Psychonauts, The MK Ultra game.
Characters have this BEES (HIVITES) theme.
The Psychic Six's second animal communication expert alongside Compton and best-selling author of the hit book, "Mindswarm." She disappeared into the Forgetful Forest and has not been seen since. She developed a major identity disorder and has become the fabled "Green Needle Witch" of the Forgetful Forest. Mainly attending to her bees and scaring people away from the Green Needle Gulch by playing into the legend.
The Beastmaster: Of bees, but they seem to have become very unruly recently.
DICTONNARY OF SYMBOLS PART 2 @Shuna. The dictionary has different publications: mine is from 1991:
APOLLO @Shuna explains the Sun god. He is significant for them.
CERN, the main threat, have been bult at Apollo's temple. It was main god of Atlantis and
Grand Theater in moscow.
"Apollo is first of all a Lunar God. It was later that the God was recognized as the Sun God. And his arrows, the rays of the sun." Interestingly, it comes close to the act, but in a solar version, like the act of the Christian God, whose light of life/spirit acts on matter (if you don't count, the rain/the sperm/the tear). "He was seen, before the Sun God, as a god of vengeance. Lord Archer, the toxophorus, the argyrotoxos, with the silver bow.
Seven is the number of perfection, the one that symbolically unites heaven and earth, the feminine principle and the masculine principle, darkness and light. Now it is the number of Apollo; it plays a manifest role in all traditions. Apollo was born on the seventh day of the month; he lived under this sign. Erchylus baptized him: the august God Septimius, the God of the seventh gate. Its main festivals were always celebrated on the seventh of a month; his lyre was stretched with seven strings; at his birth, the sacred swans circled the floating island seven times, singing. Asteria, whom Zeus, his father, would fix under the name of Delos where Leto gave birth to him; his doctrine is summed up in seven maxims attributed to the seven sages.
A very complex God, horribly trivialized, when one opposes him, by simplifying Nietzsche, to Dionysus, as reason to enthusiasm. Non Apollo is the symbol of a victory over violence, of self-control in enthusiasm, of the alliance of passion and the grandson of a Titan, by Leto, his mother, his heritage. All the powers of life combine in him to encourage him to find his balance only on the summits, to lead him from the entrance to the immense cavern (Esckyle) to the crimes of heaven (Plutarch). It symbolizes supreme spiritualization; it is one of the most beautiful symbols of human ascension."
NUMBER OF OR: Man also uses the golden number, the number of creation, which is present in everything, such as under the fruit that represents him, the apple of bread. And of which many artists, for example, have used it to create paintings like music...
MEN AND BOYS AS FAVOR @Shuna explains:
I'll just put the symbols that stand out, however it will be a bit repetitive, because I haven't finished this research yet, so I still can't find out, for they favor men. ..: So here are the symbols, which are the sun (light and life), the phallus (the warrior, strength and reproduction), in both cases it represents renewal of life (the boy, in the symbolism becomes a symbol of eternity, (in addition to the symbol of light, although they associate women with magic) in any case it is confirmed in this French link, which represents the symbol of the child, which represents the birth (the beginning of the Universe and therefore the beginning of materials (and surely pure materials)):
https://www.erudit.org/fr/revues/etudfr/1983-v19-n3-etudfr1668/036806ar.pdf):
And so first of all, the boy is related to God, and therefore to light, to life. I think it is mainly. The other and certainly main, is as I said, over the years, people have associated with the physical, the mental. And as people say, the misconception, that the man should be out, while the woman should stay home. And the fear of Man, of losing his place. dominant, but also lazy. And as far too many women have let it happen... out of love or ideology, mentally inscribed, and without having the slightest thought. Or again, a question of fear or religion. And the idea that the woman does nothing, remaining seated whereas it is the opposite. Which makes the house become a prison. Although light would have been born from darkness, without it there would be no life. This symbol of life accompanies that of heat and light. What is associated with the sun, unlike the woman. Moreover, one of the two representations of the Solar God, the part of the dawn, he wears as I said previously, hair and a beard, he then associates himself with the lion.
The first God is the God of light and life, of heat and drought, who is in some religions, who is the God of hell (because who dries up the earth, but who can associate , to his role as God of Heaven).
The second God is like Zeus... Odin, but also the wrath of the Catholic God: (since; when Jesus is sacrificed, God, he has a storm, note that Jesus "weeps" with penne, which accompanies, This second God is the God of strength, because he holds back light from falling into darkness (in the Taros cards, strength is linked to the Goddess, who opens the mouth of the lion, the first God). He is also the God of anger: he is linked to the wind, to the rain, a rain which is also linked to the part of fertility, that which nourishes the earth, but which can also kill, by drowning it.
The second symbol is the phallus. The obelisk at the center of the four elements, in the Vatican for example: whose solar symbol is a point in a circle. I think comes from the fact, that to watch, their solar on the ground, is moreover to divide for the solar panel, that the sexual representation, but it is my opinion. The phallus is present on the tombs. It was replaced by a simple stone, as in Africa, of which however a lot of representation of phallus are rediscovered. Only one people continues the ritual, when I think about it, the older ones hide the stone, and the young people go looking for it to put it on the warrior's tomb. Which reminds me of the cycle of life. Where the passage, of the one who died, giving the relay to the young people. There is also a phallus festival in Japan. The phallus is associated with the warrior, with physical strength.
This makes me think of the Garden of Eden. I am in the process of deciphering the Bible, with all the information I have collected, for the beginning, I had to fix it on my cycle (even if, I mainly took the Bible, as a research base , for comparisons between cults and religions). Who at the center, taking, the construction of the true Garden of Eden. The garden of Babylon which inspired, the garden, a garden of abundance, which represents fertility. Since in the center of the garden, has a fountain/the tree of life/the tree which resembles, see may be the same, tree, one of the two trees, one, which is represented among the Celtics, which is at half a woman, the other a man.
EMERALD @Shuna explains
Emerald is green and translucent, it is the stone of green light, which gives it both esoteric meaning and regenerative power.
For the alchemists, it was the stone of Hermes, the messenger of the gods and the Great Psychopomp. They also called the dew of May emerald, but this dew of May was itself only the symbol of the mercurial dew (associated among Mezzo-Americans with rain, blood, and all the symbols of the cycle lunar, she builds a cage of fertility. While the Aztecs called her quetzalitzil and therefore associated her with the quetzal bird with long green feathers, a symbol of spring renewal. She was therefore linked to the East direction, and to all which touched the cult of the God-Hero Quetzalcoati.
Under its harmful aspect it is associated, in the Christian lapidary, with the most dangerous creatures of hell.
The popular traditions of the Middle Ages, however, retain all of the emerald's beneficial powers, with which a little witchcraft is necessarily mixed. Mysterious stone - and therefore dangerous to those they do not know - the emerald has been everywhere on earth considered the most powerful of talismans. Coming from hell, she can turn against the infernal creatures, whose secrets she knows. This is why it is said in India that the mere sight of an emerald causes such terror in the viper or cobra that their eyes pop out of their heads. According to Jérôme Cardan, attached to the left arm, it protects against fascination. According to a Gothic manuscript in Oxford, she gives freedom to prisoners, but on the condition that she be consecrated, that is to say amputated of her malignant forces. In the vision of Saint John, the Eternal appears seated on his throne is like an emerald vision. The Grail is a vase cut from an enormous emerald.
It was the stone of clairvoyance; as fertility and immortality; in Rome it was the attribute of Venus: in India it confers immortality.
An elementary cratophany, the emerald is in short an expression of periodic renewal, and therefore of the positive forces of the earth; it is in this sense a symbol of spring, of the manifested life of evolution and is opposed to what is dry, igneous, solar. But it also acts, no longer allopathically but homeopathically, on other chthonic expressions, harmful these ones.
For the land of Oz, I have to dig, but like The Signer of the Rings, would represent a theological study (Tolkien would be a theologist). The shape of the land of Oz, is divided into four territories, of which in the center, it has the Land of Oz:
Speaking of representation, looking back at the "Fullmetal Alchemist" manga. The author has searched a lot of files. The configuration is the same as that of the land of Oz, but is in the form of a circle, and a circle is formed throughout the city, to sacrifice its inhabitants to give energy to the Ouroboros [the Egregore , (black, formless, red-eyed mass), who are the Demons and true Vampires, who have been associated with blood, through the story of Dracula. The human form comes from another story, from which the vampire wanted to reach eternal youth, by swallowing the energy]. In history, it is from the wish of a King, who wished to have immortality. And importantly, they use the eclipse, which produces a giant circle on the earth. Where surely, the sun for the masculine side and the moon for the feminine side.
And I came across this video, on an Alchemist, who analyzes "Fullmetal Alchemist" including some info, answers some questions:
Small additional note, on the vision, that one the Alchemists, where they are like, it is marked in my dictionary, that the Alchemists seek to reproduce, what it has in the body. But that in a physical character, as a reminder, the pineal gland is the philosophical stone. In the Bible (which I am still analyzing), but in the Garden of Eden (which was inspired, from the Garden of Babylon), there are three main trees. The female tree and the male tree and in the center, the tree of union, which Adam and Eve ate, which represents the sexual act:
EGREGORE @Shuna explains
I did a little research on the egregores and I saw
information on the solstices, equinoxes and full moons:
"
Feeding an egregore
It is therefore necessary, if one wants to be able to use an egregore regularly, to supply it with energy. This is done through thoughts, as with the firebreak prayer, but also through rituals. There are moments suitable for rituals such as solstices, equinoxes, full moons which are times during which the environment is charged with energy that can be used to power an egregore."
When I think back on it, I had already marked it, but the ritual of energy exchange, practicing with the altar, creating an egregore in the process, which it lets pass through their bodies, thinking that they are taking a new energy, to give their old energy.
Besides the egregores, I have also already marked. Egregores are demons (or angels when they have energy and a white appearance). They are also vampires, they normally swallow energy and take on a non-human form. They have a black appearance, with red eyes (due to the reaction). The human form was taken for the novels. Then to swallow the blood comes from the mixture of the classic vampire, with human appearance and the Tale Dracula (serial killer).
FREEDOM @Shuna explains:
Liberte, Egalite, Fraternite -- motto of masonic lodges and French Revolution. De Sade used name Libertine for his satanic group. Roman Empreor who fought Hivites was killed with password Liberte.
