Moth. Мотылёв, Михаил Иванович -- Moth Michail Ivano.
Place of mass murders -- it has been said that after reconstruction people had moved and since that they have never seen.
MK ULTRA/ MK DELTA center Gannuskin pshyciatry center is just across the river.
1812 catastrophy buildings with underground floors. I have memory inside only but view outside 7 corpus 1 fit the description.
Visiting the morgue corpus showed me BLACK CUBE of SATURN at the floor. No photos -- they came and push me aside. Bad energy also hit me in my leg and I realise the place of ritual sacrifices are just below the entrance. It is also have crematorium.
My memory: Information about MK ULTRA MK DELTA Victim granted from my memory integrated after PTSD.
Photographic memory inctegration co- countious. So vivid tha t I remember sun touch in my skin.
Memory fractured as reaction of PSTD -- I don't remember thw whole day only what was described. Amnesia also blocked all memories before 1993-- yes, loss of my father was that traumatic.
Instant information comes in my mind: 9 may, 13 00, 3 rd floor, Sokolniki (Sokol -- Falcon, 1812 Moscow EAST district), maternity hospital (родильный дом - RUS).
1993 year. Year didn't show up in the memory but 3 year is when MK ULTRA MK DELTA starts (Fiona Barnett). My birth date is 23 September 1990 time 10:00. It was SUNDAY just like 9 may 1993 was SUNDAY. I also lakc of memories before 1993.
INSIDE it is typical pre 1812 house: tall ceiling, thick brick walls. Such houses have tunnels and floors covered with glay.
Room not wide, not big with just one window and with wooden panels from cherry (brown and orange colors of wood) and it fit more pre 1812 and medieval houses that modern. Orange curtain coverd the window wasn't long -- a wind opened and and I saw the top of the tree.
Have brick column in the room or it was entrance to the room.
Sun from window touched my skin at 13 00 -- window at the East side.
Visible top of the tree from the window. Tree was 3 floor high in 1993.
I have never seen wooden walls in maternity hospitals in Russia so it more like place where people lived than hospital. I have visited the district a lot of in my childhood.
I lay with my legs to a window with my brother (he may be my brother in my father side not the same mother, bu she had prengancy after me). My brother have dark blond hair and in blue shirt and jeans. Jeans are clothing we don't wear at home in Russia so they both are about to leave.
7 corpus 1 has been closed since I came with my MK ULTRA/ MK DELTA accusations. Workers said to me that it was suddenly closed, I checked-- it happened just after I came to public.
MK ULTRA/ MK DELTA PROGRAMMING CENTRE: MOSCOW, WELL STREET 7. UNIT 731 REFERENCE. 1812 with underground floors.
Well street (Колодезная) have Well symbolism and it have houses only 7 numbers, differenciates by number of corpuses only. It is small street with only 8 5 floors thick brick houses. Corpuses numbered since 1 to 8. It have entrances that connect to each other -- you enter one and you can go innoticed to the other side of the house -- clue to secret passages. Secret rooms are included.
It has been projected by ARCHITECT whose surname translated as Moth. Мотылёв, Михаил Иванович -- Moth Michail Ivano.
Place of mass murders -- it has been said that after reconstruction people had moved and since that they have never seen.
MK ULTRA/ MK DELTA center Gannuskin pshyciatry center is just across the river.
Last edited:
FIONA BARNETT: EYES WIDE OPEN
GRANDE MADAM
Patricia Anne Conlon became my substitute mother, teacher and confidant. She affectionately called me her ‘little anomaly.’ Anne was brilliant, vibrant, and intelligent; she instilled in me her love of classical piano, opera, Shakespeare, history, and horses. She also taught me how to fuck.
Grande Dame selection criteria include Aryan Root Race features: blue or green eyes, blonde or red hair, flawless complexion, physical beauty, creativity, and high intelligence.
Grande Dames are bisexual temple whores with a preference for sex with young teenage girls.
They are glorified madams who train children for prostitution. By age six I was a trained courtesan. My child prostitute name was Candy Girl.
Researcher Steve McMurray located the identity of the Sydney Grande Dame I knew as 'Veronica' or 'Ronnie.' Here is the description I provided Steve:
- Tall, attractive, slender, with red hair and white skin.
