Satanism in ART [Trigger Warning]
- Thread starter Vmort
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They all look very sad which makes it more disgusting. I censored the nudity. 
Shuna
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Pour accompagner les cartes: Voici deux liens de sites Français: L'un montre les symboles des cartes, l'autres est l'utilisation vibratoire de la Kabbale:Actuellement, parmi les livres que je lis sur les symboles, j'ai récemment acheté, un livre sur le tarot. J'ai remarqué la ressemblance entre l'apprentissage Franc-Maçon et les cartes de tarot. En raison des postes actuels, du sujet si dessous, j'ai décidé, de poster un petit poste en avance:
Currently, among the books I read on symbols, I recently bought a book on tarot. I noticed the resemblance between Freemason learning and tarot cards. Due to the current posts, the subject below, I decided to post a small post in advance:
BTS discussion thread
He probably has many sugar daddies remember when they go on American shows he is the one who receives most attention from American TV show hosts he is sneaky Always the favorite ! He knows he can play the seducing card. And it's always men interviewer weirdly . Even black men, dude didn't even...vigilantcitizenforums.com
To accompany the cards: Here are two French site links: One shows the symbols of the cards, the other is the vibrational use of Kabbalah:
BTS discussion thread
Yeah, I saw a video about Ariana having to do weird fetish crap when she was working for Nickelodeon. So disturbing and sick! I feel for her and others that were child stars. Their parents should have never let them work in hollyweird! It was so disturbing, I don't even understand how people...
elsbet
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Did you read the section a little further down, called Elaine & the Sisters of Light?
That part is an excerpt from the book by Rebecca Brown, MD (He Came to Set the Captives Free), written over 35 years ago in 1986. I think the events took place in the late 60s or early 70s.
She was utterly smeared and discredited, personally and professionally. I believe she may have lost her medical license, at one time. But... I believe that is how it works when you get too close, and shine a light on the darkness.
Interesting-- and tbh-- frightening book.
not falling 4 it
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I've looked at this thread a couple times now, and clicked on the artists links....I know I'm supposed to be looking for what you posted above in "quote", but It would help if at some point, when/if you have the time to expose some. It's really dense art, and I just want to be able to see what you have the gifting and the ability to see. Thank you for your time and energy posting this.
I would also love to learn information about about the art we put on here. When I find something, I can see its satanic and I put it up. But I am not sure how it all goes together. They all have the same themes. Is all the satanic stuff we see just how the evil people live? Or are curses being put on us? Are some of the people related to eachother? It may be one big family like Fritz Springmeir's 13 illuminati bloodlines.
Naïve art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing).[1] When this aesthetic is emulated by a trained artist, the result is sometimes called primitivism, pseudo-naïve art,[2] or faux naïve art.[3]
Naïve art[7] is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
The characteristics of naïve art have an awkward relationship to the formal qualities of painting, especially not respecting the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance):
Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.
Henri Rousseau
Used in META commertion
Primitivism
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as more noble than civilized peoples and was an offshoot of a nostalgia for a lost Eden or Golden Age.[1]
ART SOCIETY 6. Pleanty of art with satanic themes.
As example JIMMY KNIVES
Nude Descending a Staircase, No. 2
Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the 1912 Salon des Indépendants in Paris it was rejected by the Cubists as being too Futurist. It was then exhibited with the Cubists at Galeries Dalmau's Exposició d'Art Cubista, in Barcelona, 20 April–10 May 1912.[1] The painting was subsequently shown, and ridiculed, at the 1913 Armory Show in New York City.