According to the writer of the book Freemason, writes that the lodges: Sorry for the greatness I decided to copy the chapter, rather to summarize, it has quite a lot of interesting information. That's it, so for him it's the thinkers who made the Revolution. Note that he has a group at the very top, who themselves obey other people (who are for example in Marvel, the Illuminati). They themselves obey people, who are the most unknown to Freemasonry (he doesn't even mention it in the book). For the French Revolution, there could have been an accumulation of problems, over the centuries and the thinkers who began to meet in the institutions which were the cafés, which can be compared to tea rooms, not to bars, which the revolution would have been thinking. But obviously, and seeing certain images, I myself think of the Freemasons. For the Roman side, as for the Sade; I have to research, although we talked about it, I don't remember what I was told about the choice "Libertas" for Rome:
In the lodges of the Grand Lodge of France, which wants to be "symbolist" and "humanist", the outfits end with the acclamation: "Liberty, Equality, Fraternity" which, as everyone knows, is the motto of the Republic resulting from the French Revolution. The Freemasons thus want to testify to their commitment to this historical moment which saw the end of the Old Regime. What more beautiful program, at first sight, than these three deaths?
In reality, nothing could be more false, more falsified and more aberrant. The French Revolution of 1789 which was, more by sides, one of the darkest moments in history owes nothing to Freemasonry as an intuition. There are Executioners among the executioners as well as among the victims. It was clubs of thought, factions that prepared this revolution and not the Masonic lodges, some of which were completely destroyed by the tidal wave. This motto, "Liberty, Equality, Fraternity" owes nothing to Freemasonry. The latter was content to recover it much later, believing that it was thus using the fundamental values. Here again, the humanist Masons of the Grand Lodge of France are seriously mistaken. They remain stuck in the false values of a nineteenth century with romanticism social nourishing and degrading Liberty, Equality, Fraternity, three words which are to be analyzed in the past participle.
When a pseudo-initiate speaks of freedom, he means personal independence which others must respect. When he speaks of fraternity, he means cronyism, relations, seeking support for his personal benefit.
The goal of initiation is not to train "free" men (1) in the modern sense of the word, that is to say, independent or obeying only their good (or bad?) will. "which led to the permissive society. Our desire for independence at all costs is one of the causes of our unhappiness and the spiritual poverty of our society. Through ritual we are rid of this mirage that is the "independence. In nature, in the universe, everything is independent. Individuality in the absolute sense does not exist. Our physical organism is already a kind of community where the different functions and the different organs must work to be the same Everyone renounces their illusory independence to submit to the Rule and thus find liberation. Freedom is a false concept, a bastard idea. No one will ever be free. On the other hand, each being has the capacity to free themselves, to live one more effective than initiation. We are not born initiated, we become one. In person does not initiate on its own. It is only our individualism which stands in the way of our liberation at our initiation. Seeking the latter involves a tremendous drive, a desire to live intensely. On the construction site, to work, you must not have a servile character but develop your creative faculties.
When Freemasons speak of equality, they are either driving or unconscious. They forget the initiatory hierarchy. They ignore the most elementary laws of life, since equality does not exist in nature. This false idea of equality has given birth to the worst political doctrines, to engendered the worst crimes. It was translated, in the West, by Marxism which largely penetrated the Freemasonry of the Grand Orient and its branches. Latent Marxism, in the form of false tolerance and egalitarianism, has also been introduced as an intellectual reference in other persuasions. Freemasons are so cautious in the field of ideas that they opt for any type of security. The idea of equality is very practical since it allows you to confine yourself to the most reassuring of mediocrities. And if a Brother engages more intensely on the initiatory path, we do everything to clip his wings, under the pretext that he would become less "equal" than other brothers.
Equality is a republican utopia that does not exist in nature but has found refuge in most Masonic lodges. With all due respect to the egalitarians, initiation leads to the formation of an elite. The French in particular hate this term. It implies so many responsibilities, work, duties to accomplish so many responsibilities, work, duties to accomplish when the elite is solely based on the personal value of beings, that equalities are preferable. If tomorrow a real elite is recreated, how will it be able to admit that Duty is absent from the pseudo-elites, intelligentsia and momenklatura of all kinds?
The only equality experienced by initiates is in relation to ritual and symbols. They are revealed to all the brothers who thus have equal opportunities if they are determined to work and progress on the path of
initiation. They are determined to work and progress on the path of initiation. To be clear, we should rather speak of identity. The beings are identical in the Cause, in the principle of life, but they are fundamentally unequal in the way in which they use it and conduct their life.
"Freedom", "Equality"... here are two excellent profane visions which have succeeded in penetrating into the lodges and in desacralizing them. In the temple and outside the temple, these two ideas are charged with passionate values and conveyed by individuals who give themselves a good conscience by satisfying infantile sentimentality and by uttering words which they consider altruistic. They want to make others happy in spite of themselves. Isn't that the worst aberration?
One would have hoped that it would be otherwise with "fraternity". It was not the case. At the Grand Lodge of France as elsewhere, Masons confuse fraternity with cronyism and mutual aid. However, this initiatory value remains fundamental. To take on its real significance, the initiatory birth begins with a death. A death to appearances, to contingencies, to the profane world. On entering the community, the initiate changes his name. On entering the community, the initiate changes his name. He is reborn in fraternity. He also receives more other names than "My brother". A true Lodge is a brotherhood. He no longer receives any name other than "My Brother". A true Lodge is an initiatory fraternity where each, by serving his brother, serves the common work. We do not deny our personal qualities, but place them in a chain of unions. The community thus allows everyone to surpass themselves without destroying themselves, to communicate with their Brothers without losing their originality. Beyond the simple team spirit, already so appreciable in the profane world, unity gradually discovers the fraternal spirit, that which allows the Brothers to create themselves through each other.
Brotherly love is an essential dimension of initiation. It is through him that the Work can be accomplished. This love is commensurate with our gift, with the offering of what is best in us. Initiation teaches us to transmit the life we have received. What has been given to us, we in turn give.
The freedom, equality and fraternity offered by the peries. The "Masonic ideal" is only a fall into materialism and false problems. The initiation is not made to develop doctrines, philosophies, to agitate ready-made ideas. The only work of the initiates is to build, to build man and the Temple, to take into account the evolution of human thought and to adapt the rules of construction to new data. It is a permanent presence of Life. The notion of ideal seems fixed to us, and to make perceive, with which wishes it, the vital laws. An ideal is not creative. It encloses the individual in an intellectual prison.
Any lodge which ends its meetings with the acclamation "Liberty, Equality, Fraternity" thus proves that it belongs to the most profaned and remotest Freemasonry from initiation. Each Mason should however know that there is a ritual acclamation, coming from the depths of the ages, of which most workshops have unfortunately lost the meaning. This cheer is magical nature. It celebrates the joy of work accomplished and the presence of the Great Architect of the Universe.
Shouldn't their lodges forget their false ideals and restore this acclamation, this magic of the rite where the initiatory life is expressed?
(1) To enter an initiatory Lodge, one must be "free and of good morals". These "good morals" are not a moral reference, but are based on the need to respect Harmony in its cause. This is why homosexuals, betraying the natural harmony, have no possibility of entering the temple, as has always been indicated in the Landmarks.
Note that the chain of Union represents the rite I keep talking about, where they exchange their energies for that of the altar (that of the egregore of the altar or of the Great Architect [which looks like the description of the Antichrist, the second God (who in the Book of Revelation is the description of Satan)]. a community, an organization which is in this case a sect, a sect, which becomes a person... We see it in the physical, which changes, whether in the eyes, as in the globality of the face and as he also says in the Bible, the Antichrist looks alike. And like I said, I saw the damage on my cousin.
ROSE @Shuna explains:
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Remarkable for its beauty, its shape and its fragrance, the rose is the symbolic flower most used in the West. It corresponds on the whole to what is the lotus in Asia, both being very close to the symbol of the wheel. The most general aspect of this floral symbolizes is that of manifestation, issuing from the primordial waters, above which it rises and blossoms. This aspect is also no stranger to India, where the cosmic rose Triparasundari serves as a reference to the beauty of the divine Mother. It designates a perfect perfection, an accomplishment without defect. As we will see, it symbolizes the cup of life, the soul, the heart, love. One can contemplate it as a mandala and consider it as a mystical center.
The rose is Christian iconography, either the cup that collects the blood of Christ, or the transformation of the drops of this blood, or the symbol of the wounds of Christ. A Rosicrucian symbol features five roses, one in the center and one on each of the roses of the Cross. These images evoke either the Grail or the celestial dew of Redemption. And since we were the Rose-Croix, note that their emblem places the rose in the center of the Cross, that is to say at the location of the heart of Christ, of the Sacred Heart. This symbol is the same as the Candida Rose of the Divine Comedy; which cannot fail to evoke the mystical Rose of the Christian litanies, as well as that of the Roman de la Rose, Angelus Silesius makes the rose the image of reading, that also of Christ, whose soul took up the imprint. The Golden Wheel, once blessed by the Pope on the fourth Sunday of Lent, was a symbol of spiritual power and attraction but also arguably a symbol of resurrection and immortality.
Finally, we must note the particular case, in Muslim mysticism, of a Saadi of Shiraz, for whom the Garden of Roses is that of contemplation: I will pick the roses from the garden, but the perfume of the rosebush has intoxicated me. Language that the mythical Christian would refuse in any way, in commentary on the Song of Songs on the wheel of Sharon.
The rose, through its relationship with spilled blood, often seems to be the symbol of a mystical rebirth:
On the battlefield where many heroes have fallen, rosebushes and wild roses grow... Roses and anemones sprang from the blood of Adonis while this young god was dying...
It is necessary, says Mircea Eliade, that human life is completely consumed in order to exhaust all the possibilities of creation or manifestation; if it comes to be abruptly interrupted by a violent death, it tries to continue in another form: plant, flower, fruit.
The scars are compared to roses by Abd UI Kadir Gilani, who attributes to these roses a mystical meaning.
According to F. Portal, the rose and the color rose would continue a symbol of regeneration due to the semantic relationship of the Latin rosa with ros, the rain, the dew. The dew and its color, he said, were the symbols of the first degree of regeneration and of initiation into the mysteries... and initiation into the mystery... Apuleius' donkey recovers human form, eating a crown of vermilion roses presented to him by the high priest of Isis. The rosebush, adds this author, is the image of the regenerated, as the dew is the symbol of regeneration. And the rose, in the sacred texts often accompanies the green, which confirms this interpretation. So in Ecciesiastes; I grew... like the rose plants of Jericho, like a magnificent olive tree in the plain. The olive tree was consecrated to Athena - the green-eyed goddess - who was born in Rhodes, the Isle of Roses: which suggests the mysteries of initiation. And the roses were dedicated to Aphrodite as well as Athena. The rose was a white flower among the Greeks, but when Adonis, protected by Aphrodite, was mortally wounded, the Goddess ran towards him, pricked herself on a thorn and the blood colored the roses which were consecrated to her.
It is this symbol of regeneration that has caused roses to be placed on tombs since Antiquity: the ancients... called this ceremony rosalia; every year, in May. They offered seas of roses to the ghosts of the dead. And Hecate, goddess of the Underworld, was sometimes represented with her head crowned with a garland of five-leaf roses. We know that the number five, succeeding the four, number of accomplishment, marks the start of a new cycle.