- Extremely intelligent and academic.
- Private school educated.
- Kind with moral integrity.
- Good at the arts: music, history, English and languages.
- Associated with Sancta Sophia College, University of Sydney.
- Graduated University of Sydney.
- Her parents owned a property and horses west of Sydney.
- I could not decide whether she was a schoolteacher, University of Sydney lecturer, or supervised the students at a girls' student college.
- She died during a ritual at St Mary's Cathedral when she was 45 and I was age 14 years.
Armed with this list to guide his search, Steve McMurray identified Patricia Anne Conlon (nee Carden). I last visited Anne Conlon in her Sancta Sophia living quarters when I was 14 years old. Her dorm featured a lounge area, ensuite, and a four-post bed. We ate in the communal dining room where Anne passed me off as her niece. During that visit, Anne told me she had been ‘discovered’ and was wanted for ‘treason.’ It was time for her to go, she told me. I begged her, ‘Don’t leave me with those men’ but she thought I could fend for myself since I had just completed my training in the USA. Anne explained to me that she had lost everything, was tired of hurting children, and had nothing to live for. She made a blood pact with me and made me swear to go through with the necessary ritual. She bequeathed to me her black onyx jewellery set which was subsequently stored in Nanna’s bedroom.
PAS SECTION
The Reference Group table matches the complex Alter systems found in MK-ULTRA mind control victims. The model identifies the correct hemispheric location of each artificially created Alter’s independent neural circuitry. It also clusters multiple roles relevant to one position within the cult hierarchy; for example, during her position as Grande Dame, Patricia Ann Conlon performed every role listed in Group 5 below:
Role Application:
-- Teacher -- Instructed children in all aspects of cult life.
-- Programmer -- Principal MK-ULTRA handler and programmer.
-- Acolyte -- Assisted in Luciferian ritual ceremonial duties.
-- Philosopher -- Highly academic and intellectual.
-- Conservator --Oversaw and protected cult trainees from injury.
-- Iconoclast -- Attacked established beliefs and institutions as a Marxist Communist ALP pioneer feminist.
-- Physician -- Cult herbalist, ritual surgeon, and counsellor.
-- Mediator -- Liaised between members of the cult hierarchy,CIA staff, and victims.
ASSASSINATED SOVIET SPIES
Three of my key perpetrators were seemingly assassinated for being Communist spies: Patricia Anne Conlon, University of Sydney Vice Chancellor John Ward, and Chinese heart surgeon Victor Chang. Patricia ‘Anne’ Conlon (nee Carden) was Alf Conlon’s daughter-in-law.
Anne went by her middle name to distinguish herself from her mother Patricia. Her biography reads:
Patricia Anne Conlon (1939-1979), feminist, Labor movement activist and public servant, was born on 2 November 1939 at Neutral Bay, Sydney. Anne was educated at St Joseph's Convent School, Neutral Bay, Monte Sant' Angelo College, North Sydney (dux 1956), and—on a teacher's scholarship—at the University of Sydney (BA, 1961; MA, 1973) where she became senior student at Sancta Sophia College.
Renowned for her soprano voice, she competed in the City of Sydney Eisteddfod, and performed in choral and musical productions at school and university.
Disappointed at missing first-class honours in history, Carden taught in public high schools (which she found unrewarding) before and after spending 1964-65 on a postgraduate scholarship at the University of Saskatchewan, Canada. At St John's College, Sydney, on 29 September 1967 she married Telford James Conlon, a physicist belonging to a Labor-connected family.
In 1968 she became research assistant to John Manning Ward, professor of History at the University of Sydney, and in 1973 completed her master's thesis, Eyewitness Accounts of Australia—1815-1850. Her son was born in 1971 and her daughter in 1974.
A founding member (1972) of the Women's Electoral Lobby, Conlon stood unsuccessfully as the Australian Labor Party candidate for Mosman at a by-election for the Legislative Assembly in July 1972. Next year she was a convener of W.E.L.'s first national conference in Canberra. She helped to produce submissions on conciliation and arbitration legislation to the Federal government, on the disadvantaged position of single mothers to R.F. Henderson's commission of inquiry into poverty, and—with Edna Ryan—on the minimum wage for women to the 1974 national wage case.