Nude Descending a Staircase, No. 2 was reproduced by Guillaume Apollinaire in his 1913 book, Les Peintres Cubistes, Méditations Esthétiques. It is now in the Louise and Walter Arensberg Collection of the Philadelphia Museum of Art.[2]
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing).[1] When this aesthetic is emulated by a trained artist, the result is sometimes called primitivism, pseudo-naïve art,[2] or faux naïve art.[3]
Naïve art[7] is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
The characteristics of naïve art have an awkward relationship to the formal qualities of painting, especially not respecting the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance):
- Decrease of the size of objects proportionally with distance,
- Muting of colors with distance,
- Decrease of the precision of details with distance,
- Effects of perspective geometrically erroneous (awkward aspect of the works, children's drawings look, or medieval painting look, but the comparison stops there)
- Strong use of pattern, unrefined color on all the plans of the composition, without enfeeblement in the background,
- An equal accuracy brought to details, including those of the background which should be shaded off.
Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.
Henri Rousseau
Used in META commertion
Primitivism
Primitivism is a mode of aesthetic idealization that either emulates or aspires to recreate "primitive" experience. It is also defined as a philosophical doctrine that considers "primitive" peoples as more noble than civilized peoples and was an offshoot of a nostalgia for a lost Eden or Golden Age.[1]
ART SOCIETY 6. Pleanty of art with satanic themes.
As example JIMMY KNIVES
Nude Descending a Staircase, No. 2
Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the 1912 Salon des Indépendants in Paris it was rejected by the Cubists as being too Futurist. It was then exhibited with the Cubists at Galeries Dalmau's Exposició d'Art Cubista, in Barcelona, 20 April–10 May 1912.[1] The painting was subsequently shown, and ridiculed, at the 1913 Armory Show in New York City.
Nude Descending a Staircase, No. 2 was reproduced by Guillaume Apollinaire in his 1913 book, Les Peintres Cubistes, Méditations Esthétiques. It is now in the Louise and Walter Arensberg Collection of the Philadelphia Museum of Art.[2]
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Shuna
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Speaking of Jean Cocteau, I hadn't scored, but in 'Les Carnets de Julie', in special episodes, 'à la table de' (with the name of the person, just after). We see his house, and among the objects, they had mirrors. One from the movie 'Beauty and the Beast'. And said according to, the one who visited, that the mirrors were the soul. Often people represent mirrors as the reflection of the soul. A mirror is also placed in the center of the Freemason altar. That they use at the end of the meal, where on the right side of the piece of furniture, the master (only the masters can touch, the piece of furniture) poses his left hand (the hand, which sucks the energy). And on the other after the chain, creating with the other members, a master places his right hand (giving hand) on the opposite door. The chain is represented, in Freemasonry illustrations, by a rope. Where he has the mirror, he has a checkerboard, which goes towards the center. The checkerboard, which normally forms a rectangle, goes towards the mirror, forming, thanks to the mirror, an hourglass. And form, if we continue, the edges, form a triangle. The energy, which circulates, replaces the soul of the members with a new one.
It also has a writing room, with leopard wallpaper.
And a room, with a bed, whose foot (normally, the feet absorbs the energy of the earth, here it is the opposite, it absorbs the energy of the sun (which is normally, for the Goddess) is towards the window, and at her head, a black statue [of a woman (normally)], represents in my opinion the Goddess, Satan. Her bed is moreover covered, like a tent. The roof, like the veil, represents the sky of night.
Here is a video, of his house and at the end of the church, that he did, the illustrations:
Christian Louboutin
RED SHOES
Jean Cocteau
Jean Marais was his MK ULTRA slave
He was friend of Christian DIOR
John_Galliano
Dance Macabre. Gucci 2018
Maison Margiela SS 2021
RED SHOES
Jean Cocteau
Jean Marais was his MK ULTRA slave
He was friend of Christian DIOR
John_Galliano
Dance Macabre. Gucci 2018
Maison Margiela SS 2021
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Yes, intresting connection because it is the first time I see chechkerboard with Egiptian culture. And that Black and Red pattern I have never seen in Egipt before.
André-Henri Dargelas (1828 - 1906)
It is a fatal mistake to think that HIVITES have some art styles. Thay can appear in any art style.