In the seventh century according to Bede, the tomb of Jesus Christ was painted with a mixed color of white and red. We find these two component elements of the color rose, red and white, with their traditional symbolic value, on all plants from the profane to the sacred, in the difference granted to the offerings of white roses and red roses, as well as the difference between the notions of passion and purity and those of transcendent love and divine wisdom. To the arms of the nuns, says the Palace of Honor, is placed a crown composed of branches of white rose with its leaves, roses and thorns, which denotes the chastity that they are preserved among thorns and mortifications of life.
The rose has become a symbol of love and even more of the gift of love, of pure love... The rose as a flower of love replaces the Egyptian lotus and the Greek narcissus; these are not the frivolous roses of Catullus... But the Celtic roses, lively and proud, not devoid of thorns and heavy with a sweet symbolism: that of the Roman de la Rose, of which Guillaume de Lorris and Jean de Meung make the mysterious tabernacle of the Garden of Love of Chivalry, rosa mystica of the litanies of the Virgin, golden roses that the popes will give to deserving princesses, finally the immense symbolic flower that Beatrice shows to her faithful lover who has reached the last circle of the Paradise, rose and rosette at the same time.
Paradisiac love will be compared by Dante to the center of the rose: To the golden center of the eternal rose, which expands and goes from degree to degree, and which exhales a perfume of praise in the ever spring sun.
Beatrice attracted me... (In Paradise, comes from two songs).
White or red, the rose is one of the favorite flowers of the alchemists whose treatises are often called roses of the philosophers. The white rose like the lily was linked to the white stone, the goal of the little work, while the red rose was associated with the red stone, the goal of the great work. Most of these roses have seven petals, each of which evokes a metal or an operation of the work. A blue rose would be the symbol of the impossible.
FLEUR-DE-LYS @Shuna explains:
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I thought about the evolution, which Freemasonry is doing by following the act of Odin. When he sacrifices his body, for the spirit. And when I think about it, the members who "marry" the Goddess, may in some cases have tattoos, which is a symbol of contract. And the evil bee, who sleeps with the Queen, dies of exhaustion. Whereas in religion, God is light, is hidden after reproduction with the Goddess, since he integrates her body. As confirmed: "the bee seems to disappear in winter". What is interesting with the nine Muses is that she represents a characteristic of the first Goddess. Whereas the number nine, which approximates the number of Satan (of the Mother Goddess). The fleur-de-lis symbolizes precisely: The Lis (or Lys) in my dictionary:
The lily is synonymous with whiteness and, consequently, with purity, innocence, virginity. It is found in Boehme or Silesius as a symbol of celestial purity: The betrothed of his soul desires to enter; blooms: the lily does not come to bloom.
However, the lily lends itself to a completely different interpretation, It would be the metamorphosis of a cute, Apollo. Hyacinthos, and as such would recall forbidden loves; but this is the martagon lily (the red lily). It is by picking martagon (the red lily). It was while picking a lily (or a narcissus) that Persephone was dragged by Hades, in love with her, into a sudden opening in the ground, to her underground kingdom; as such, the lily could symbolize temptation or the gate to Hell. In his Mythology of Plants, Angelo de Gubernatis considers that the lily is attributed to Venus and the Satyrs, no doubt because of the shameful pistil and, therefore, the lily is a symbol of generation; which, according to this author, would have made him chosen by the kings of France as a symbol of the prosperity of the race. Besides this phallic aspect, Huymans denounces in La Cathédrale its heady scents: its perfume is absolutely the opposite of a hunting scent; it is a mixture of honey and pepper, some mixture of honey and pepper, something pungent and sweet, pale and strong; it comes from the aphrodisiac preserve of the Levant and the erotic jam of India. We could recall here the Baudelairean correspondences of cas parfums: which sing the transports of the spirit and its. This symbolism is rather lunar and feminine, as Mallarmé felt so well:
"And you made the sobbing whiteness of lilies.
Who rolls on seas of sighs that she brushes.
Through the blue incense of pale horizons.
Ascend dreamily to the weeping moon!
This symbolism is further clarified by being internalized, in another poem, Hiérofiade:
...s'affeuille
As near a basin in the water iron welcomes me
The pasta lilies that are in me...
The symbolism of the waters is added here to that of the moon and dreams to make the lily the flower of love, of an intense love, but which, in its ambiguity, can be unrealized, repressed or sublimated. If sublimated, the lily is the flower of glory.
This motion is not foreign to the equivalence that can be established between the lily and the lotus, raised above muddy and informal waters. It is then a symbol and informal. It is then a symbol of the realization of the antithetical possibilities of being. Perhaps we should interpret in this sense the words of Anchises to Aeneas, predicting to him the marvelous destiny of his race: You will be Marcellus. Give threads with both hands, that I scatter dazzling flowers (Virgil, Aeneid, 6, 884). This offering of lilies, in memory of the young Marcellus, during the descent of Aeneas into the Underworld, illustrates all the ambiguity of the flower: seeing it at the edge of the Léché (6, 706), Aeneas is traversed by a shiver sacred before the mystery of the; on the other hand, these dazzling flowers offered to the adopted son of Augustus, help to rekindle in the heart of Aeneas the love of his future glory. Both funereal and exalting value of the symbol. The heraldic lily with six petals can still be identified with the six spokes of the wheel whose circumference is not traced, that is to say with the six rays of the sun: (GUBC, GUES) flower of glory in source of fertility.
In the biblical tradition, the lily is the symbol of the election, of the choice of the loved one:
Like the lily between thistles, like my beloved between young women.
(Cantique des Cantiques, 1 - 2).
Such was the privilege of Israel among the nations, of the Virgin Mary among the women of Israel. The lily also symbolizes abandonment to the will of God, that is to say to the Province, which provides for the needs of its elect:
Observe field lilies as they grow; they neither toil nor spin. (Matthew 6:29). Thus abandoned in the hands of God, the lily is however better dressed than Solomon in all his glory. It would symbolize the mythical abandonment to the grace of God.
LIS (of the valleys)
According to a mythical interpretation of the number s, the valley of Song of Songs means the world, the lily designates Christ. The son of the valleys is related to the tree of life planted in Paradise. It is he who restores pure life, the promise of immortality and salvation).
SHELL @Shuna explains:
Symbol close to the fleur-de-lis: for the fleur-de-lys, it's the ring. Symbol of power, sovereignty, honor and loyalty, and purity of body and soul. It is used in the scout movement, freemasonry, alchemy and in some religions. In Scouting, the three petals take up the three adventurers of the Scout promise, the three principles and duties (God, Country and Home) and the three virtues (Self-denial, Loyalty and Purity) and the North indicated by one of the petals in The way young people should go, always up.
BEE @Shuna explains:
The bee is in the working context, as the hive is a reference to the building of the Goddess. To the Mother Goddess, because the shape of the hive also refers to the old buildings that allowed ice to be stored. Example: Freemasons are workers, who work for the Goddess. The beehive is also considered a representation of the Temple.
The victims are also represented as flowers, the bees bringing the liquor from the flowers back to the hive to create the honey, which is considered, in many representations, to be a "sacred" product. For example, honey, along with other foods, was used to create sweets for the Egyptian Gods. Knowing that Venus accompanies in the first quarter, that of the earth. While the flowers feed on the sun.
EGG @Shuna explains:
The egg, considered to contain the germ from which manifestation develops, is a universal and self-explanatory symbol. The manifestation process, however, has many aspects; the Celtic serpent's egg, represented by the fossil sea urchin, the egg spat out by the nois, representing manifestation by the Word. Other times, the primordial Man is born from an egg. The Celtic egg contains the seed of all possibilities. Even more frequently the cosmic egg, born from the primordial waters which is hatched (by the spirit of the divine Breath), separates into two halves to give birth to Heaven and Earth. And before heaven and earth, chaos itself looked like a chicken egg. Thus the egg is often a representation of the creative power of light. In the structure of all these cosmologies, the egg plays the role of an imagery of totality. The egg also appears as one of the symbols of periodic renewal, of nature:. tradition of the Easter egg, colored eggs, in many countries. It illustrates the myth of periodic creation. This does not prevent the egg from also symbolizing a biological cycle. Clay eggs discovered in burials in Russia and Sweden, for example, have been interpreted as emblems of immortality and symbols of resurrection. The egg also participates in the symbolism of the values of rest, such as the house, the nest, the shell, the mother's breast.
NORTH @Shuna explains
According to the book Bahir, evil stands in the north and Satan, as a principle of education, principle of evil, comes from the north. The north is the place of misfortune. In Jeremiah we read: It is from the north that calamity will spread to all the inhabitants of the land (1. 13-16); the destroyer comes from the north (46, 70). The north wind is considered a devastating wind.
But its devastation is symbolic. Jeremy sees a tilted pot, the contents of which tilt from the north. This pot symbolizes the starting point of a revelation; but this revelation is not Yahweh's. The god of Jeremiah speaks out against the northern kingdoms, whence come malice and idolatry.
The Greeks, on the contrary, expected wisdom from the Hyperboreas. But the north of the prophet is not that of the Hellenic myths and the two revelations, the two wisdoms are, on the other hand, very different.
CARDINAL POINTS: NORTH @Shuna explains
The symbolism of the cardinal points, which has great importance among Mexicans, has been highlighted by J. Soustelle.
North is the side that is to the right of the sun. It is the country of the nine infernal plains. Land of life below and beyond: the living come from it, the dead and return, Land of cold, famine, night, aridity. The eagle, symbol of war, resides there, because it is the land of hunting and fighting par excellence. The years, flint are located there and among its emblems is the sacrificial knife with an obsidian blade or the flint, often silvered with an eagle feather. Tezcatlipoca, God of the North, symbol of the sky, and the nocturnal wind. The North is also the land of the moon and the Milky Way. Its color is black, red for the Mayas.
In the Dogon companies, the cardinal points are each associated with a constellation and a category of beings, as follows:
North: Pleiades, Men and Fish.
North, assimilated to the seventh heaven, it is the country of the distant, where resides the great god Faro, master of the word and of the waters, and responsible for the organization of the world in its current form; by extension, all royalty sits in the North.
North: beings of water, fish, saurians, batrachians.
The Lamaist Kalmyks represent the cardinal points with animal heads: the lion in the North (more precisely in the North-West).
The Chinese represent them: the North, by a Black tortoise. In a Sioux myth, the abode of the Gods, located on a high mountain, overlooks the four regions of the world and, at each gate of heaven, there is a guardian: a deer in the North. According to a belief of the Tungus transbaîkaliens. God created the first pair of humans with iron, which he took from the East, fire which he took from the South, and water which he took from the West, and earth which he took from the south, water which he took from the north. Each of these materials having served to form a part of the human body, this myth therefore establishes between the cardinal directions, the elements and the human body, the following correspondences:
North, Earth, Flesh and Bone;
West, Water and Blood;
East, Air, Iron and Heart;
South, Fire and Heat of the Body.