Awarded a grant by the Australian National Advisory Committee of International Women's Year 1975, Conlon and Ryan expanded their research into a book, Gentle Invaders (1975), which was notable both for the depth and quality of its evidence, and for its pioneering work on the history of women and labour in Australia. Conlon published articles on issues involving women in the Electrical Trades Union's E.T.U.
News, Catholic Weekly and Australian Quarterly. An article based on her thesis had appeared in 1970 in the Journal of the Royal Australian Historical Society. In 1976 she was appointed lecturer at the Australian Trade Union Training Authority.
A founding member (1977) of the New South Wales Women's Advisory Council, Conlon became special projects officer with the government's Women's Co-ordination Unit in February 1978. She worked on the Anti-Discrimination Act (1977), on an amendment to the maternity-leave provision and on the welfare of women prisoners. Her achievements impressed the premier Neville Wran.
Tall and striking, auburn haired and freckled, Conlon was witty, energetic, compassionate and extremely loyal. At Sancta Sophia she had been volatile and chronically unpunctual. Although she retained her Catholic faith, she broke for a time with the institutional Church because, she believed, it had failed to respond to the women's cause. She was a good debater, and had presence and authority, but did not seek the limelight, preferring to be a 'backroom operator' and to rely on an impressive network of friends and supporters. Politically astute, she was one of the few women in WEL who belonged to the Australian Labor Party; she disavowed the prevailing philosophy that women should remain lobbyists and not join political parties.
To her profound grief, her marriage collapsed and in January 1979 she was divorced.
Six months later she was diagnosed as suffering from cancer. Survived by her children, she died on 13 December 1979 at Mater Misericordiae Hospital North Sydney.
Hundreds of people packed a requiem Mass at nearby St Mary's Church; typically, she had meticulously arranged her own funeral, even the hymns sung by the choir of her old school. She is commemorated by an annual memorial lecture sponsored by the W.A.C. and by a building at Mulawa Training and Detention Centre for Women which bears her name.
Here are some details Anne Conlon’s biography missed:
- Anne grew up in Greenwich where Antony Kidman lived. She was born one year after Kidman, making them contemporaries.
- Anne’s husband Telford Conlon was close friends, co-authored research articles, worked in labs, and participated in the Sydney music and theatre scene with Antony Kidman.
- Telford wrote Defence science technology policy in Canberra, was involved in MKULTRA mind control genetics research, and with the CSIRO at Lucas Heights.
- Anne performed in the July 1960 production of The Fairy Queen at Sydney University Great Hall with Shakespearean actor John Bell.
- Anne received a social sciences scholarship to train at the University of Saskatchewan under MK-ULTRA professors Humphrey Osmond and Abraham Hoffer.
- Anne worked as Special Projects Officer for p***phile ALP Premier Neville Wran (Fort Street Boys High School graduate, implicated in corruption scandals, daughter was charged with murder).
- The Carden family has a history of HOGD affiliation. In England, Anne Rule Carden, whose son James immigrated from England to Australia, was a member of both the HOGD and Theosophical Society.
- Anne's father John 'Jack' Carden strangled her mother to death at their Neutral Bay home on 5 January 1984. During his court appearance, John Carden said why he killed his wife: ‘I have been blamed and abused for everything. I could not do anything right. I just could not take it anymore.’
Fabian Society
Patricia Anne Conlon was associated with the Australian Fabian Society and helped them advance socialism via Cultural Marxism (gradual and reformist activities instead of overt revolt). The Australian Fabians are closely tied to the ALP. Numerous ALP ministers were active members of the Fabians while in office, including Gough Whitlam, Bob Hawke Elizabeth Windschuttle, Conlon, Patricia Anne (1939–1979), Australian Dictionary of Biography, National Centre of Biography, ANU.
(Communist Party associate), Paul Keating, and Neville Wran – all University of Sydney graduates, all pedophiles.
Faked Death
Anne Conlon said she was wanted for ‘treason’ and faked own death on 13 December 1979. She hid at the University of Sydney’s Sancta Sophia College for five years, serving as a dorm supervisor under the alias ‘Veronica’ (or ‘Ronnie’) before being ‘discovered’ and died when I was 14 years old. Anne copied British Labor Party minister John Stonehouse who faked his own death after MI5 realized he was a Soviet spy. Anne Conlon’s National Archives file is sealed for reasons of ‘national security’ which further supports the notion she was a spy.