'André Henri Dargelas, born in Bordeaux on October 11, 1828 and died in Écouen in June 1906, is a French painter and designer of the realist movement....From 1850 on, his works enjoyed particular success in Great Britain after enthusiastic criticism from English art critic John Ruskin who appreciated Dargelas' sentimental vision of childhood.'
http://fr.wikipedia.org/wiki/André-Henri_Dargelas
1812 catastrophy theme. Empty city. Two boys have red socks, the secon have blak hypercube at his head.
Jean-Baptiste Monge
Daniel Carranza
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KuKula
Isabella Mazzanti
Brian Froud
JIM HENSON
Naïve art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing).[1] When this aesthetic is emulated by a trained artist, the result is sometimes called primitivism, pseudo-naïve art,[2] or faux naïve art.[3]
Naïve art[7] is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
The characteristics of naïve art have an awkward relationship to the formal qualities of painting, especially not respecting the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance):
Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.
Henri Rousseau
Isabella Mazzanti
Brian Froud
JIM HENSON
Naïve art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing).[1] When this aesthetic is emulated by a trained artist, the result is sometimes called primitivism, pseudo-naïve art,[2] or faux naïve art.[3]
Naïve art[7] is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.
The characteristics of naïve art have an awkward relationship to the formal qualities of painting, especially not respecting the three rules of the perspective (such as defined by the Progressive Painters of the Renaissance):
- Decrease of the size of objects proportionally with distance,
- Muting of colors with distance,
- Decrease of the precision of details with distance,
- Effects of perspective geometrically erroneous (awkward aspect of the works, children's drawings look, or medieval painting look, but the comparison stops there)
- Strong use of pattern, unrefined color on all the plans of the composition, without enfeeblement in the background,
- An equal accuracy brought to details, including those of the background which should be shaded off.
Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.
Henri Rousseau
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Shuna
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Freemason > Shriners > Royal Order of Jesters mascot looks like the Ancient Egyptian fertility god Bes. Read the post here to learn about the perverted Jesters.
Merci, pour le lien, C'est hallucinant, le nombre de symboles, que j'ai trouvé... Et ma aidée, a confirmé, que certains on des références Franc-Maçonne, en tout cas, dans la réalisation, cinématographique... Ainsi, que la musique, comme la KPop: le Dieu, représenté avec des morceaux de voiture (dont un tuyau, qui dans certains clips, est remplacé par une batte) et outils de réparations, porte, avec la jambe gauche. Je me demande, par contre, est-ce que ça marche, lorsqu'ils frappent, la caméra, avec la jambe droite... normalement oui. Il a aussi la référence à la couronne, j'ai remarqué, que la couronne à pointe, comporte des boulles, au bout des piques. Peut être une référence, de l'acte sexuel, puisqu'ils sont soit assis complètement, soit comme, sur le badge, une jambe lever.
L'autre est le mouvement de la main droite, avec le couteau (le salut), devant le front. Ce que fait le héro, celui, qu'on présente, comme le messie, d'ailleurs, rien que le logo, comporte, pleins de symboles:
Sinon, le chapeau Turc:
Qui est porté, par Doctor Who, il portera, aussi une tenue, Franc-Maçonne, dans un lieu, à quelques détailles symboliques. Il a aussi, dans "L'Attaque des Titans", certains membres, du peuple de Marh portent, le même chapeau, et parmi, tout les autres symboles. Le père d'Eren, créant une révolution, se coupe, la poitrine, en signe de reconnaissance.
Et t'en qu'on est dans le lien, il a une image, avec les masques, des représentations, théâtrales: entre le sourire pour la comédie et le visage tragique, pour la tragédie, qui est caché par le sourire. Le théâtre est lié au Dieu, Dionysos, Dieu du vin, de la semence et de la fertilité de la vigne, et de l’allégresse ainsi que du théâtre.
Ce qui est intéressant, c'est qu'il représente souvent: l'Antichrist, le Dieu du Troisième quart, dans mon cycle est le Dieu sexuel, ou tueur de la lumière (qu'il est pourtant juste avant, vu qu'il est le soleil, qui soit, est caché par les nuages, soit celui, qui va se couché).