According to Ruybrock, the Mongols, in their liberation, poured their groups in the four cardinal directions, south to honor fire, east to honor air, west to honor water, and north to honor the dead.
In the image of the Hindu world, the heavenly homeland of the demons is in the northeast.
CARDINAL POINTS: EAST @Shuna explains
The East is the land of birth, or rebirth, of the Sun and Venus. It is associated with all manifestations of renewal, with the growth of corn, with youth, with celebrations, with songs, with love.
The East is the home of Tlaloc, God of the rains who established his heavenly garden there, which is nothing but water and greenery. It is the home of the green feathers, the home of the green reed years, and of the sacred bird Quetzal, the Indian phoenix. He gave the long green feathers to Quetzalcoatl who is reborn under this sign, in the form of the rising sun, after having sacrificed himself to the West. And yet, green only comes second to symbolize this direction. The color of the East is first of all the red of new blood and vital force, the red of the rising sun and of Venus, the morning star. Thus, the solar and aquatico-vegetal symbolisms, as Soustelle points out, are superimposed in this sign. But we must not forget that the solar symbolism, among the Amerindians, is multiple in its expressions. The midday sun and the black sun are the symbols of analogical complexes, opposed to that of the rising sun.
In the Dogon companies, the cardinal points are each associated with a constellation and a category of beings, as follows:
East, Venus, the birds;
East, color White, Land of death;
East, wild and domestic animals.
The Lamaist Kalmyks represent the cardinal points with the heads of animals: the elephant in the East.
The Chinese represent them: the East, to a blue dragon. In a Sioux myth, the abode of the Gods, located on a high mountain, overlooks the four regions of the world and, at each gate of heaven, there is a guardian: a deer in the North. According to a belief of the Tungus transbaîkaliens. God created the first pair of humans with iron, which he took from the East, fire which he took from the South, and water which he took from the West, and earth which he took from the south, water which he took from the north. Each of these materials having served to form a part of the human body, this myth therefore establishes between the cardinal directions, the elements and the human body, the following correspondences.
North, Earth, Flesh and Bone;
West, Water and Blood;
East, Air, Iron and Heart;
South, Fire and Heat of the Body.
According to Ruybrock, the Mongols, in their liberation, poured their groups in the four cardinal directions, south to honor fire, east to honor air, west to honor water, and north to honor the dead.
CARDINAL POINTS: WEST @Shuna explains
The West is the land of evening, of old age, of the sun's downward course, of where it will disappear into its home. The house years are therefore domiciled there. This is the women's side, the disappears. Quelzalcoatl sacrifices himself there to be reborn in the East. It is called the land of mist, it is the door of mystery, of the unmanifest, the below and the beyond. But the mists lead to the idea of rain and therefore of fecundity and fertility. Also the Goddesses-Mothers reside in the West, where they established their garden, which is the counterpart of that of Tlaloc, god of the rains, in the East. There also dwells the God of Corn, who manifests himself in the East. There, finally, is the Goddess of Flowers and the Fishes of Chalchiuil or Precious Water or Precious Stone, in which is summed up the whole symbolic complex that brings together the blue-green water of emerald and jade, the fertilizing rains celestial seed, and nascent blood, offered to the sun for its regeneration.
In the Dogon companies, the cardinal points are each associated with a constellation and a category of beings, as follows:
West, the large-tailed star (unidentified), wild animals, plants, insects;
West, country of the people of the fallen sun, seat of customs, of fine good things;
West, the birds.
The Lamaist Kalmyks represent the cardinal points with the heads of animals: the lion in the West.
The Chinese represent them: the West, a white tiger. In a Sioux myth, the abode of the Gods, located on a high mountain, overlooks the four regions of the world and, at each gate of heaven, there is a guardian: a deer in the North. According to a belief of the Tungus transbaîkaliens. God created the first pair of humans with iron, which he took from the East, fire which he took from the South, and water which he took from the West, and earth which he took from the south, water which he took from the north. Each of these materials having served to form a part of the human body, this myth therefore establishes between the cardinal directions, the elements and the human body, the following correspondences:
North, Earth, Flesh and Bone;
West, Water and Blood;
East, Air, Iron and Heart;
South, Fire and Heat of the Body.
According to Ruybrock, the Mongols, in their liberation, poured their groups in the four cardinal directions, south to honor fire, east to honor air, west to honor water, and north to honor the dead.
CARDINAL POINTS: SOUTH @Shuna explains
South is the side to the left of the sun. In the Nahuati language, the side of the thorns. In certain circumstances the emperor and the priests held and stuck agave thorns into their legs to offer their blood to the gods. Land of fire and of the great god. Uitzilopochtli, deity of the midday sun. It has the emblem of the macaw, the solar bird par excellence, and governs the rabbit years. The complementarity of North and South is obvious. It is illustrated not only by the presence in the South of the Rabbit, a typically lunar emblem, while the moon is located in the North, but also by the fact that the god of death, Mictantleculti, resides in the South, while the country of death is located in the north. It is that Mictantleculti gives death, that sacrificial blood leads to night, like the blade of flint plunged into the chest of the warrior offered in holocaust; the symbol of the South and the North are sometimes superimposed and, from one people to another, in Mexico-America, their attributions are inverted. For analogical thought, it has a link in the opposition: the South is the opposite of the North, but the South leads to the North, by this principle of cyclic discontinuity, which is the basis of the processes of initiatory chaining of death and rebirth. For Mexicans, the directional cross seems to symbolize, in these two axes, the two mysteries of the passage from life to death (South-North axis) and from death to life (West-East axis), as we go see this by examining the symbolism of the other two cardinal points.
In the Dogon companies, the cardinal points are each associated with a constellation and a category of beings, as follows:
South, the Harness of Orion, domestic animals;
South, country populated by harmful beings, whom Fato had to destroy in large numbers, at the origin of time, because they had stolen language from him; seat of impurity;
South, plants.
The Lamaist Kalmyks represent the cardinal points with the heads of animals: the ox in the South.
The Chinese represent them: the West, to a red bird. In a Sioux myth, the abode of the Gods, located on a high mountain, overlooks the four regions of the world and, at each gate of heaven, there is a guardian: a deer in the North. According to a belief of the Tungus transbaîkaliens. God created the first pair of humans with iron, which he took from the East, fire which he took from the South, and water which he took from the West, and earth which he took from the south, water which he took from the north. Each of these materials having served to form a part of the human body, this myth therefore establishes between the cardinal directions, the elements and the human body, the following correspondences:
North, Earth, Flesh and Bone;
West, Water and Blood;
East, Air, Iron and Heart;
South, Fire and Heat of the Body.
According to Ruybrock, the Mongols, in their liberation, poured their groups in the four cardinal directions, south to honor fire, east to honor air, west to honor water, and north to honor the dead.
GARDEN AND GROVE @Shuna explains:
Gardens of Bomarzo, The
Sacro Bosco ("Sacred Grove"),
[1] colloquially called
Park of the Monsters
"The garden is a symbol of the terrestrial Paradise, of the Cosmos of which it is the center, of the celestial Paradise of which it is the figure, of the spiritual states, which correspond to the paradisiac stays.
We know that the terrestrial Paradise of Genesis was a garden, that Adam cultivated the garden; which corresponds to the predominance of the vegetable kingdom at the beginning of a cyclical era, while the celestial Jerusalem of the end will be a city." In the Freemason tapestries, the forest goes towards the city, leaving a path in the center. Or is in the center a lake and the people on the other, to represent the human, earthly side. Just as in Star Wars, which like the tapestries, I've already spoken about it, when the Jedi are in the senators' apartments, you can see through the window, on the roof of one of the buildings, a long path of trees, which points towards the light, but is visible on the left, leaving on the right, the empty buildings.
"What a pleasure, writes the Chinese poet Hi K'ang, to walk in the garden! I go around infinity...
The cloister of monasteries, the enclosed garden of Muslim houses, with a central fountain, are images of Paradise.
The garden pond is a mirror. In the Thousand and One Nights, there is a question of a basin in a pavilion of rest, which has four doors, which are accessed by five steps.
The Egyptians also had a taste for gardens, with flower beds and ponds. They drew them on the walls and floors of their palaces. Each flower had its own language: the mandrakes berries were symbols of love, the lotuses with open petals evoked the sun wheel, and their roots in the waters the birth of the world.
The wedding celebrations of Zeus and Hera took place in the marvelous and mythical Garden of the Hesperides, a symbol of ever-renewed fertility. But for the Greeks, the garden was above all a luxury, the charm of which they discovered in Asia, during the conquests of Alexander.
Particularly in the form of a regular quincunx, the garden thus revealed itself as a symbol of the power of man and, in particular, of his power over a domesticated nature.
But it was in Persia that the garden took on not only a cosmic meaning, as in Japan, but also a metaphysical and mystical one.
Some versions of Cosmology describing a four-sided universe place a mountain in its center. This idea is reproduced in several Persian gardens and in the Mughal gardens of India. Persian gardens are always surrounded by walls; privacy protected. No gardens without perfumes. A symbolism attaches to the perfume of the flowers. The perfume of jasmine is the perfume of kings; that of the rose, the perfume of the beloved. The smell of saman, a kind of white jasmine, is like the perfume of your own children. The narcissus has the scent of own children. Narcissus has the scent of youth; the blue lotus the smell of material power or wealth, etc.
A specialized artist creates miniature gardens. Claws had trees made of gold and silver, with leaves and fruit of precious stones.
0In Native American civilizations, the garden was also conceived as a summary of the universe. But among the Aztecs they bring together not only what is beautiful and exalting in the world: flowers, fountains, mountains, rivers and paths, but also the formidable beings and even the monstrosities of nature.
The garden often appears in dreams, as the happy expression of a desire free from all anxiety. It is the place of growth, of the cultivation of vital and inner phenomena.
The garden quite often designates for man the sexual part of the female body."
DIFFERENCE BETWEEN GARDEN AND GROVE
Perhaps, if the garden represents the cycle, the grove represents one of the groups in action. I know that the p***phile act is surely confused with the rite (of there of sexual learning, used for example on Easter Island, which moreover surprised the researcher, who said, that it was incredibly round, and besides, the mountain is a volcano). And that this "navel of the world", with its sculptures which supervises all the parts of which the sky, except, the quarter and the water.
BOMARZO @Shuna explains:
OPEN MOTH ORCUS
I don't know if it's been marked. But... to confirm, it's the entrance to hell. In Egypt, it is also represented by a monster.