GRANDE MADAM
Patricia Anne Conlon became my substitute mother, teacher and confidant. She affectionately called me her ‘little anomaly.’ Anne was brilliant, vibrant, and intelligent; she instilled in me her love of classical piano, opera, Shakespeare, history, and horses. She also taught me how to fuck.
Grande Dame selection criteria include Aryan Root Race features: blue or green eyes, blonde or red hair, flawless complexion, physical beauty, creativity, and high intelligence.
Grande Dames are bisexual temple whores with a preference for sex with young teenage girls.
They are glorified madams who train children for prostitution. By age six I was a trained courtesan. My child prostitute name was Candy Girl.
Researcher Steve McMurray located the identity of the Sydney Grande Dame I knew as 'Veronica' or 'Ronnie.' Here is the description I provided Steve:
- Tall, attractive, slender, with red hair and white skin.
- Extremely intelligent and academic.
- Private school educated.
- Kind with moral integrity.
- Good at the arts: music, history, English and languages.
- Associated with Sancta Sophia College, University of Sydney.
- Graduated University of Sydney.
- Her parents owned a property and horses west of Sydney.
- I could not decide whether she was a schoolteacher, University of Sydney lecturer, or supervised the students at a girls' student college.
- She died during a ritual at St Mary's Cathedral when she was 45 and I was age 14 years.
Armed with this list to guide his search, Steve McMurray identified Patricia Anne Conlon (nee Carden). I last visited Anne Conlon in her Sancta Sophia living quarters when I was 14 years old. Her dorm featured a lounge area, ensuite, and a four-post bed. We ate in the communal dining room where Anne passed me off as her niece. During that visit, Anne told me she had been ‘discovered’ and was wanted for ‘treason.’ It was time for her to go, she told me. I begged her, ‘Don’t leave me with those men’ but she thought I could fend for myself since I had just completed my training in the USA. Anne explained to me that she had lost everything, was tired of hurting children, and had nothing to live for. She made a blood pact with me and made me swear to go through with the necessary ritual. She bequeathed to me her black onyx jewellery set which was subsequently stored in Nanna’s bedroom.
PAS SECTION
The Reference Group table matches the complex Alter systems found in MK-ULTRA mind control victims. The model identifies the correct hemispheric location of each artificially created Alter’s independent neural circuitry. It also clusters multiple roles relevant to one position within the cult hierarchy; for example, during her position as Grande Dame, Patricia Ann Conlon performed every role listed in Group 5 below:
Role Application:
-- Teacher -- Instructed children in all aspects of cult life.
-- Programmer -- Principal MK-ULTRA handler and programmer.
-- Acolyte -- Assisted in Luciferian ritual ceremonial duties.
-- Philosopher -- Highly academic and intellectual.
-- Conservator --Oversaw and protected cult trainees from injury.
-- Iconoclast -- Attacked established beliefs and institutions as a Marxist Communist ALP pioneer feminist.
-- Physician -- Cult herbalist, ritual surgeon, and counsellor.
-- Mediator -- Liaised between members of the cult hierarchy,CIA staff, and victims.
ASSASSINATED SOVIET SPIES
Three of my key perpetrators were seemingly assassinated for being Communist spies: Patricia Anne Conlon, University of Sydney Vice Chancellor John Ward, and Chinese heart surgeon Victor Chang. Patricia ‘Anne’ Conlon (nee Carden) was Alf Conlon’s daughter-in-law.
Anne went by her middle name to distinguish herself from her mother Patricia. Her biography reads:
Patricia Anne Conlon (1939-1979), feminist, Labor movement activist and public servant, was born on 2 November 1939 at Neutral Bay, Sydney. Anne was educated at St Joseph's Convent School, Neutral Bay, Monte Sant' Angelo College, North Sydney (dux 1956), and—on a teacher's scholarship—at the University of Sydney (BA, 1961; MA, 1973) where she became senior student at Sancta Sophia College.
Renowned for her soprano voice, she competed in the City of Sydney Eisteddfod, and performed in choral and musical productions at school and university.