L'autre est le mouvement de la main droite, avec le couteau (le salut), devant le front. Ce que fait le héro, celui, qu'on présente, comme le messie, d'ailleurs, rien que le logo, comporte, pleins de symboles:
Sinon, le chapeau Turc:
Qui est porté, par Doctor Who, il portera, aussi une tenue, Franc-Maçonne, dans un lieu, à quelques détailles symboliques. Il a aussi, dans "L'Attaque des Titans", certains membres, du peuple de Marh portent, le même chapeau, et parmi, tout les autres symboles. Le père d'Eren, créant une révolution, se coupe, la poitrine, en signe de reconnaissance.
Et t'en qu'on est dans le lien, il a une image, avec les masques, des représentations, théâtrales: entre le sourire pour la comédie et le visage tragique, pour la tragédie, qui est caché par le sourire. Le théâtre est lié au Dieu, Dionysos, Dieu du vin, de la semence et de la fertilité de la vigne, et de l’allégresse ainsi que du théâtre.
Ce qui est intéressant, c'est qu'il représente souvent: l'Antichrist, le Dieu du Troisième quart, dans mon cycle est le Dieu sexuel, ou tueur de la lumière (qu'il est pourtant juste avant, vu qu'il est le soleil, qui soit, est caché par les nuages, soit celui, qui va se couché).
Thank you, for the link, It's amazing, the number of symbols, which I found... And my help, confirmed, that some have Freemason references, in any case, in the realization, cinematographic. .. Thus, that music, like KPop: the God, represented with car parts (including a pipe, which in some clips, is replaced by a bat) and repair tools, carries, with the left leg. I wonder, on the other hand, does it work, when they strike the camera, with the right leg... normally yes. It also has the reference to the crown, I noticed that the pointed crown has balls at the end of the spades. Can be a reference, of the sexual act, since they are either completely seated, or like, on the badge, a leg lifted.
The other is the movement of the right hand, with the knife (the salute), in front of the forehead. What does the hero do, the one we present, as the messiah, moreover, nothing but the logo, includes, full of symbols:
Otherwise, the Turkish hat:
Who is worn, by Doctor Who, he will wear, also an outfit, Freemasonry, in a place, to some symbolic details. He also, in the "Attack on Titans", certain members of the people of Marh wear the same hat, among all the other symbols. Eren's father, creating a revolution, cuts his chest in recognition.
And you are in the link, it has an image, with masks, representations, theatrical: between the smile for comedy and the tragic face, for tragedy, which is hidden by the smile. The theater is related to the God, Dionysus, God of wine, of the seed and the fertility of the vine, and of joy as well as of the theater.
What is interesting is that he often represents: the Antichrist, the God of the Third Quarter, in my cycle is the sexual God, or killer of light (which he is however just before, since he is the sun, which either is hidden by the clouds, or the one, which goes to bed).
The other is the movement of the right hand, with the knife (the salute), in front of the forehead. What does the hero do, the one we present, as the messiah, moreover, nothing but the logo, includes, full of symbols:
Otherwise, the Turkish hat:
Who is worn, by Doctor Who, he will wear, also an outfit, Freemasonry, in a place, to some symbolic details. He also, in the "Attack on Titans", certain members of the people of Marh wear the same hat, among all the other symbols. Eren's father, creating a revolution, cuts his chest in recognition.
And you are in the link, it has an image, with masks, representations, theatrical: between the smile for comedy and the tragic face, for tragedy, which is hidden by the smile. The theater is related to the God, Dionysus, God of wine, of the seed and the fertility of the vine, and of joy as well as of the theater.
What is interesting is that he often represents: the Antichrist, the God of the Third Quarter, in my cycle is the sexual God, or killer of light (which he is however just before, since he is the sun, which either is hidden by the clouds, or the one, which goes to bed).