I just noticed it's shaped like the sun, the Illuminati. Even if, it represents there, the setting sun, with the staircase which points towards God. He has horns, while the sun has hair, like the rest of the beard. The one, which represents the setting sun, normally wears horns and a goatee (a reference to the goat). While the other God represents the lion. But maybe it's the opposite, with them... even, if I don't think so...
OWL @Shuna explains:
Because it does not face the light of day, the owl is a symbol of sadness, darkness, solitary and melancholy retirement. Greek mythology makes it the interpretation of Atropos, that of the Fates which cuts the thread of destiny. In Egypt, it expresses cold, night, death.
In Hindu iconography, the owl is sometimes attributed to the mâkara (mother) Vârâhi, without its meaning being precise.
The owl played an important role in ancient China: it was a terrible animal, which was supposed to devour its mother. It symbolized yang, and even excess yang. It manifested itself at the summer solstice, identified itself with the drum and the thunderbolt. He was the emblem of Houang-ti the young Sovereign and the first founder. Excess of yang: the owl caused dryness; the children born on the day of the owl (soltice) were violent in character (perhaps parricidal). The owl broth, distributed to the vassals on the same date, was it a rite of trial, of purification. Communication? Or all at once? Be that as it may, the owl was always considered a ferocious and harmful animal.
It is one of the oldest symbols of China, it dates back to so-called mythical times. According to some authors, it would be confused with the Dragon-Torch, emblem of the second dynasty, that of the Yin. It is the emblem of lightning, it appeared on the royal standards. It is the bird devoted to blacksmiths, made swords and magic mirrors.
Inutile de dire qu'il ne viendrait pas à l'idée d'un Chinois de clouer sur la porte de sa grange un hibou!
For the Prairie Indians, the owl has the power to give help and protection at night. Hence the use of owl feathers in certain ritual ceremonies.
In the initiation rites of the Midé Society (Midé WiWin), among the Algonquins, there is a figure perched in the ceremonial lodge, an owl-man who shows the way to the land of the Setting Sun, the kingdom of the dead. The owl would fulfill here a psychopomp function.
It can also be considered as a messenger of death and therefore evil: When the owl sings, the Indian dies (Maya-Guiche); the chori sorcerer, embodying evil forces, has the power to transform into an owl.
The owl is among the Elders of the World, full of wisdom and experience in the Welsh apocryphal tale of the same mom. It should therefore be placed among the primordial animals and it is probable that it can be assimilated to the owl. But these animals do not appear in Celtic religious symbolism. The owl is taken in bad part here under the influence of Christianity. A symbol of pre-Christian bably. Bloderwedd the faithless wife of Llew, in Math's Mabinogi, is turned into an owl as punishment for her adultery with a neighboring lord.
CRYSTAL @Shuna explains
I guess it's a form of philosopher's stone, it often gives energy where to use it.
DIAMOND @Shuna explains
Its exceptional physical qualities, hardness, clarity, luminosity, make the diamond a major symbol of perfection, although its brilliance is not uniformly considered beneficial.
The traditional mineralogy of India does it, to be born from the earth be in the form of an embryo whose crystal would constitute an intermediate state of maturation. The diamond is ripe, the crystal is unripe. It is the peak of maturity. It is therefore a perfect completion that Indian alchemy itself uses symbolically by associating the diamond with immortality, that is to say by identifying it with the philosophical Stone.
The hardness of the diamond, its power to scratch, to cut, are especially emphasized in Tantric Buddhism where the vajra (diamond thunderbolt) is the symbol of the unalterable, of the invincible spiritual power. It is, according to the etymology of the Tibetan equivalent dorje, the queen of stones. It symbolizes clarity, radiance, the sharp edge of Illumination, the void and the indeterminate.
Immortality is an axial character par excellence: this is why the throne of the Buddha, located at the foot of the Bodhi tree, is a diamond throne. This is also why the Axis of the world is described by Plato as diamond.
According to Pliny, it is the universal talisman, which renders all fish and all diseases inoperative. It chases away evil spirits, drives away bad dreams. Immersed in wine and water, it preserves drinkers from apoplexy, gout, and jaundice.
According to Western European traditions, he also hunts wild beasts, ghosts, witches and all the terrors of the night. Russian tradition says it prevents lust and promotes chastity. It was also said in France that it warded off anger, and maintained the union between the spouses: which had given it the name of stone of reconciliation; it contains innocence, wisdom and faith. In iconological language, the diamond is the symbol of constancy, strength, and other heroic virtues.
Folk tales would add that diamonds beget diamonds: the origin of self-generating wisdom. The shape of the rough diamond is to be compared to the belief that considers the cube as another symbol of the truth of wisdom and moral perfection.
The diamond also symbolized, in Renaissance art, equanimity, courage in the face of adversity, the power of freedom of spirit from all fears, integrity of character, good faith.
TWINS @Shuna explains
Identical twins have an energy connection due to the late separation. Also, the Nazis were studying twins. When I think about it, the vast majority of films, however symbolic, outside the bond of love, have a connection of friendship. And in Freemasonry, they have a rite of energy exchange with the altar, which symbolizes by the rope, with knots (which represents each member.
SNAKE and
REPTILIAN @Shuna explains
And for the snake, I think it's a reference to the Ouroboros. What about the reptilian statues, which they use? I know that some peoples, for example, the Native Americans compare animals to humans. And others use it for their abilities. And in the case of the Bible, for example and seen how they are represented. The dinosaurs [the demons of the Bible, destroyed by the meteorite (the fallen angels on earth, who are separated from the fallen angels)]. After they represent, I don't know... But, they have a large stock. I don't know if it's a real testimony or just a dream. But someone had told me, that he had seen a stock of these statues. I don't know if he believed that they were clones or that he saw that they were statues (I think not, he just saw being moved). Or he may have seen both. But he had spoken, of the large cells, which one sees in the films, where he had seen the clones. On the other hand, they can also be dragons. Since the Goddess is represented as a black dragon. Dragon, because she gives birth to her son (the phoenix), by the mouth and the body of the dragon, by the body of the black serpent. She wears wings, since she has the symbol of Venus, but also of the moon. I think, a red dragon = blood dragon.
DRAGON
The symbolism of the prince or knight (on a white horse or not) represents the second God, in the tales, he obviously has an elementary representation, but in a representation, general and symbolic = to the second God.
For the Drag Queen side: "Male transvestite heavily made up and dressed in a showy or extravagant way." He's not necessarily straight or gay. A drag queen is a person, usually male, who deliberately constructs a feminine identity based on archetypes of femininity and gender roles on a temporary basis." "From the late 1800s to the mid-1900s, transformism in Europe is performed primarily through pantomime. It is the first art form in Europe to use transformism as a source of comedy, in contrast to Shakespearean tragedies and Italian operas. The "lady", with its many derivatives such as the "housekeeper" or the "grande dame", became a recurring character in pantomimes and was mainly used in improvisation. Dan Leno is the most recognized pantomime comedian. After the two world wars, the change in themes addressed in theater and cinema contributed to the end of pantomime.
TORTOISE @Shuna explains
It is a magical animal, the shell is used for furniture, such as ritual altars; for example among: Freemasons. Its shell, reproduces the drawings, which appear, using certain waves.
TRANCEGENDER explain.
I can't explain yet, but for the reptilian side. It is on the Illuminati piece of furniture at home, it has the symbol of the fleur-de-lis and represents the shape of the frog: Note that the God Khnum has the shape of a ram, he is a potter, but it works with the sculpture (since, for example, among the Freemasons, he practices sculpture [despite this part, would come (or not), from English sculptors. This does not change anything, in fact, of the many symbols, that they have everywhere):
The Lake of Fire is Vesta, the Moment of Conception
@A Freeman All you are doing is cutting and pasting random verses and saying, "You're wrong!". At the same time, you do not even bother addressing the verses I already posted. I am going to assume you do not believe them. That's not true, nor is it a logical assumption. You are wrong, about...
vigilantcitizenforums.com
Mythologie égyptienne: Héqet (mythologica.fr)
I just thought it was, always a frog, that the princess kissed, before he became a prince charming... And here is an interesting link:
Grenouille ou prince charmant ? - rtbf.be
The meanings go perfectly with the prince, especially also the curse of the witch (who is the goddess of death/nothingness), which encompasses, from darkness (of matter, light), the prince in white. Whose possible representation is, the fall of the sun god, in nothingness, the king, who becomes the monster (the killer). And when he is with the princess, he becomes the reproducer, the one who renews the world (for the reproduction side).
1812 WAVE @Shuna explains:
It may be the symbol of the
ram, for the heads and the book:
"In the majority of ancient civilizations having rubbed shoulders with the ram, this animal took on great symbolic force. Although the symbols associated with it vary from one mythology to another, there are, despite everything, certain similarities such as the embodiment of the force of nature. Aries is the symbol of spring and rebirth. It inspires vigor and is designated as the symbol of provocation in combat".
I guess for moses they represent the sea he cut in two. It has two glued shapes, otherwise it would look like a snake. Whatever I wonder, if they don't represent the Ouroboros, since it has just two, one next to the other. As below, tissue, (which is related to the Goddess, which the rest of the tissue approximates, the shape of the shell). The rest of the drawings, above and below the waves, are divided into two.
VENUS @Shuna explains
Venus is a star, which represents the Shepherd's Star, it represents the mother in its first part of the journey and disappears behind the sun, when it is at its zenith, because of the luminosity. Then reappears, as mother or son of the second God (the Reaper). It has many names, perhaps representing the different lunar phases. Whose influence on water [which is taken from the carrier of mana (physical energy)].
ARTEMIS @Shuna explains
Artemis is a huntress, in reference to the hunting moon: French link on deer hunting (another symbol that accompanies Artemis, it makes me think of Bambi, accompanied by her friend Pan Pan, the rabbit (lunar symbol, in Asia, because of the mark, we in France, we have a smiling face) after his mother died. And on the following link, always a French link, talks about the name of the moon:
Full Moon of the Hunter 2022: at what time see it and the meaning of the name (netcost-security.fr) Of course, it also has lots of moon phases, changing every year, where they follow rituals:
So I found two lunar calendars, which have importance in the rites (I don't count the lunar calendar, used for the garden, even if it is used for the cultivation of herbs:
Lunar diary Rêv'Elles 2022 by Rêve de Femmes Edition — KissKissBankBank
Example with two different calendars, but of the same year, not having found the second of 2022 and that of 2021, I mi that of 2020:
Full Moons of 2020 - Enchanted Wildcraft
I thought of the red thread, but here it represents the rules, ect. of the woman. Example the full moon, causes many births, ect. This is one of the reasons why the moon is linked to women:
First periods, menstruation - Le Fil Rouge (le-filrouge.fr)
From where the symbol of the various phases of the moon, of which in the center, the full moon, being able to be underlined by its radiation (the light of the sun, illuminating the moon) to use by the witches, like.