Disappointed at missing first-class honours in history, Carden taught in public high schools (which she found unrewarding) before and after spending 1964-65 on a postgraduate scholarship at the University of Saskatchewan, Canada. At St John's College, Sydney, on 29 September 1967 she married Telford James Conlon, a physicist belonging to a Labor-connected family.
In 1968 she became research assistant to John Manning Ward, professor of History at the University of Sydney, and in 1973 completed her master's thesis, Eyewitness Accounts of Australia—1815-1850. Her son was born in 1971 and her daughter in 1974.
A founding member (1972) of the Women's Electoral Lobby, Conlon stood unsuccessfully as the Australian Labor Party candidate for Mosman at a by-election for the Legislative Assembly in July 1972. Next year she was a convener of W.E.L.'s first national conference in Canberra. She helped to produce submissions on conciliation and arbitration legislation to the Federal government, on the disadvantaged position of single mothers to R.F. Henderson's commission of inquiry into poverty, and—with Edna Ryan—on the minimum wage for women to the 1974 national wage case.
Awarded a grant by the Australian National Advisory Committee of International Women's Year 1975, Conlon and Ryan expanded their research into a book, Gentle Invaders (1975), which was notable both for the depth and quality of its evidence, and for its pioneering work on the history of women and labour in Australia. Conlon published articles on issues involving women in the Electrical Trades Union's E.T.U.
News, Catholic Weekly and Australian Quarterly. An article based on her thesis had appeared in 1970 in the Journal of the Royal Australian Historical Society. In 1976 she was appointed lecturer at the Australian Trade Union Training Authority.
A founding member (1977) of the New South Wales Women's Advisory Council, Conlon became special projects officer with the government's Women's Co-ordination Unit in February 1978. She worked on the Anti-Discrimination Act (1977), on an amendment to the maternity-leave provision and on the welfare of women prisoners. Her achievements impressed the premier Neville Wran.
Tall and striking, auburn haired and freckled, Conlon was witty, energetic, compassionate and extremely loyal. At Sancta Sophia she had been volatile and chronically unpunctual. Although she retained her Catholic faith, she broke for a time with the institutional Church because, she believed, it had failed to respond to the women's cause. She was a good debater, and had presence and authority, but did not seek the limelight, preferring to be a 'backroom operator' and to rely on an impressive network of friends and supporters. Politically astute, she was one of the few women in WEL who belonged to the Australian Labor Party; she disavowed the prevailing philosophy that women should remain lobbyists and not join political parties.
To her profound grief, her marriage collapsed and in January 1979 she was divorced.
Six months later she was diagnosed as suffering from cancer. Survived by her children, she died on 13 December 1979 at Mater Misericordiae Hospital North Sydney.
Hundreds of people packed a requiem Mass at nearby St Mary's Church; typically, she had meticulously arranged her own funeral, even the hymns sung by the choir of her old school. She is commemorated by an annual memorial lecture sponsored by the W.A.C. and by a building at Mulawa Training and Detention Centre for Women which bears her name.
Here are some details Anne Conlon’s biography missed:
- Anne grew up in Greenwich where Antony Kidman lived. She was born one year after Kidman, making them contemporaries.
- Anne’s husband Telford Conlon was close friends, co-authored research articles, worked in labs, and participated in the Sydney music and theatre scene with Antony Kidman.
- Telford wrote Defence science technology policy in Canberra, was involved in MKULTRA mind control genetics research, and with the CSIRO at Lucas Heights.
- Anne performed in the July 1960 production of The Fairy Queen at Sydney University Great Hall with Shakespearean actor John Bell.
- Anne received a social sciences scholarship to train at the University of Saskatchewan under MK-ULTRA professors Humphrey Osmond and Abraham Hoffer.
- Anne worked as Special Projects Officer for p***phile ALP Premier Neville Wran (Fort Street Boys High School graduate, implicated in corruption scandals, daughter was charged with murder).
- The Carden family has a history of HOGD affiliation. In England, Anne Rule Carden, whose son James immigrated from England to Australia, was a member of both the HOGD and Theosophical Society.
- Anne's father John 'Jack' Carden strangled her mother to death at their Neutral Bay home on 5 January 1984. During his court appearance, John Carden said why he killed his wife: ‘I have been blamed and abused for everything. I could not do anything right. I just could not take it anymore.’
Fabian Society
Patricia Anne Conlon was associated with the Australian Fabian Society and helped them advance socialism via Cultural Marxism (gradual and reformist activities instead of overt revolt). The Australian Fabians are closely tied to the ALP. Numerous ALP ministers were active members of the Fabians while in office, including Gough Whitlam, Bob Hawke Elizabeth Windschuttle, Conlon, Patricia Anne (1939–1979), Australian Dictionary of Biography, National Centre of Biography, ANU.
(Communist Party associate), Paul Keating, and Neville Wran – all University of Sydney graduates, all pedophiles.
Faked Death
Anne Conlon said she was wanted for ‘treason’ and faked own death on 13 December 1979. She hid at the University of Sydney’s Sancta Sophia College for five years, serving as a dorm supervisor under the alias ‘Veronica’ (or ‘Ronnie’) before being ‘discovered’ and died when I was 14 years old. Anne copied British Labor Party minister John Stonehouse who faked his own death after MI5 realized he was a Soviet spy. Anne Conlon’s National Archives file is sealed for reasons of ‘national security’ which further supports the notion she was a spy.
The Goetheanum, located in Dornach, in the canton of Solothurn, Switzerland, is the world center for the anthroposophical movement.
Anthroposophy is a spiritualist movement founded in the early 20th century by the esotericist Rudolf Steiner that postulates the existence of an objective, intellectually comprehensible spiritual world, accessible to human experience. Followers of anthroposophy aim to engage in spiritual discovery through a mode of thought independent of sensory experience. They also aim to present their ideas in a manner verifiable by rational discourse and in studying the spiritual world seek comparable precision and clarity to that obtained by scientists investigating the physical world. Steiner suggested that he had derived the sculptural forms of the first Goetheanum from spiritual inspirations.
Different versions were made.
Inside
Sculpture of humanity
Rudolph Steiner tombstone
Anthroposophy is a spiritualist movement founded in the early 20th century by the esotericist Rudolf Steiner that postulates the existence of an objective, intellectually comprehensible spiritual world, accessible to human experience. Followers of anthroposophy aim to engage in spiritual discovery through a mode of thought independent of sensory experience. They also aim to present their ideas in a manner verifiable by rational discourse and in studying the spiritual world seek comparable precision and clarity to that obtained by scientists investigating the physical world. Steiner suggested that he had derived the sculptural forms of the first Goetheanum from spiritual inspirations.
Different versions were made.
Inside
Sculpture of humanity
Rudolph Steiner tombstone
Goetheanum's builder Rudolf Steiner on Rosicrucian Lucifer.
Quote from The East in the light of the West by Rudolf Steiner(1922) pg 119-125:
Quote from The East in the light of the West by Rudolf Steiner(1922) pg 119-125:
"But since every event in the external physical world is an effect of a spiritual occurrence, this penetration of the soul by the Christ has also its effect upon the other life. This effect will manifest first of all in the mysteries, and has already partly done so since the foundation of the Western mystery schools of the Rosicrucians. When by means of the discipline of the old mystery schools a man had sunk more deeply into his soul and descended to the lower gods, he found Dionysos, which is only another name for the world of the Luciferic gods.
But at the time when the Christ in His glory was approaching the earth, the Luciferic reality sank into darkness even for spiritual consciousness, if the latter had not attained the very highest stages. Only the highest initiates were still able to descend to the Luciferic gods. Other men had to be told that if they descended while yet unpurified and immature, these Luciferic beings would only appear in distorted images, as wild demons who would tempt them to all sorts of evil. This is the original of all the terrible descriptions of this subterranean realm, and of the fear of the mere name of Lucifer at a certain time. And as everything is transmitted hereditarily to men who do not progress with evolution, there are still some who have inherited the fear of the name of Lucifer. But for spiritual consciousness the Luciferic world emerges again after the Christ principle has for some time been working in the soul. As soon as the Christ has worked in the soul for a while, the soul, permeated by the Christ substance, becomes mature enough to penetrate again into the realm of the Luciferic beings.