I also hesitate to put the simplification of the cycle, even if I was inspired, mainly by the Bible. A witch popped into my blog, saying she was looking for evidence, about one of the articles I did for the cycle. What is astonishing, whereas it has nevertheless, full of thing on the phases of the moon. She had to look on the cycle ... Which does not reassure me, its use.
PHALLUS: The man is the physical and mental opposite of the woman. But the man, like the woman, tends to compare himself, until given other characteristics. The man also has a physical force, which the phallus does not have because it is the carrier of life, it carries the spermatozoa. Thus he finds himself obliged, despite his weaknesses and desires, to take on the role of protector. By protecting his clan from famine, animals and enemies, he risks dying far from his family. So when he dies, his comrades honor him, placing a phallus above the body. Whose origin is unknown as well as the use. The use of the phallus which almost disappeared. But fortunately, it was saved in Africa by a village, which still practices it. Except that because of Christianity, the phallus was changed to a simple stone. That the elders of the village must hide, to symbolically pass the baton to the youngest. When the young people find it, they take it to the cemetery to place it on the grave. Being away from the village, the cemetery is a cemetery specifically welcoming those who have the title of warriors, which can only be obtained by killing at least one large and dangerous animal.
From its sexual use to force (given representation), the image of the phallus is multiple: - STONE: Stone alone can, despite being in the category of matter. represent light, thanks to the fact that it can store energy. It is also used in construction. Matter itself is; used modified, by the light, which is itself born of this darkness. - TOWER/BUILDING/LIFT/STAIRCASE: Thus, the higher the construction, the closer it gets to paradise. Like the highest apartment, is the closest to paradise. Conversely from the ground floor begins the earthly level, and below it begins hell, and the lower the apartment, the closer it is to hell. - WELL/VOLCANO: The well has three levels ranging from heaven to hell. Its structure is symbolized by the earth (the body), the water [the sperm which is recovered with a jump (see Vagina)], nourishes and drowns, while the lava of the volcano sterilizes by destroying. Two materials that come from reserves, and up to the surface, the space that remains is associated with the wind.)- MOUNTAIN: By climbing the mountain like the volcano, Man produces an effort going up and down . A spade which is created naturally like the spades of China which by erosion to form high mountains. - TRUNK: the trunk of a tree, a mushroom, the picket, the pillar, the column... supports the ceiling. Even, if the Man uses a stick of wood, to maintain it, like his spinal column. Man can also wear. - CLOCK: The wooden stick blocks, like any obstacle, the light. It makes the shadow appear, which allows Man to visualize the solar path both during the day and at night, thanks to the moon. She creates, thanks to the observation of shadows, a circle creating in passing the very first clock. - OBELISK/PYRAMID: Thus, it approaches the central pillar, in the center of the tent and the spade of the clock, the obelisk whose top consists of a golden pyramid, color sun. Is installed on a very long tower, which represents the ray of light., The same construction, is used for the construction of the pyramids of Egypt. But made with a square spiral shape, because the pyramid begins with the light that illuminates the surface of the earth, symbolized by the square. Which had to be higher as the mini pyramids were made. But the hilt has its top which represents the sun, and the facade the rays. - ANTENNA/LAMPAD/CANDLE: The stem (the phallus) and the light/flame/bulb at the end (the sun) represent the same thing. Just as the antenna sends out a signal, the wave of which represents the rays of the sun/light. FOUNTAIN/GUN/BOW (ARROW)/LANCE: The fountain represents the ejaculation of semen. Like the volcano, expels the lava. ROCKET: The rocket literally goes to space, while being able to represent the cycle, starting on earth (first quarter), then by the sky, to the closest (for the first quarter), and the closest to space (for the second quarter). Space, representing the canvas, the veil of the mother (which is none other than the last quarter).
VAGINA: The vagina disappears when the body changes, due to the transformation of the body from the squatting woman to the standing woman. The vagina is shaped like a circle. In the center of this circle, in a sexual act, in the center a phallus. The circle can be confused with the circle of light and of the cycle. OBELISK: represents the sexual act when it is placed in the center of the circle, even if this one can simply represent the earth, in the Vatican this one is positioned in the center of a circle divided by four wind in the center of the key . In Paris, on the Place de la Concorde, the obelisk is framed by four statues each indicating a direction. The phallus can also be, in the center, an almond-shaped roundabout. The almond can also represent the eye, and the obelisk the pipil. FINGER: to represent the vagina the Man can use his two which he positions in a circle or in an almond shape. The man generally uses a circle (the shape of the almond is also possible), which he forms with his hand and on the other puts the finger (or the hand also works).
PINEAL GLAND THRID EYE @Shuna explains
The Pineal Gland is equal to the philosopher's stone. It absorbs energy. To be more exact, the Pineal Gland carries the spirit of Man. Without this spirit, the body no longer works. The spirit can also separate from the body. By the way, BDSM is used to help with this act. The sexual act must also be the same throughout. The lotus position is a sexual position. Buddha is, moreover, in his writings surrounded by women; and practices the act under a tree. In many cultures, for example in Africa, piercings were used. They would use it to receive messages from up there. In Freemasonry, they go so far as to cause an EDI, when he passes from companion to master. Sodomy did not create life, but light did, and they believe, when passing through Heaven, the spirit being lighter than the body, that they have an enlightenment... Even if they are all the same body of light, if a consequent shadow of person the same thing with that eye, it creates the thing. One of the reasons for the programs? I often thought they really wanted to embody it. Especially that the, for example: the Freemasons practice energy exchange, which creates an egregore and brainwashes the limbs... I witnessed it with my cousin, whom I did not recognize .
LAUREL @Shuna explains:
The laurel is linked, like all plants that remain green in winter, to the symbolism of immortality; symbolism which was doubtless not lost sight of by the Romans when they made it the emblem of glory, both of arms and of the mind. The laurel was also used, in the past, to protect against lightning: a correlative quality of the first.
This symbolism of immortality is also known in China: the moon, it is said, contains a laurel and immortality. It is at the foot of a laurel (a medical plant) that the hare of the moon grinds herbs, from which he extracts the drug of immortality.
Shrub devoted to Apollo, it symbolizes the immortality acquired by victory. This is why its foliage is used to crown heroes, geniuses and sages. Apollonian tree, it also signifies the spiritual conditions of victory, wisdom united with heroism.
In Greece, before prophesying, the Pythia and the soothsayers chewed or burned laurel which, consecrated to Apollo, possessed divinatory powers. Those who had obtained a favorable response from the Pythia returned home with a laurel wreath on their heads. The laurel symbolized the Apollonian virtues, participation in these virtues through contact with the consecrated plant and, consequently, a special relationship with the god, who ensured its protection, communicated part of these powers. Like milk, it manifests the symbolic association: immortality, sacred knowledge.
In North Africa, among the Beni Snus, mask wearers arm themselves with a stick of oleander during seasonal ceremonies. The choice of this shrub is not indifferent. He is fond of damp places and the peasants attribute many purifying virtues... Once consecrated by contact with the tangible blood of the contract between men and the invisible and, as a result, have become protective talismans warding off all forces harmful.
CUP @Shuna explains
First of all, it has the social symbolic version, because the historical symbolism, does not have the same form as that of the rites:
The cup that Jesus did not want…. - Portal Universal - Portal Universal
But the grail, the cup of blood, can also (if I'm not mistaken) sperm.
BREAD and
FISH (Bible's food).
@Shuna explains
For bread, you should know that in these countries, the country was round and flat, it represents the sun. It represents his body, while the blood represents his sperm (it can be And the fish, I think you're right). But John's writings are symbolic, and linked to symbolic figures. And the
name:
"
The dawn of Christianity under the sign of the fish
If the Old Testament makes little reference to fish apart from the episode recounted, it is on the other hand a tide of fish which will overwhelm the nascent Christianity, becoming one of the most powerful symbols, long before the Cross. . It is to ancient Greek that we must return to understand this omnipresence of fish. The word “ICHTUS” which means “fish” in Greek reveals by each of its letters the following Christological translation: Jesu Kristos Theou Uios Sôter, “Jesus, Christ Son of God, Saviour”. Hence its importance. Its representation will very quickly take the form of two curves meeting in practice and will become a sign of rallying of Christians, a symbol endowing more discreetly that it could be left in graffiti without attracting attention and according to the direction of the head to discreetly indicate the way to a hidden place of worship. The first Christians will therefore often be referred to as "sons of the celestial Ichtus"."
BATH @Shuna explains:
The purifying and regenerating virtue of the bath is well known, and attested, to the profane as well as to the sacred, by related uses among all peoples, in all places and all times. We can say that the bath is universally the first of the rites sanctioning the major stages of life, in particular birth, puberty, death. The symbolism of the bath combines the meanings of the act of immersion and the water element.
Immersion is, for the analyst, an image of uterine regression. It satisfies a need for relaxation, security, tenderness, healing, the return to the original matrix being a return to the source of life. Immersion, voluntarily granted, and which is a kind of burial, is the acceptance of a moment of forgetfulness, of renouncing one's own responsibility, of "setting aside", of emptiness. Hence its countless therapeutic uses. This immersion takes place in the time lived as a hiatus, a solution of continuity, which necessarily gives it an initiatory value. The best example is perhaps this closed rite of entry of the magicians of Central Africa (Gameroun-Gabon) according to which the imprétante, drugged, is buried twenty-four hours in a sealed cavity arranged under the bed of a stream, in the heart of the equatorial forest: the forest-belly symbols of mother-water, and of time flowing like the river, associated with that of the uterine cache, here form a symbolic complex of such power that the initiates of this brotherhoods practically forget the course of the previous life. Initiatory regeneration here fully takes on its meaning of death and rebirth; moreover such customs, still observable, throw a complementary light on such or such myth or custom of classical antiquity, or other moments of our history. Thus, among the Greeks, statues of gods and goddesses were ritually immersed (Athena, Hera, etc.); a bath preceded the initiation of the Nazarenes, as, in the Middle Ages, the coronation of the knights.
Purifying, regenerating, water is also fertilizing; hence the ritual bathing of brides, and the immersions of sterile women in a particular lake or basin of a sacred spring, a practice attested from the Mediterranean to the Far East over more than three thousand years of history.
Christianity takes over the use of the lustral bath. Jean Batiste in the Jordan. With Christian baptism, matter and spirit merge into the same symbol; when John the Evangelist declares: He who has taken a bath does not need to wash himself, he is entirely pure (JOHN, 13, 10), the same Greek word has the meaning of clean and pure. This purity, in its Christian acceptance, is not negative: it prepares a new and fruitful life.
The state obtained is purely life, unmixed with the principle of death which is sins: positive purity is not the absence of stain, but life in its pure state.
Despite so much tradition agreeing to positively value the bath, a hundred Christian prudishness has overturned the symbol, condemning the use of the bath as contrary to chastity. Here we must distinguish between hot baths and cold baths. The former are considered as a search for sensuality which should be avoided. This is precisely the opinion advanced by Saint Jerome (Epist. 45, 3) who sees in the hot bath an attack on chastity. The Christians of the first centuries willingly went to shared baths. The councils and the Fathers of the Church revolted with violence against a use which they considered immoral. In the Middle Ages, stoves had the reputation of being places of debauchery; they were therefore forbidden to Christians.
Some Western and Eastern monks - these being even more severe - not only exclude bathing the body in its entirety, but even refuse the use of cold water was recommended mortification, and this all the more that the water was freezing cold. This is how biographers of holy lives, belonging to the first Christian centuries and the Middle Ages, copying each other, will speak of immersions in ice water in order to tame the flesh.
Note also that, in a certain alchemical acceptance of the term, the bath can be understood as a purification by fire, not by water, as there is a bateme of fire, that of the martyrs. Finally, the bath, in a text like the treatise on the Golden Flower, is associated with fasting of the heart (sin tchai); its washing is the elimination of all mental activity, the decisive acquisition of emptiness, which closes the loop of the symbol and brings us back to its departure.
DOG@Shuna explains:
It is undoubtedly by a mythology which did not associate the dogs, Annubis. T'ienk'uan, Cerberus, Xolotl, Garm, etc. to death, to hell, to the underworld, to the invisible empires ruled by the chthonian or selenic divinities. The very complex symbol of the dog is therefore, at first sight, linked to the trilogy of the elements earth - water - moon whose occult meaning is known, female, at the same time vegetative, sexual, divinatory, fundamental, just as well for the concept of the unconscious than for that of the subconscious.
Whatever the cults and religions, mythologies have associated dogs with the world of the dead. He is in the first mythical, universal attested function... is that of psychopomp, guide of man in the night of death, after having been his companion in the day of life. The cynocephali, so numerous in Egyptian iconography, have the mission of imprisoning or destroying the enemies of light, and guarding the Gates in sacred places.
Among the Germans, a terrible dog, named Garm, guards the entrance to Nifliem, kingdom of the dead, land of ice and darkness.
The ancient Mexicans exclusively bred dogs specially intended to accompany and guide the dead in the afterlife. The corpse was buried with a lion-colored dog - that is to say the sun - which accompanied the deceased as Xolotl, the dog-god, had accompanied the Sun during its journey underground. Or else the dog was sacrificed on the grave of its master to help him, at the end of his long journey, across the nine rivers which defended access to the eternal abode of the dead, Chocomenictian, the ninth heaven.
Even today in Guatenaia, the Lacandon Indians place four dog figurines, made of palm leaves, in the four corners of their graves.
The tradition and last constellation of the ancient Mexican Zodiac is the constellation of the Dog; it introduces to the ideas of death, of end, of the underground world, but also of initiation, of renewal.
Ect.
Among the Batous of Kasai (Congolese basin), has a method of divination by hypnotism been observed in which the client of the diviner, connected to him by a thread, is lowered into a pit, where he will enter into communication with the spirits, thanks to the presence at his side, while he falls into hypnosis, of a dog and a hen. In the same region, the appearance of a dog in the dream warns that a witchcraft operation is underway somewhere.
The same gift of clairvoyance, the dog's familiarity with death and the invisible forces of the night can, at the limit, make this animal suspect of witchcraft.
Some aspects of the symbolism of the dog comes from: civilizing hero, mythical ancestor, symbol of power, sexual and therefore durability, from nature and therefore from its renewal, fruit of a forbidden connection, make the dog appear as the daytime face of 'a symbol. It should also be observed to observe the night side. The most profane illustration of this is the implacable ban from which this animal suffers in Muslim societies.
Islam makes the dog the image of creation's most thread. According to Shabestari, to cling to the world is to identify with the corpse eater; the dog is the symbol of greed, gluttony; the coexistence of the dog and the angel is impossible. According to the traditions of Islam, however, the dog has fifty-two characteristics, half of which are holy, and the other half are satanic. Thus, he watches, is patient, does not bite his master. Moreover, he abolishes the scribes, etc. His faithfulness is praised: If a man has no brothers, the dogs are his brothers. A dog's heart resembles its master's heart.
Dogs are also considered unclean. Jews often appear in the form of black dogs. The barking of dogs near a house is an omen of death. The flesh is used as a remedy (against sterility, against bad luck, etc.). In Tangier, the flesh of a puppy or a kitten is eaten as an antidote against witchcraft. Unlike other dogs, the greyhound is not considered impure, but gifted with baraka. It protects against the evil eye. Syrian Muslims believe that angels will not enter a house that has a dog. Etc.
However, the Muslims establish a distinction between the vulgar dog and the greyhound, whose nobility of bearing makes them a pure animal.A very similar meaning is revealed in Tibet, where the dog is the sign of sensual appetite, of sexuality, at the same time as jealousy. He who lives like a dog, teaches the Buddha, at the dissolution of the body, after death he will go with the dogs.
In Japan, the dog generally enjoys favorable consideration: a faithful companion, its effigy protects children and facilitates the work of women and children and facilitates the work of women in childbirth. Etc.
KEY @Shuna explains: Even Triple Keys
The key has a dual role of opening and closing. It is both a role of initiation and discrimination, which is clearly indicated by the attribution of the keys of the Kingdom of Heaven to Saint Peter. The opening and closing power conferred on Saint Peter. With the power to coagulate and dissolve according to alchemical terminology. The power which is represented in the papal coat of arms by two keys, one of gold, the other of silver, which were previously the emblems of the Roman god Janus. This double aspect of power, diurnal and nocturnal, corresponds to spiritual authority and royal functions, the respective aim of which is, according to Dante, the accession to the Great Mysteries and to the Lesser Solstitial Mysteries, that is to say access to the ascending and descending phases of the annual cycle, yang, which find their balance at the equinoxes. Janus was also considered the guide of souls; hence its double face, one turned towards the earth and the other towards the sky. A staff in the right hand, a key in the left hand, he guards all the gates and governs all the roads.
The symbolism of the key opening the initiatory way is also expressed in the Koran where it is said that the Shahâdah (There is no god except God) is the key to Paradise. The esoteric interpretations of each of the four words of the Shahâbah include one of the four teeth of the key which, on the condition of a whole, opens all the doors of the Word of God, and therefore those of Paradise.
More commonly, the key is, in Japan, a symbol of prosperity, because it opens the rice granary. But whoever sees only the rice granary could contain spiritual nourishment.
Opening and closing the door, it becomes a symbol of the power of command for the Bambara because everything that is said, everything that is done, in man, in the kingdom, in the world, is a door. The Chief, the sun, God are all three keys: God, keys of creation and of the world: the Sun, key of the day which it opens at sunrise and closes at sunset. The stool (throne), the foot of the man are keys. The key symbolizes the leader, the master, the initiation, the one who holds the power of decision and responsibility.
On the esoteric level, to possess the key means to have been initiated. It indicates not only entry into a place, city or house, but access to a state, to a spiritual abode, to an initiatory degree.
In tales and legends, very often it is the three keys which are mentioned: they introduce successively into three enclosures or three secret chambers which are as many approaches to the mysteries. In silver, gold or diamond, they mark the stages of purification and initiation. The key here is the symbol of the mystery to be unraveled, of the enigma to be solved, of the difficult action to undertake, in short of the steps that lead to enlightenment and discovery.
STRAWBERRY @Shuna explains First of all an addition, for the selection, on a description of my blog:
Among the Ojibwa, in southwestern Ontario, when a man dies, his soul, which remains conscious, goes to the land of the dead, until it reaches a huge strawberry. Strawberries are Indian summer food and symbolize the good season. If the soul of the deceased tastes this fruit, it will forget the world of the living and any return to life and to the world of the living will be forever impossible for it. If she refuses to touch it, she retains the possibility of returning to earth.
One could compare this belief with that which is reported in the Homeric hymn to Demeter, relative to the pomegranate seed of Persephone who, for having tasted it, was condemned to hell. The dead should no longer taste the fruits of the living. Earthly foods are forbidden to the inhabitants of the underworld.
Hell is in some religions, cults = in Heaven.
Pomegranate and strawberry seeds represent fertility. And like in the fairy tale, like Snow White eats the fruit, and meets her prince in her dream, in death. Obviously, it works with the sexual act.
Favoritism, male privilege is for me more social than symbolic. Anyway, from what I've found so far. So, I hope to answer the same question. The first reason is when we were like monkeys. The women took care of everything, and the men fought over the monopoly of reproduction. The men were already hunting. Then when we had to survive, Men became protective of the camp, creating the Alpha (see either the King). This protective idea remained, until it evolved into representations of warriors. The symbol of which is the phallus (which is also the symbol of fertility) and which evolved over time. For 2000 years, it was worse with the Bible, where people took the texts at face value. The Church has erased a lot of culture. Which means that Eve has become the symbol of woman. She represented the temptress, having been easily sexually corrupted. She also represents, in people's minds, like easy, stupid girls... an idea that was increased, with many film series, and even before, with books, tales and legends, which symbolically represents the Goddess. And making believe, that a man must be necessarily strong, whereas mentally, it is the woman who has it. Also looking in my dictionary of symbols, I found only this description, of which here is an extract:
"
KING'S DAUGHTER @Shuna explains:
The theme of the King's Daughter is found frequently in almost all traditions. The King's Daughter is granted to the hero as a reward for his audacity and courage. The difficult enterprise consists of dangers that the hero knew how to overcome at the risk of his life."
Ironically enough, the man is first of all a woman, depending on the situation, people give birth mainly to women than to men.
There are also old photos of baby boys, who wear dresses. The reason is that the diapers of the time were difficult to install.
Moreover, among the Illuminati, they say that they must fall before rising. That I associated, that the body must die, for the soul to rise. Note that in some cults, Hell = Paradise, as I said before, and the God of drought is the God of Hell. And I take this opportunity to say that this God is linked to the sun (the first God, in my cycle). And associate with the Lion, because he wears hair and a beard (without mustache). While the other is related to Aries, and wears a mustache, and in other cases a goatee. He also wears, from time to time, pointy ears and in other cases, hooked nose or eagle nose. Who in the case, of a representation of the witch, with a long chin perfectly represents the crescent moon and in some recent representations of the goblins.