The Rosicrucian initiates were the first to be able to do this. They strove to understand and see the Christ in such a form that as the mystical Christ He permeated their souls, and lived within them, and that this Christ sub- stance in their inner being became a bulwark of strength against all attacks. It became a new light within them, an inner, astral light. Histori- cal experience of the Christ in His true being illuminates the soul to such an extent that men again become able to penetrate into the realm of Lucifer ; at first only the Rosicrucian initiates were capable of this, and they will gradually carry out into the world what they have been able to experience with regard to the Luciferic principle, and will pour out over the world that mighty spiritual union which consists in the fact that the Christ — Who has poured Himself as Substance into the human soul — is understood henceforth by means of the spiritual faculties that mature in the spirit of individual men through a new influx of the Luciferic principle.
Let us consider an initiate of the Rose Cross. He first prepares Himself by the continual direction of the feeling, conceptions and thoughts within his soul to the great central figure of the Christ, by allowing the mighty figure of the Christ, as depicted by the Gospel of St. John, to work upon him, and in this way he purifies and ennobles himself. For our souls change fundamentally when we gaze in reverence upon the figure depicted by the Gospel of St. John. If we receive within us what streams forth from this figure, as described by St. John, the mystical Christ comes to life within us. And if we further this process by the study of other Christian documents, the soul is gradually permeated by the spiritual substance of the Christ, is cleansed and purified and reaches higher worlds. FeeHngs more especially are purified in this way.
We either, like Meister Eckhart and Tauler, learn to conceive of the Christ in an universal sense, or else to experience Him with the tenderness of Suso and others ; we feel united with that which streamed to the earth from the wide expanse of the heavenly worlds through the Christ event. Thereby a man makes himself ready to be led as a Rosicrucian initiate con- sciously into those regions which in ancient times were called the Dionysian worlds and may now be called the Luciferic worlds.
What is the effect upon modern Rosicrucian initiates of this introduction into the Luciferic worlds ? If their feelings glow with enthusiasm for the divine as soon as they are permeated with the Christ substance, the other faculties through which we understand the world are illuminated and strengthened by the Luciferic principle. In this way the Rosicrucian initiate ascends to the Luciferic principle. His spiritual faculties are intensified and elaborated through initiation, so that he not merely feels the Christ mystically within His soul, but can also describe Him, can speak of Him and picture Him in spiritual images or thought pictures ; so the Christ is not merely dimly felt and experienced but stands before him in concrete outlines, as a figure of the outer sense world.
It is possible for man to experience the Christ as soul substance when he directs his gaze to that figure of the Christ which meets him in the Gospels. But to describe and under- stand Him in the way that other phenomena and events in the world are understood, and thereby to gain an insight into His greatness, His significance and His causative connection with world evolution, is only possible when the Christian initiate advances to knowledge of the Luciferic realms. Thus in Rosicrucian science it is Lucifer who gives us the faculty for describing and under- standing the Christ.*
* It is easy to see how, conformably with the use of the ordinary word * Lucifer,' ill will or ignorance may throw calumny on what has been here said ; that however cannot prevent these things being stated. Anyone who understands by Lucifer what is here meant, must necessarily have other conceptions
What the centuries have been able to do is to propagate the Gospels ; so that the Word streaming forth from them enabled hearts and souls to be warmed by their message, to be per- meated by the fire and enthusiasm which flow out from them. To-day we stand at a stage of human evolution when it can no longer suffice to receive the Gospels as a tradition in the old way ; to-day men need something else. Those who decline to accept this new teaching, will have to bear the Karma of opposition to the introduction of the Luciferic principle into the interpretation of the Gospels.
There may be many who say : * We are content to accept the Gospels as simple Christians ; we feel that they satisfy us ; the Christ speaks through them, and He does so even when we receive them as tra- ditionally handed down for centuries in religion.' Although these people may imagine themselves to be good Christians, they are in reality enemies of the Christ, who on account of their personal egoism, and because they still feel themselves satisfied by what is offered in the traditional interpretation of the Gospels, would sweep away that which in future will bring Christianity into glory.
Those who to-day believe themselves to be the best Christians are often the most effective exterminators of real Christianity. Those who to-day understand the development of Christianity think quite differently. They say that they do not wish to be the egoists who think that the Gospels sufl&ce and assert that they will not have anything to do with abstractions. What spiritual science has to offer is far removed from being an abstract teaching. Real Christians to-day know that humanity needs something more than the Christianity of the egoists ; they realise that the world can no longer be satisfied with the old Gospel tradition, and that the light from Lucifer's kingdom must be thrown upon it. They listen to the teachings proceeding from Rosi- crucian schools of initiation, wherein the spiritual faculties have been intensified by the Luciferic principle, in order to penetrate more and more profoundly into the Gospels, and these initiates have found the Gospels to be of such infinite depth that it is impossible to imagine that they can ever be exhaustively dealt with.
But to-day the time has already arrived when the Rosi- crucians must let their teachings flow out into the world ; they are called upon to spread abroad what they have gained from the Luciferic world in the form of intensification of spiritual forces and faculties, and to pour this into the Gospels. The spiritual science of the West consists in letting the Hght which streams forth and may be gained from Lucifer's kingdom be cast upon the Gospels. Spiritual science should be an instrument for the interpretation of the Gospels. So it is part of our work to bring to man the joyful message about the substance of the Christ Being, which permeates the world, and to allow the light which may be gained in Lucifer's kingdom on the path of Rosicrucian initiation to fall upon the Gospels. Thus we see that the Christ, Who formerly was a god living in the outer world, became the mystical Christ, and that by His ennoblement of the human soul. He has brought it back again to the realm called in ancient times the Dionysian world, which for awhile had to be shut out and which will be re-attained in the future by man. The interpretation of the Christ by spiritual faculties illuminated by Lucifer, is the inner and essential kernel of the spiritual stream which must flow through the western channel. And what I have said represents the mission of Rosicrucianism in the future.
What is it therefore that comes to pass in human evolution ? Christ and Lucifer, the one as a cosmic god and the other as a god within the human soul, dwelt side by side in ancient times, one to be found in the upper regions and the other in the nether regions ; then the evolution of the world progressed and for some time it was known that Dionysos or Lucifer, was far away from the earth ; on the other hand the cosmic Christ was felt to be penetrating the earth to a greater and greater degree ; Lucifer again became visible, and was once more able to be known. The paths taken by these two divine spiritual beings may be pictured more or less in the following way : they approached the earth from two different sides ; Lucifer became invisible at the time when his path cut across that of the Christ — his Hght was overpowered by the Christ light.
The Christ entered the human soul, became the planetary spirit of the earth, growing more and more to be the mystical Christ within human souls, and can be felt and realised through inner experiences. In this way the soul becomes gradually more capable of again beholding the other being, who took the reverse way, from within to without. Lucifer, from a being within man's inner nature, a purely earthly being such as he was when he was sought in the mysteries leading to the underworld, becomes a cosmic god. He will appear in ever greater radiance in the outer world which we behold when we look through the tapestry of the sense world. Man's vision will become reversed.
In the past Lucifer was seen behind the veil of the inner soul world, and the Christ, as by Zarathustra, behind the veil of the sense-world, but in the future the Christ will to an ever greater degree be realised by inner spiritual meditation and Lucifer will be found when the gaze is directed outwards into cosmic regions. Thus we have to record a com- plete reversal of the conditions by which man can acquire knowledge in the course of human evolution.
The Christ, an erstwhile cosmic god, has become an earthly god, who is henceforth the soul of the earth ; Lucifer, an erstwhile earthly god, has become a cosmic god. And when in the future, man desires again to ascend to the external spiritual world hidden behind the veil of the sense-world, and is not willing to stop short at the external and material, he must penetrate through the sense-world into the spiritual world and must allow himself to be borne to the light by the ^ Light Bringer.' No faculties for penetration into that region can arise in man if he does not create them out of the forces flowing to him from Lucifer's kingdom. Men would be drowned in the sea of materialism, would persist in the belief that there is nothing except the outer world of matter, if they did not ascend to inspiration through the Luciferic principle. Just as the Christ principle exists to strengthen our inner being, so the Luciferic principle intensifies and develops those faculties by means of which we have to penetrate into the spiritual worlds fully and completely. Lucifer will intensify our understanding and comprehension of the world ; the Christ will strengthen us perpetually within."