SPHIRAL AND ETHER @Shuna explains
"The spiral, whose natural formation is common in the plant (vine, morning glory) and animal (snails, shells, etc.) kingdoms, evokes the evolution of a force, of a state." He speaks in this case, golden number. "It also represents a movement, in addition to the movement of creation)." But the spiral that we see, in the p***phile order: "The spiral is a symbol of fertility, aquatic and lunar. Marked on Paleolithic female idols, it homologates all centers of life and fertility. Life, by what indicates movement in a certain unity of order, or conversely, the permanence of being under its mobility.
It also symbolizes the soul's movement of the soul to its new life.
It is also linked to the symbol of the wheel, and to the circle of moving planets."
To accompany the spiral, and definition of the symbol of Ether in Alchemy: The link is in French:
The Quintessence: what is it? (alchemy, philosophy) (jepense.org)
BLACK GOO @Shuna explains
Black Goo represents (in my opinion): black matter. Simply matter, it represents the demonic side of matter. So whiteness may represent good matter, but it is not, because it is still matter. We can associate with the sea of the end of the world. The black material thus represents the material which again dominates the light, where the natural attractions. He represents the demonic side, which is quite ironic, he uses the black square, symbol of "innocence". The name was given in the manga D.Gray-Man, the D. can be associated with the D. of One Piece, and the innocence, with the weapon of which the old knowledge is registered, (which would reveal the place of the weapon, which would be the weapon of Pluto). In the game of Zelda and Grenshin Impact, and which also makes me think of the chest of the Knights that The Knights of the Zodiac has, whose placement of armor, linked to the constellations, which makes me think of the cube of the earth, which represents each face, which is dominated by a planet. Innocence is also carried by the hero, who carries a cube, of the cube of God, which creates it, a horrible hand, and the cross of God, which is equal, X (straight like the cross), which represents the directions. In the center of the square, the eye (symbol of light) and the two circles, may be the symbols of the two suns, of the two Gods, in the square, matter. The square, being unfolded, the cross. And since they consider that black bile is failing, it's quite interesting, because it's, like when they try to create perfection, using geometry, which is represented by the square (representing the construction of Man) and black. While they defend perfection, with the circle... and the light, of white color. She surely represents everything that is missed. While perfection is imperfection (visible, when perfection is at its maximum).
FINGER @Shuna explains
"For the Dogons: the index is the finger of life, the middle finger is that of death. The middle finger of the left hand is the only visible body part of the body of the dead, otherwise entirely concealed and tied in a ritual blanket. The Dogons say that it is with the help of this finger that the dead speak to the living. But the index finger is also the finger of the master of speech (numerical value 7) and the middle finger is the finger of speech itself (numerical value 8).
The thumb is a symbol of power for the Bambaras, among whom the chiefs wore a thumb ring adorned with the sign of lightning: when they gave an order by swinging their hand, they thus threatened their interlocutor with lightning. In opposition to this finger, symbolizing social power, the little finger, always for the Bambaras, who call it the son of the other fingers, possesses the nyama, that is to say the vital force of the other fingers; it is used for divination and for casting spells. The little toe, like the little finger, symbolizes the whole person, it is sometimes adorned with a silver ring, symbol of the word that inhabits the entire human body, from head to toe. A blow given with the little finger is a sign of total acquiescence, engaging the whole person.
The hollow separating the big toe from the finger has a sexual meaning for the Bambaras. They consider that there is one of the nerve centers of the human body which controls the cords, that is to say the nerves of the sex and the annus. It is therefore a reflection of the functions of locomotion, reproduction and evacuation of the human body. Many practices, says Mr. Zahan, bring into focus. Thus we will say of the woman in whom this space is very open that she has strong sexual appetites and a penchant for licentiousness. On the other hand the custom wants that one attaches the toe of each of the spouses, for their wedding night, a cotton thread: that will help the man to make a success of the defloration, and with the woman to support the pain.
Still for the Bambaras, the thumb embodies not only physical but mental strength. This finger being the extension of the activity of the soul, also represents the work.
The Dogons also assign the thumb the numerical value 3 and 6, a triple male value, since three is the sign of masculinity. The index is the finger of judgment, of decision, of balance, of silence, in other words of self-control. The middle finger symbolizes the affirmation of personality; the ring finger and the little finger are related to the functions of sexuality, desires, appetites; but the symbol of the ring finger is more clearly sexual and that of the little finger more esoteric: it is the finger of secret desires, of occult powers, of divination.
Father Dupeyrat consecrated that the women of Papua (New Guinea) cut off a finger joint as a sign of mourning at the death of their husband. Alfred Métraux reveals the same custom among the Indians of the Parama Delta (Brazil).
According to the system of correspondences of the microcosm, astrology traditionally makes the thumb the finger of Venus, the index finger that of Jupiter, the middle finger that of Saturn, the ring finger the solar finger and the little finger the finger of Mercury."
In Alchemy, the fingers carry these symbols: The link is in French:
7.1 From the crucible to the keys - 7 In the smell of Alchemy - - artifexinopere
FOOL @Shuna explains
If I take, only the Joke. I go directly to the Tarot card, the card "The Fool" is very well explained on this link: Who in Alchemy, stands out as the archetype of: "Archetype of the child. Symbol of innocence and wonder." and in Kabbalah "Hebrew letter: shin: ש – tooth (three teeth water, air, fire: purpose of life, freedom)". See the last two lines: The link is in French:
The Fool: Interpretation - Passion Tarot (passion-tarot.com)
STUFFY @Shuna Explains
Open through which pass the breath, the word, the food, the mouth is the symbol of creative power and, especially of the insufflation of the soul. Organ of speech (verbum, logos), and breath (spiritus), it also symbolizes a high degree of consciousness, an organizing power through reason. But this positive aspect, like any symbol, has a reverse side, The force capable of building, animating, ordering, raising is also capable of destroying, killing, lowering: the mouth reverses as quickly as it builds its castles of words. It is mediation between the situation, where a being finds itself, and the lower world or the upper world, in which it can lead. She is represented in universal iconography both by the mouth of the monster and by the lips of the angel; it is both the gate of hell and that of paradise.
Observing that, in many traditions, the mouth and the fire are associated. Those who have entered the dictionary, adds, while asking the question, to be able to be used, the use of water, because fire and water carry physical energy. The symbolism of the mouth draws from the same sources as that of fire and also presents the double aspect of the Indian god of manifestation, Agni, creator and destroyer. The mouth also draws the two curves of the primordial egg, the one which corresponds to the upper world with the upper part of the palate, the one which corresponds to the lower world with the lower jaw. It is thus the point of departure or convergence of two directions, it symbolizes the origin of oppositions, opposites and ambiguities.
UNDERGROUND @Shuna explains
It is both an energy center. The stone is considered and used to store energy. It is also, as I marked with the tent, the representation of the ovum, of the beginning of the world; and of the representation of the earth for the earth and of the sky for the vault. It also has rituals that are performed, from which the chained initiate had to escape. It can also be associated with birth, where the child normally comes out of its mother. It is for many initiates, the beginning of learning, by its darkness, and the fact that they seek the light (illumination). It can also represent thought, and is for Plato represented by Dionysus, who locks himself in, then frees himself. But as it is the representation of the world, it is linked among the Greeks to the harmonious world, which can be represented by the symbol of Yin and Yang, which follow each other. Who is with the representation of the tent, taken as a worldview of the Alchemists (well it's symbolic, but people, read the line as it is, so I guess it symbolizes, not that they believed the world had this shape).
HUNTING @Shuna explains
For human hunting in England, they ask a runner, often black (because of their ability to run, for hunting), to replace the animals they no longer have. Besides, I wonder if he has any hunting rites? Which would explain for the kids.
PYRAMID @Shuna explains
For the pyramid, the pyramid of Egypt is a representation of the sun, by the golden triangle, on a white surface, larger, for the rest of the pyramid = at the solar radius. Whose spiral construction = to the golden number = to the action, to manufacture in a rite, with the pharaoh as supreme leader.
HORNS @Shuna explains
The horn is normally, representative of royalty. But Baphomet represents the goat. Since normally, the star opposite Baphomet represents Man. I assumed, that Baphomet represented the feminine. I only have a horn to pull out = gives abundance, but of blood, it surely refers to the phallus. Knowing that the bull, which has horns, represents Baal.
The horn is normally, representative of royalty. But Baphomet represents the goat. Since normally, the star opposite Baphomet represents Man. I assumed, that Baphomet represented the feminine. I only have a horn to pull out = gives abundance, but of blood, it surely refers to the phallus. Knowing that the bull, which has horns, represents Baal. The horn is also a very good soil:
The fact that it is bad, is above all due to the fact that these physical acts and that it falls above all in Autumn.
GLOVE @Shuna explains
In some cases, it has an era, in France. Where if the person throws down a glove, he defeats the person who receives the glove. Maybe for the covid = in the fight, against the covid.
For the flag, I guess it's the glove that holds the falcon. The glove is red, represents either the body, or the glove, which is on the heart, or the blood... but there I haven't looked yet. The falcon is in yellow/gold, and wears a crown. He is either a king, so would refer to serving the King; be directly to God.
The right hand is giving and the left is receiving, it is not only a question of Energy.
WELL @Shuna explains
The well symbolizes contact with God. Water being being the soul (which is in this case with God).
He possesses these three cosmic orders: heaven, earth, hell; of three elements: water, earth and air. The well is a symbol of abundance and the source of life.
The well also refers to Man.
For the sacrifice of children: I think it, as one can take as an example, the pearls in the film "Valerian", coming from the comics, from the director's father. Where he gives back (thanking their God/Goddess), by giving the most powerful pearl, to have other pearls later. Pearls that become a battery for their ship, we can make the reference, to the second film of the first Charlie and the Chocolate Factory, which takes place in the train, which is powered by a child, the best battery, since the child, again young, spirited, straight from Heaven [otherwise we could not live nor move our bodies.
UMBRELLA @Shuna explains:
Occult and Prophetic Messages in Rihanna’s Umbrella
Now it’s raining more than ever
But we’ll still have each other
You can stand under my umbrella
Quite different from the parasol, whose symbolism, despite its name, is sunny and glorious, like that of canopies and parasols, the umbrella stands on the side of shade, of withdrawal, of protection. Its use was not introduced in Europe until the 17th century. It does not seem correct to see a phallic significance in it, unless one attributes to the father any kind of protection. It would also be excessive to interpret its meaning as that of an overturned group, which signifies the descent of heavenly gifts. Symbolically, it rather betrays a timorous refusal of the principles of fertilization, whether material or spiritual. Sheltering under an umbrella is an escape from realities and responsibilities. We stand under a parasol, an umbrella. The protection thus accepted results in a reduction of dignity, independence and life potential.
Among the Freemasons (if I'm not mistaken at the level of the organization), as the Illuminati represent protection against the profane (who are represented by the rain).
Personally, I also thought that the umbrella (also thinking of the sun), that it could prevent light like rain, which fertilizes the soil (sperm) giving death to life.
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